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Soo-Nam Song (1938~2013)
1938 Born in Jeonju, Jeollabuk-do, Korea
1956~1963 Graduated from Department of Oriental Painting, Hongik University

Career
1975~2003.2 Professor of department of Oriental Painting, Hongik University
Director of the Hongik University Museum
Director of the Research Center for Contemporary Visual Art, Hongik University
Director of the Institute of Education For Culture and Arts, Hongik University
Director of the Institute of Art Education, Hongik University
The 15th awarding committee on Korea Fine Arts Prize
Awarding committee on the Joong-Ang Art Grand Prix
The 1, 5th Operation and awarding committee on Korea Fine Arts Prize
Operation and awarding committee on Dong-A Art Festival
Operation committee on Seoul Art Grand Prix
Member of Seoul Art
Member of Korea Artists Association

Awards
1990 The First prize for the 16th Joong-Ang Art Grand Prix
1996 Prize of the best literary Korean Painter, the Literary Men¢¥s Association
2004 Hwangjo Geunjeong, the Order of Service merit, Yellow Stripes
2007 Prize of Korea Artist
2013 Engwan, the Order of Culture Merit


Solo Exhibitions
1956 Solo Exhibition, Jeonju
1964 Invitation Solo Exhibition, Village Gallery, New York
Solo Exhibition, Seoul
1967 Solo Exhibition, Jeonju
1969 Song Soo-nam Korean Painting Exhibition, Newspaper Hall Gallery, Seoul
1973 Song Soo-nam Solo Exhibition, Shinsaegae Gallery, Seoul
1974 Invitation Solo Exhibition, Yang ji Gallery, Seoul
1975 Invitation Solo Exhibition at Sweden National Oriental Museum, Stockholm
1977 Invitation Solo Exhibition, Maekhyang Gallery, Daegu
1978 Solo Exhibition, Dongsanbang Gallery, Seoul
Invitation Solo Exhibition, New York Gallery, New York
1980 Hawaii University Invitation Exhibition commemorates Korean Center Opening, Hawaii University
1983 Song Soo-nam Solo Exhibition, Hyundai Gallery, Seoul
Invitation Solo Exhibition, Maekhyang Gallery, Daegu
Invitation Solo Exhibition, Chosunbichi Gallery, Busan
1984 Song Soo-nam Solo Exhibition, Korean Cultural Center, New York
1985 Song Soo-nam Printmaking Exhibition, Cho Sun Gallery, Seoul
1986 Oriental Painting Invitation Exhibition, Gangnam Hyun Dae Gallery
Song Soo-nam Invitation Exhibition, Jin Gallery, Busan
1988 Nature and City Exhibition, Dongsanbang Gallery, Seoul
1989 Namcheon Printmaking Exhibition, Cheung Jak Art Hall, Seoul
1991 Sumuk of Four Seasons Exhibition, Gallery Seo Ho, Seoul
1995 Namcheon Song Soo-nam's Solo Exhibition, Gong Pyong Art Center, Seoul
1997 Nature and Meditation Exhibition, Yenar Gallery, Seoul
Namcheon Song Soo-nam, Total Museum of Art, Seoul
2002 Namcheon Song Soo-nam, Gallery Rho, Seoul
2004 Namcheon Song Soo-nam, Master of Sumuk in Our Times, Gana Art Center, Seoul
2005 Solo exhibition-'The flower is in mind', Gallery Rho, Seoul
2008 Solo exhibition, Baiksong Gallery, Seoul
Solo exhibition, Galerie-gaia, Seoul
2009 Solo exhibition, Woong Gallery, Seoul
Invitation Solo Exhibition, Gallery H, Seoul
2010 Namcheon Song Soo-nam, Sori Arts Center of Jeollabuk-do, Jeonju
2011 Solo exhibition, W-Gallery, Iksan
2012 Solo exhibition, Galerie-gaia, Seoul
2013 Solo exhibition, Gallery Rho, Seoul
1980's Artists of Art Movement-Namcheon Song Soo-nam, Jeonbuk Museum of Art
Invitation Exhibition, Hampyeong Museum of Art
2014 Special Exhibition of The Donation Artist-Master of Sumuk, Namcheon Song Soo-nam, National Museum of Modern and Contemporary Art

Group Exhibitions
1964 Invitation Exhibition of Modern Artists, Chosun Ilbo
1967 The 9th Tokyo International Biennale, Tokyo, Japan
1970 Korean Art Grand Prix Invitation Exhibition, National Museum of Modern and Contemporary Art, Korea
The 2nd India Triennale, New Delhi, India
1971 Korean Painting of Today, Myeong-dong Gallery
1972 The 7 Korean Contemporary Artists, Asian Foundation Gallery, San Francisco
1973 The 10 Korean Painting Art Exhibition, Tokyo
The 12th S?o Paulo Biennale, Sao Paulo, Brazil
1974 Korean Contemporary Painting Exhibition, Song Pan Sil Gallery, Tokyo
HyunDai Gallery Coordinated Exhibition, Hyun Dai Gallery, Seoul
Invitation Exhibition of the 6 Oriental Painting Artists, USA, Áö¿ª?
