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If you were around universities in the 1980s, you'll recall a lot of back-and-forth on the topic of "center" and "periphery". One interesting question would often come up: where did Japan fit in all this? Or, more accurately: where was Tokyo-center or periphery? Japan's capital always had this sense of scaling strangely. At the end of the Cold War, Europe and the US piloted the world to a degree that seems unthinkable today-but even as Japan was on the edge of all that political action, its capital city, Tokyo, was fixed firmly within a tiny trio of global centers with international financial, industrial and cultural impact, along with London and New York. Tokyo was a major force, changing everyone's music-even changing how we listened. Changing our cars, fashion, art, architecture. Japan's infrastructure for its influential architecture was pretty much entirely concentrated in Tokyo. By the 1980s, dominant construction contractors-even Takenaka, rooted in Japan's second city of Osaka for centuries-found it necessary to have a strong presence in the capital. Preeminent design professionals of every sort clustered in Tokyo, too: architects, structural engineers, lighting consultants. Part of Tadao Ando's reputation as a headstrong outsider was simply due to the fact that he remained a long way away from Tokyo, working in his hometown of Osaka. Japan's media, its architecture magazines and leading television production, too, was in the capital. There emerged an awkward gap. Tokyo was a global player, set in an inward-oriented nation still strongly aware of the value of tenacious traditions. This split fed dramatic tensions between the sprawling city and the countryside beyond the capital. It sometimes seemed that Tokyo's architects had greater influence in cities like San Francisco and Sydney than in Sendai and Sapporo. You can see the same situation in other places today-Seoul, say. A strong center out of step with people on the periphery. In 1980s Japan things many people loved seemed to be of little importance to the architects who were the country's leading lights. People in second-tier cities and small towns still slept on tatami floors and scrubbed their cemeteries on Obon, while Tokyoites flew off to foreign nations for quick, exotic trips. Roof thatch and careful carpentry lined rural roads, not even legal for the streetfronts of big cities.
- Text by Dana Buntrock

Katsuhiro MIYAMOTO

1961 Born in Hyogo Prefecture
1984 Bachelors of Architecture, University of Tokyo
1987 Masters of Architecture, University of Tokyo
1988 Established Atelier Cinquieme Architects
1995 Associate Professor, Department of Architecture, Osaka University of Arts
2002 Reorganized to Katsuhiro Miyamoto & Associates
2008 Professor, Graduate School of Engineering and Urban Research Plaza, Osaka City University

Major Awards
2010 Excellent Prize, Renovation Proposal for Ichihara City Art Museum "Water and Sculpture Hills", JAPAN
2010 Grand Prize, Japan Federation of Architects & Building Engineers Association Awards, JAPAN [Chushin-ji Temple Priest's Quarters]
2011 Annual Architectural Design Commendation by Architectural Institute of Japan, JAPAN [Chushin-ji Temple Priest's Quarters]
2012 Grand Prize, AICHI-MACHINAMI Architectural Award, JAPAN [bird house]
2001, 03, 04, 07, 08 Good Design Awards, JAPAN ["House Surgery"] [SH@64] [KURAKUEN] [SoHo] [KURAKUEN addition] [SHIP] [CLOVER HOUSE]
2002, 04, 05, 08, 10, 11, 12 Selected Architectural Designs of the Architectural Institute of Japan, JAPAN ["House Surgery"] [KURAKUEN] [SoHo] [grappa] [CLOVER HOUSE] [between] [Chushin-ji Temple Priest's Quarters] [birdhouse]
2005, 06, 07, 08, 10, 11 Japan Institute of Architects Selected Works, JAPAN [KURAKUEN] [SUGARUKARAHAFU] [SoHo] [KURAKUEN addition] [SHIP] [grappa] [CLOVER HOUSE] ["HANKAI" HOUSE] [Chushin-ji Temple Priest's Quarters] [gather] [birdhouse]

Major Publication written in English
2010 "Grown" flick studio (JAPAN)
2011 "Twelve houses restored in Japan and Italy" ARACNE (ITALY)
2011 "KANSAI6" Equal Books (KOREA)
2012 "Katsuhiro Miyamoto" Libria (ITALY)

If you were around universities in the 1980s, you’ll recall a lot of back-and-forth on the topic of “center” and
“periphery”. One interesting question would often come up: where did Japan fit in all this? Or, more accurately: where was Tokyoㅡcenter or periphery? Japan’s capital always had this sense of scaling strangely. At the end of the Cold War, Europe and the US piloted the world to a degree that seems unthinkable todayㅡbut even as Japan was on the edge of all that political action, its capital city, Tokyo, was fixed firmly within a tiny trio of global centers with international financial, industrial and cultural impact, along with London and New York. Tokyo was a major force, changing everyone’s musicㅡeven changing how we listened. Changing our cars, fashion, art, architecture. Japan’s infrastructure for its influential architecture was pretty much entirely concentrated in Tokyo. By the 1980s, dominant construction contractorsㅡeven Takenaka, rooted in Japan’s second city of Osaka for centuriesㅡfound it necessary to have a strong presence in the capital. Preeminent design professionals of every sort clustered in Tokyo, too: architects, structural engineers, lighting consultants. Part of Tadao Ando’s reputation as a headstrong outsider was simply due to the fact that he remained a long way away from Tokyo, working in his hometown of Osaka. Japan’s media, its architecture magazines and leading television production, too, was in the capital. There emerged an awkward gap. Tokyo was a global player, set in an inward-oriented nation still strongly aware of the value of tenacious traditions. This split fed dramatic tensions between the sprawling city and the countryside beyond the capital. It sometimes seemed that Tokyo’s architects had greater influence in cities like San Francisco and Sydney than in Sendai and Sapporo. You can see the same situation in other places todayㅡSeoul, say. A strong center out of step with p
eople on the periphery. In 1980s Japan things many people loved seemed to be of little importance to the architects who were the country’s leading lights. People in second-tier cities and small towns still slept on tatami floors and scrubbed their cemeteries on Obon, while Tokyoites flew off to foreign nations for quick, exotic trips. Roof thatch and careful carpentry lined rural roads, not even legal for the streetfronts of big cities.
_Text by Dana Buntrock

