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_´ÜÆí ?²É?ÀÇ ¼Ò¼³°¡ ºÎÈñ·É (Novelist Pu Hee-ryoung)

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_´ÜÆí ?»ç¶ûÇ϶ó, Èñ¸Á ¾øÀÌ?ÀÇ ¼Ò¼³°¡ À±¿µ¼ö (Novelist Yun Young-su)

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_´ÜÆí ?¾Æ¹«µµ µ¹¾Æ¿ÀÁö ¾Ê´Â ¹ã?ÀÇ ¼Ò¼³°¡ ±è¼û (Novelist Kim Soom)

...´ç½ÅÀÇ Àλý¿¡¼­ °ÅÁþÀ» »©¸é ¹«¾ùÀÌ ³²À»±î? ¾àÀڵ鸸ÀÌ »îÀ» °ßµð±â À§ÇØ È¯»óÀ» ºô·Á¿Â´Ù.
_´ÜÆí ?¹ßÄ­ÀÇ Àå¹Ì¸¦ ³»°Ô ÁÖ¾ú³×?ÀÇ ¼Ò¼³°¡ Á¤¹Ì°æ (Novelist Jung Mi-kyung)

°³ÀÎÀûÀ¸·Î Àڱ⠺нÅÀ» º¸´Â °Í °°Àº ÀÛÇ°ÀÌ ÀÖ´Ù. ¹Ù·Î <ºÏ¼Ò¸®>ÀÌ´Ù. ÀÌ ÀÛÇ°ÀÌ »õ ¾ð¾î¸¦ ÀÔ°í °ö°Ô ´ÜÀåµÇ¾î ´õ ³ÐÀº ¹«´ë·Î ³ª¼­´Â ¸ð½ÀÀ» º¸´Â °¨È¸´Â °¢º°ÇÒ ¼ö¹Û¿¡ ¾ø´Ù.
_´ÜÆí ?ºÏ¼Ò¸®?ÀÇ ¼Ò¼³°¡ ¼Û¿µ (Novelist Song Yong)

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_´ÜÆí ?³ª´Â À½½ÄÀÌ´Ù?ÀÇ ¼Ò¼³°¡ ¿À¼ö¿¬ (Novelist Oh Soo-yeon)

ÀÌ°ÍÀº ¾î¼¸é ³» À̾߱â´Ù. µÎ ¿©ÀÚ ¸ðµÎ ³ª·ÎºÎÅÍ ³ª¿Ô´Ù. µÎ ¿©ÀÚ. ÇÑ ¹úÀÇ Á£°¡¶ô. °ø°Ý°ú ¹æ¾î¸¦ ÁÖ°í¹Þ´Â, ÀǽÄÀÇ ÀÌÆí°ú ÀúÆíÀ» ¿À°í°¡´Â. À§ÅÂÇÑ Á£°¡¶ôÁú.
_´ÜÆí ?Á£°¡¶ô¿©ÀÚ?ÀÇ ¼Ò¼³°¡ õ¿î¿µ (Novelist Cheon Un-yeong)

Á¦ ¼Ò¼³ÀÌ Å¸±¹ÀÇ ¾ð¾î·Î ¿Å°ÜÁ®¼­ ±×°÷ µ¶Àڵ鿡°Ô ÀÐÈù´Ù´Â »ó»óÀ» ÇÏ¸é ¾î¾Áö ±× ³ª¶ó·ÎºÎÅÍ ¾ÆÁÖ Æ¯º°ÇÑ Ãʴ븦 ¹Þ¾Ò´Ù´Â »ý°¢ÀÌ µì´Ï´Ù. ¶æ ±íÀº ÃÊ´ëÀåÀ» ¸¸µé¾îÁֽŠ¹ÙÀ̸µ±È ¿¡µð¼Ç Çѱ¹ ´ëÇ¥ ¼Ò¼³ ½Ã¸®Áî¿¡ °¨»çµå¸³´Ï´Ù.
_´ÜÆí ?¾ÆÁ÷ ÀϾÁö ¾ÊÀº ÀÏ?ÀÇ ¼Ò¼³°¡ ±è¹Ì¿ù (Novelist Kim Mi-wol)

ÀÌ ÀÛÇ°µé·Î ÀÎÇØ ³ªÀÇ Çѱ¹¹®È­¿¡ ´ëÇÑ È£±â½ÉÀº Å« ÀÚ±ØÀ» ¹Þ¾Ò´Ù. Á¤¼ºÀ» ´ÙÇÑ ¹ø¿ªÀº ÀÛ°¡ °³°³ÀÎÀÇ ¹®Ã¼¸¦ ¹Ý¿µÇÏ°í ÀÖÀ¸¸ç ³»°Ô ¾ð¾îÀÇ ¸¶·ÂÀ» »ó±â½ÃÄÑ ÁÖ¾ú´Ù. Çѱ¹Àº dzºÎÇÑ ¹®ÇÐÀÇ ¿ª»ç¸¦ °¡Áö°í ÀÖÀ¸¸ç ±×°ÍÀº ÀÌ ÀÛÇ°µé ¼Ó¿¡ Àß ¹Ý¿µµÇ¾î ÀÖ´Ù. ¿µ¹® âÀÛ°ú ¹®Çа³·Ð ±³À°Àڷμ­ ³ª´Â º¸Åë, ÀþÀº ¼¼´ë´Â ¹Ì±¹¹®È­¸¦ Æ÷¿ëÇÏ¸ç ºÎ¸ðµéÀº ÀڽŵéÀÇ ÀüÅëÀÇ »ó½ÇÀ» ½½ÆÛÇÏ´Â ±¸µµÀÇ Çѱ¹°è ¹Ì±¹¼Ò¼³¿¡ ´õ Ä£¼÷ÇÏ´Ù. ÀÌ ÀÛÇ°µéÀº ³» °­ÀÇ¿¡ Å« µµ¿òÀÌ µÉ °ÍÀÌ´Ù. ¹®ÇÐÀº ´Ù¸¥ ¼¼°è¸¦ µé¿©´Ùº¸¶ó´Â ÃÊ´ëÀÌ´Ù. ÀÌ ÀÛÇ°µéÀº Çѱ¹¹®È­¿¡ ´ëÇÑ ³Ð°í ¸¼Àº âÀÌ´Ù.