Korean Contemporary Painting, Dong Ho Gallery, Nagoya
1975 Invitation Exhibition of the 7 Oriental Painting Artists, Shinsaegae Gallery, Seoul
1976 Invitational Exhibition of 21 Artists, Dongsanbang Gallery, Seoul
The Grand Exhibition of Korean Contemporary Painting, National Museum of Modern and Contemporary Art
1977 The 13th Asian Contemporary Art Exhibition, Tokyo
Korean Art Grand Prix Invitation Exhibition, National Museum of Modern and Contemporary Art
Korean Contemporary Painting Exhibition, Australia
1978 Exhibition of the 12 Oriental Painting Artists, Newspaper Hall Gallery, Seoul
Korean Art 20 Year Trend Exhibition, National Museum of Modern and Contemporary Art
1979 Korean Nature on eyes of Oriental Painter, National Museum of Modern and Contemporary Art
Korean Art-Method of Today, Fine Art Center
1981 Drawing Exhibition of Korean Contemporary Artists, Brooklyn Museum, New York
Drawing 81, National Museum of Modern and Contemporary Art
The 7th Seoul Contempory Art Festival, Fine Art Center
The 6th Ecole de Seoul, Kwanhoon Museum
Four Artists Exhibition of Sumuk Painting, Dongsanbang Gallery
Baik Sang Art Competition, Baik Sang Memorial Hall
Exhibition of Today's Traditional Painting 81, Kwanhoon Gallery
Sumuk Painting Exihibition, National Museum of Modern and Contemporary Art
1982 Meok, Dot and Line Exhibition, Kwanhoon Gallery
Korean Contemporary Art Exhibition, Milano, Italy
International Contemporary Sumuk Painting Association Exhibition, History Museum, Taiwan
'82 Korea-China Modern Painting and Writing Exhibition, National Museum of Modern and Contemporary Art
Today's Sumuk Painting Exhibition, Songwon Gallery
Contemporary Artists' Printmaking and Drawing, Koryo Gallery
'82 Traditional Painting Exhibition, Kwanhoon Gallery
1983 '83 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art
Contemporary Korean Sumuk Painting Exhibition, Brooklyn Museum, NewYork, U.S.A.