Katsuhiro MIYAMOTO
1961 Born in Hyogo Prefecture
1984 Bachelors of Architecture, University of Tokyo
1987 Masters of Architecture, University of Tokyo
1988 Established Atelier Cinquieme Architects
1995 Associate Professor, Department of Architecture, Osaka University of Arts
2002 Reorganized to Katsuhiro Miyamoto & Associates
2008 Professor, Graduate School of Engineering and Urban Research Plaza, Osaka City University

Major Awards
2010 Excellent Prize, Renovation Proposal for Ichihara City Art Museum “Water and Sculpture Hills”, JAPAN
2010 Grand Prize, Japan Federation of Architects & Building Engineers Association Awards, JAPAN 〈Chushin-ji Temple Priest’s Quarters〉
2011 Annual Architectural Design Commendation by Architectural Institute of Japan, JAPAN 〈Chushin-ji Temple Priest’s Quarters〉
2012 Grand Prize, AICHI-MACHINAMI Architectural Award, JAPAN 〈bird house〉
2001, 03, 04, 07, 08 Good Design Awards, JAPAN 〈"House Surgery"〉 〈SH@64〉 〈KURAKUEN〉 〈SoHo〉 〈KURAKUEN addition〉 〈SHIP〉 〈CLOVER HOUSE〉
2002, 04, 05, 08, 10, 11, 12 Selected Architectural Designs of the Architectural Institute of Japan, JAPAN 〈"House Surgery"〉 〈KURAKUEN〉 〈SoHo〉 〈grappa〉 〈CLOVER HOUSE〉 〈between〉 〈Chushin-ji Temple Priest’s Quarters〉 〈birdhouse〉
2005, 06, 07, 08, 10, 11 Japan Institute of Architects Selected Works, JAPAN 〈KURAKUEN〉 〈SUGARUKARAHAFU〉 〈SoHo〉 〈KURAKUEN addition〉 〈SHIP〉 〈grappa〉 〈CLOVER HOUSE〉 〈"HANKAI" HOUSE〉 〈Chushin-ji Temple Priest’s Quarters〉 〈gather
〉 〈birdhouse〉

Major Publication written in English
2010 “Grown” flick studio (JAPAN)
2011 “Twelve houses restored in Japan and Italy” ARACNE (ITALY)
2011 “KANSAI6” Equal Books (KOREA)
2012 “Katsuhiro Miyamoto” Libria (ITALY)

Katsuhiro MIYAMOTO'S Works

Works
1992 Open_Air Kindergarten
1995 AIDA-SOU Apartment House for Family
1995 Topographical Healing
1996 The 6th Venice Architecture Biennale Japanese Pavilion "Fractures"
1997 House Surgery
1998 Riverine House
1999 SH@64
2000 ?
2001 KURAKUEN
2002 Competition Proposal for New Tomihiro Museum of SHI-GA(poems and watercolor paintings) in Azuma Village
2002 SUGARUKARAHAFU
2003 SoHo
2003 Competition Proposal for "Environment Art Forum in Annaka"
2003 KURAKUEN addition
2003 Minatomachi Underground Project
2003 Kumano Kodo Center Competition Proposal
2005 House on the Stairway
2005 Odawara Castle Town Concert Hall Competition Proposal
2005 Kobe Kaeru Caravan 2005 "Bamboo sheets"
2006 KOKUEIKAN Project Competition Proposal
2006 SHIP
2006 Grappa
2006 CLOVER HOUSE
2007 Hongu Visitor Center Competition Proposal
2007 Put
2007 HANKAI HOUSE
2008 傘?華 Umbrella flowers
2008 Kurakuen Annex
2009 Between
2009 Gather
2009 Chushin-ji Temple Priests' Quarters
2010 Competition Proposal for Water and Sculpture Hills ICHIHARA
2010 N'dam
2010 Bird House
2010 Sylvan Interior
2010 Elastico
2011 Concrete Forest and Gallery Boxes
2011 Joshu-Tomioka Station Competition Proposal:Floating Catenary
2011 Sowing Seeds of Hope
2012 Maeamihama Public Housing
2012 Face of HORAIKAN
2013 Arena Dwelling
2013 Shinpuku-ji Temple Reception Hall
2013 Tooth
2013 Unosumai School Competition Proposal
2013 Fukushima Dai-ichi Sakae Nuclear Plant
2014 Kamaishi Citizen Hall Proposal Competition
2014 Pantagraph
2014 Academic-Industrial Cooperation Laboratory
2014 Shinpuku-ji Temple Reception Hall Extension
2014 Takarazuka Garden Fields Reuse Competition Proposal
2015 Korin-ji Temple Facade Renovation
2017 Backbone
2018 Korin-ji Temple Facade Renovation
2018 Kitakyushu Contemporary Art Center
2019 Bentenshu Belieers' Assembly Hall