My curiosity about Korean culture has been piqued by the stories. The careful translations echo the individual author¡¯s style and remind me of the magic of language. Korea has a rich literary history that is surely reflected in the stories. As an English composition and literature survey instructor, I am more familiar with Korean American stories that generally reflect youth embracing American culture and parents ruing the loss of their traditions. Reading these stories will inform my teaching. Literature is an invitation to see into another world. These stories are a vast clear window into Korean culture.
_Ä¿»÷µå¶ó S. °ñµå¿öÅÍ, ·¹Áñ¸®´ëÇÐ ¹®Çа³·Ð°ú ¹®¿¹Ã¢ÀÛ °­»ç

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»ÚÀ̰ųª ÂêÀ̰ųª 007
Puy, Thuy, Whatever
Çؼ³ 085
Afterword
ºñÆòÀÇ ¸ñ¼Ò¸® 111
Critical Acclaim
ÀÛ°¡ ¼Ò°³ 122
About the Author

º»¹®Áß¿¡¼­

ÂêÀÌ´Â ¹æ ¾È¿¡¼­ ÇÏ·ç Á¾ÀÏ TV¸¦ º¸°Å³ª À½¾ÇÀ» µé¾ú´Ù. ¿¹Àü¸¸Å­ ¾ÆÀ̵¹ ±×·ìÀÇ ³ë·¡°¡ ÁÁÁö ¾Ê¾Ò´Ù. µå¶ó¸¶¿¡ ¿ÏÀüÈ÷ Èï¹Ì¸¦ ÀÒ¾î¹ö·È´Ù. ÂêÀÌ´Â ¸ç´À¸®µµ, ºÎÀεµ, Çü¼öµµ, ¾Æ¹«°Íµµ ¾Æ´Ï¾ú´Ù. ÇüÁ¦´Â ±×³à¸¦ °øÀ¯Çß´Ù. ³ë¸ðµµ ±× »ç½ÇÀ» ¾Ë°í ÀÖ¾ú´Ù. ³ª¹«¶ó±â´ÂÄ¿³ç, ¿©ÀüÈ÷ ¿ì¾Ö ÁÁÀº ÇüÁ¦·Î ³²Àº °ÍÀ» ´ÙÇàÀ¸·Î ¿©°å´Ù. ÇüÁ¦´Â ¹ø°¥¾Æ°¡¸ç ½Ãµµ ¶§µµ ¾øÀÌ ±×³à¸¦ ŽÇß´Ù. Ãà»ç¿¡¼­ Å°¿ì´Â Á¥¼Ò¸¸Å­ÀÇ »ç¶û°ú ¹è·Áµµ ÂêÀÌ´Â ¹ÞÁö ¸øÇß´Ù. ÂêÀÌ´Â ¸ðµç °ÍÀ» Æ÷±âÇß´Ù. ±×³àÀÇ ÄÚ¸®¾Èµå¸²Àº °Å±â±îÁö¿´´Ù. ¹æÀÇ ÀÚ¹°¼è¸¦ Ç®°í ÂêÀ̸¦ ²¨³»ÁØ °ÍÀº ³·¿¡µµ ÀÏÀ» ½ÃÅ°±â À§Çؼ­¿´´Ù. ÇüÁ¦µéÀº ³ë¸ðÀÇ ÀÏÀÌ ÁÙ¾îµé°Ô µÈ °ÍÀÌ ±â»¼´Ù. È¿µµÇÏ´Â ±âºÐÀÌ µé¾ú´Ù.

In the room, Thuy would spend the whole day watching TV or listening to music. She didn¡¯t care much for those young pop stars and their music any more. Her interest in soap operas was gone, as well.Thuy was not a daughter-in-law, not a wife, not a sister-in-law or anything at all. The brothers shared her. The aged mother was aware of this. She said nothing, though, relieved to see them still on good terms, as brothers. Taking turns, the brothers might turn their desire on her at any time. Thuy never received even the love or consideration given to the cows being raised out in the shed.Finally, Thuy gave up on everything. The dreams she had had of Korea ended there.When they did open the door, and Thuy was let out, it was only so they could also have Thuy do some work during the day. The brothers were happy then, as there would be less work for their aged mother. They felt themselves to be doing what was proper for sons.

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