Korean Painting-Today's Trend Exhibition, Fine Art Center
Contemporary Korean Sumuk Painting Exhibition(U.S.A., U.K., Germany, France)
New Formative Art with Paper Works Exhibition, Taiwan
1984 '84 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art
Exhibition of Korean Contemporary Art of 1960s, Walkerhill Museum
Today's 23 Artists, Dongbang Museum
Korean Contemporary Art Exhibition, Taipei Fine Arts Museum, Taiwan
International Korean Contemporary Sumuk Painting Exhibition, Fine Art Center
The Section of Korean Painting, Fine Art Center
Contemporary Korean Paper Exhibition, Washington University
Trend of 1970s' Korean Contemporary Art, Walkerhill Museum
1985 '85 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art
Korean Painting's Direction, Fine Art Center
The Situation of Korean Painting of Today, Chungtop Gallery
Korean Painting-Today and Prospect of Future, Walkerhill Gallery
The Perspective of Contemporary Korean Painting, Kwanhoon Gallery
The Direction of Contemporary Sumuk Painting, Sa-In Gallery, Busan
1986 Korean Painting-The Diversity, Fine Art Center
Korean Contemporary Art-The Past and Present, National Museum of Modern and Contemporary Art
Invitation Exhibition of The Colored Muk, Hyundai Gallery
Asian Contemporary Ink Painting Exhibition, Fine Art Center
Compression-Korean Painting's Phenomenon, Arcormo Museum, Seoul
Korean Painting 100 Years, Ho-am Art Museum
86¡® Seoul Art Exhibition, National Museum of Modern and Contemporary Art
1987 Black and White Exhibition in Korean Contemporary Art, National Museum of Modern and Contemporary Art
'87 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art
New Expression of Korean Painting, Fine Art Center
1988 Contemporary Korean Painting Exhibition, Ho-am Art Museum
The 24th Seoul Olympic Art International Contemporary Art Exhibition, Seoul
Conversion of Recognition about Korean Painting, Kwanhoon Gallery
Contemporary Korean Painting Exhibition, Taiwan
International Contemporary Painting Exhibition, National Museum of Modern and Contemporary Art
Nature and City, Dongsanbang Gallery
Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art
Korean Contemporary Painting Exhibition, Ho-am Art Museum
Images of Today, Sigong Gallery
The Celebration Exhibition of Chosun Daily News Art Gallery, Seoul
'88 Invitation Exhibition of Modern Art, National Museum of Modern and Contemporary Art, Gwacheon
1989 '89 Korean Contemporary Painting Exhibition, Ho-am Art Museum
'89 Invited Artists Exhibition, Kwanhoon Gallery
Seoul Art Exhibition, Seoul Museum of Art
The perspective of Human and Nature, Kumho Museum
Card Work Invitation Exhibition, Seoul
7 Korean Painting Artists of Today, Japan
Korean Contemporary Art Exhibition, National Museum of Modern and Contemporary Art
1990 Winter Exhibition, 63 Gallery
Human and Nature, National Museum of Modern and Contemporary Art
The Light of the East(¥±), Kief City Museum, Russia
Exhibition of Today's Seoul, Fine Art Center
The Road to the Baik-Doo Mountain, Lotte Art Gallery
Korean Art-Situation of Today, Art Palace
Korean Contemporary Painting Exhibition, Ho-am Art Museum
1991 6 Artist's Exhibition, Daelim Gallery
Korean Contemporary Art Exhibition, National Museum of Modern and Contemporary Art
Korean Painting-Materiality and the Spirit of the Time, Korea Arts & Culture Education Service
Korean Contemporary Art Exhibition-Groping for the Korean Characteristics, Hanwon Gallery
Circulating Exhibition of Korean Contemporary Art, Yugoslavia
Korean Contemporary Painting Exhibition, Ho-am Art Museum
1992 The Artery of Korea-Groping for Korean Characteristic, Seonam Art Gallery
The Line and Expression-Contemporary Korean Painting Exhibition, Ho-am Art Museum
Korean Contemporary Art Exhibition-Groping for the Korean Characteristics(¥³), Hanwon Gallery
1993 Nature and the Spirit of Korean Painting, Fine Art Center
Korean Art-The Past and the Present, Hallim Gallery
In-Wang Mountain 1993, Seonam Art Center
Printmaking Exhibition, Yeong-dong Arthall
1994 Representation of the Korean Intelligence, Hangaram Art Museum
Seoul International Contemporary Art Festival, National Museum of Modern and Contemporary Art
Re-Discover of Sumuk, Gongpyeong Art Center
Union of Consciousness, Fine Art Center
Contemporary Arts 40 Years, Ho-am Art Museum
1995 Development of the Korean Contemporary Painting 50 Years, Hallim Gallery, Daejeon
Korean Contemporary Painting Exhibition(Seoul, Daejeon, Beijing)
Seoul Art Exhibition, Seoul Museum of Art
UNESCO Invitation Exhibition for 50 Korean Artists, UNESCO, Paris
Country's Nature Exhibition, Korea Arts & Culture Education Service
1996 Today's Korean Paintings-Context and Development, Dukwon Gallery
Korean Paintings-The way of Proliferation, Seonam Art Center
Korean Images, Aotea Centre, Auckland
Korean Theme Art Exhibition-Green Days, HakgoJae
Prominent Artists Exhibition with Jeonju MBC, Samyang Cultural Space, Jeonju
Development of Korean Modernism Art, Kumho Museum
Representation of Korean Contemporary Painting, Dongsanbang Gallery
Joongang biennale, Seoul Museum of Art
Ecole de Seoul, Kwanhoon Gallery
Korean Contemporary Arts Exhibition: The Present and future, Hongik University Museum
BESETO International Paintings and Calligraphic Works, Seoul Museum of Art
Model of Korean Contemporary Arts Exhibition, Ji Yeon Gallery
SAIF, Pacipic Hall, COEX
The Developement of Korea Modernism, Kumho Museum
1997 Prominent Artists Exhibition with Jeonju MBC, Samyang Cultural Space, Jeonju
'97 Korean Art-Situation of Today, Jeonju National Museum, Jeonju
Representation of 21C Korean Painting, Seoul Arts Center
Snowscapes Painting Exhibition, Jeonju National Museum, Jeonju
1998 Scent of Central Art, Daejeon Museum of Art
Invitation Exhibition, Kyung-In Museum of Fine Art
2000 Sea Art Festival 2000-Image of Sea, Sejong Gallery
Wisdom of Classics-The Life of Modern people Exhibition, Gongpyeong Art Center
2001 Contemporary Sumuk Paintings of Korea, China and Japan, National Museum of Modern and Contemporary Art
2003 New Prospect in Drawing, National Museum of Modern and Contemporary Art
A Vague Scene-The Celebration Exhibition of Yooartspace Opening, Yooartspace
2005 Korean and Chinese Contemporary Ink Painting Exhibition, Seoul Museum of Art
2007 ART DAEGU(Art Fair), EXCO, Daegu
2008 Good morning Mr.Nam June Paik-The Celebration Exhibition of Korean Cultural Center Opening, London
Invitational Exhibition of Literati painting, Moran Museum
1960s echo-The Celebration Exhibition of A1 gallery Opening, A1 gallery
Going to_Oriental Paintings of Korea, go to Bayern, KUNST-DIREKT Gallery
2009 The Tone of paintings-The Celebration Exhibition for the 6th anniversary of Yooartspace Opening, Yooartspace
2010 Presence_The Celebration Exhibition of Seongbuk Museum of Art Opening, Seongbuk Museum of Art
2011 Rediscovery of Korean Painting, Seongnam Arts Center
Nature, Life, Human-The Celebration Exhibition of Daegu Art Museum Opening, Daegu Art Museum
113 Korean Artists' Masterpiece, Lotte Depart gallery
2012 Korean art Art New Wave, Hangaram Art Museum
2013 Contemporary Arts in the Textbook, Aram Nuri Aram Art Gallery, Goyang
Paintings on the ceramics, Lotte Gallery

Publications
1977 Sumuk Painting, Dongwon Publishing, Seoul
1978 Oriental Painting, Dongwon Publishing, Seoul
1988 Nature and City, Ewha Publishing, Seoul
1990 Namcheon's Four Gracious Plants, Yekyung Publishing, Seoul
1991 Muk: Expression and Figuration, Yekyung Publishing, Seoul
Four Season Of Ink Painting, Ehwa Publishing
1994 At the Heart of the One Who Is Leaving, Yigachack Publishing, Seoul
1995 The Way of Korean Painting, Articles by Namcheon, Michinsa Publishing, Seoul
1996 The Nature Left at My Hometown: Essays, Sigongsa Publishing, Seoul
1997 Namcheon, Master of Sumuk in Our Times, Ahn Graphics, Seoul
1999 Meditation in Sumuk, Ahn Graphics
2001 The Empty Space of Muk, Misulsarang Publishing, Seoul
2002 Namcheon Song Soo-nam, Master of Sumuk in Our Times, 1954-2004 Kwan Hoon Publishing, Seoul
2005 Plum, Orchid, Chrysanthemum and Bamboo, Art Cultural Center
2009 We are all Happy Flowers, iyagikot
New World of Four Gracious Plants, Jaewon Publishing
2010 Namcheon Song Soo-nam, Master of Sumuk in Our Time, Jaewon Publishing
Namcheon's Flowers, Jaewon Publishing
2011 Black & White, Jaewon Publishing
2012 At the Sumuk garden, the stream of time, Jaewon Publishing
2014 Namcheon Song Soo-nam, Jaewon Publishing

Collections
The British Museum, UK/Sweden National Oriental Museum, Sweden/Korean Cultural Center at the University of Hawaii, Honolulu/Hawaii East-West Center, Honolulu/Brooklyn Museum Art, New York/Oriental Museum, San Francisco/Hongik University Museum, Seoul/Korea University Museum, Seoul/Hanyang University Museum, Seoul/Seoul National University Museum/National Museum of Modern and Contemporary Art, Korea/Seoul Museum of Art/Busan Museum of Art/Daejeon Museum of Art/Jeonbuk Museum of Art/Posco Art Museum/Ho-am Art Museum/Hanrim Museum of Art/Ki-dang Museum of Art/Total Museum of Art/Young-eun Museum of Art/Artsonje center

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2013 ¡®1980³â´ë ¿¹¼ú¿îµ¿ ÇöÀåÀÇ ÀÛ°¡µé-³²Ãµ ¼Û¼ö³²¡¯Àü, ÀüºÏµµ¸³¹Ì¼ú°ü
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2014 ±âÁõÀÛ°¡ Ưº°Àü ¼ö¹¬ÀÎ, ³²Ãµ ¼Û¼ö³², , ±¹¸³Çö´ë¹Ì¼ú°ü

´ÜüÀü
1964 Çö´ëÀÛ°¡ ÃÊ´ëÀü, Á¶¼±ÀϺ¸»ç
1967 Á¦9ȸ µ¿°æ±¹Á¦ºñ¿£³¯·¹, µ¿°æ
1970 Çѱ¹¹Ì¼ú´ë»óÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Á¦2ȸ ÀεµÆ®¸®¿£³¯·¹, ´ºµ¨¸®
1971 ȸȭ ¿À´ÃÀÇ Çѱ¹È­, ¸íµ¿È­¶û
1972 Çѱ¹Çö´ëÀÛ°¡ 7ÀÎÀü, ¾Æ½Ã¾ÆÀç´ÜÈ­¶û, »÷ÇÁ¶õ½Ã½ºÄÚ
1973 Çѱ¹µ¿¾çÈ­ 10ÀÎÀü, µ¿°æ
Á¦12ȸ »óÆÄ¿ï·Î±¹Á¦ºñ¿£³¯·¹, »óÆÄ¿ï·Î
1974 Çѱ¹Çö´ëµ¿¾çÈ­Àü, áæ÷øãøûþÕÆ, µ¿°æ
Çö´ëÈ­¶û ±âȹÀü, Çö´ëÈ­¶û, ¼­¿ï
µ¿¾çÈ­6ÀÎ ÃÊ´ëÀü, ¹Ì±¹
Çö´ëÇѱ¹µ¿¾çÈ­Àü, ÔÔûÇûþÕÆ, ³ª°í¾ß
1975 µ¿¾çÈ­7ÀÎ ÃÊ´ëÀü, ½Å¼¼°èÈ­¶û
1976 Áß°ßÀÛ°¡ 21ÀÎ ÃÊ´ëÀü, µ¿»ê¹æÈ­¶û
Çѱ¹Çö´ëµ¿¾çÈ­´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1977 Á¦13ȸ ¾Æ½Ã¾ÆÇö´ë¹Ì¼úÀü, µ¿°æ
Çö´ë¹Ì¼ú´ë»óÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çö´ëÇѱ¹È¸È­Àü, ¿À½ºÆ®·¹Àϸ®¾Æ
1978 µ¿¾çÈ­12ÀÎÀü, ½Å¹®È¸°ü
Çѱ¹¹Ì¼ú20³â µ¿ÇâÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1979 µ¿¾çÈ­°¡ÀÇ ´«À¸·Î º» Çѱ¹ÀÇ ÀÚ¿¬Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çѱ¹¹Ì¼ú-¿À´ÃÀÇ ¹æ¹ýÀü, ¹Ì¼úȸ°ü
1981 Çѱ¹Çö´ëÀÛ°¡ µå·ÎÀ×Àü, ºÎ·çŬ¸°´ëÇб³¹Ì¼ú°ü, ´º¿å
µå·ÎÀ× 81Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
Á¦7ȸ ¼­¿ïÇö´ë¹Ì¼úÁ¦, ¹Ì¼úȸ°ü
Á¦6ȸ ¿¡²Ã µå ¼­¿ïÀü, °üÈƹ̼ú°ü
¼ö¹¬È­ 4ÀÎÀü, µ¿»ê¹æÈ­¶û
¹é»ó¹Ì¼ú´ëÀü, ¹é»ó±â³ä°ü
¿À´ÃÀÇ ÀüÅëȸȭ 81Àü, °üÈƹ̼ú°ü
Çѱ¹¼ö¹¬È­Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
1982 Ùø, ±×¸®°í ïÇ°ú àÊÀü, °üÈƹ̼ú°ü
Çѱ¹Çö´ë¹Ì¼úÀü, ¹Ð¶ó³ë, ÀÌÅ»¸®¾Æ
±¹Á¦Çö´ë¼ö¹¬È­¿¬¸Í, ´ë¸¸¿ª»ç¹Ú¹°°ü, ´ë¸¸
ÇÑ¡¤Áß Çö´ë¼­È­Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
¿À´ÃÀÇ ¼ö¹¬È­Àü, ¼Û¿øÈ­¶û
Çö´ëÀÛ°¡ ÆÇÈ­¡¤µå·ÎÀ×Àü, °í·ÁÈ­¶û
ÀüÅëȸȭÀü, °üÈƹ̼ú°ü
1983 83¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
¹Ì±¹¼øȸÀü, ´º¿å ºÎ¸£Å¬¸°´ëÇб³¹Ì¼ú°ü
Çѱ¹È­ ¿À´ÃÀÇ »óȲÀü, ¹Ì¼úȸ°ü
Çö´ëÇѱ¹È­ ¼øȸÀü(¹Ì±¹, ¿µ±¹, µ¶ÀÏ, ÇÁ¶û½º)
»õ·Î¿î Á¾ÀÌÀÇ Á¶ÇüÀü, ÃáÁö¿¹¶û, ´ë¸¸
1984 84¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
60³â´ëÀÇ Çѱ¹Çö´ë¹Ì¼úÀü, ¿öÄ¿Èú¹Ì¼ú°ü
¿À´ÃÀÇ ÀÛ°¡ 23ÀÎÀü, µ¿¹æ¹Ì¼ú°ü
Çѱ¹Çö´ë¹Ì¼úÀü, ŸÀ̺£À̽ø³Çö´ë¹Ì¼ú°ü, ´ë¸¸
±¹Á¦Çö´ë¼ö¹¬Àü, ¹Ì¼úȸ°ü
Çѱ¹È­ ´Ü¸éÀü, ¹Ì¼úȸ°ü
Çö´ë Çѱ¹ÀÎÀÇ Á¾ÀÌÀü, »ç¶ó½ºÆÛÁö¿Â È­¶û(¿ö½ÌÅÏ ´ëÇÐ)
Çѱ¹Çö´ë¹Ì¼ú 70³â´ë µ¿ÇâÀü, ¿öÄ¿Èú¹Ì¼ú°ü
1985 85¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çѱ¹È­ µ¿ÇâÀü, ¹Ì¼úȸ°ü
Çѱ¹È­ ¿À´ÃÀÇ ÇöȲ, ûžȭ¶û
Çѱ¹È­, ¿À´Ã°ú ³»ÀÏÀÇ Àü¸Á, ¿öÄ¿Èú¹Ì¼ú°ü
Çö´ë Çѱ¹È­ ½Ã°¢Àü, °üÈƹ̼ú°ü
Çö´ë ¼ö¹¬ÀÇ Çâ¹æÀü, ºÎ»ê »çÀÎÈ­¶û
1986 Çѱ¹È­ ±× ´Ùº¯¼ºÀü, ¹Ì¼úȸ°ü
Çѱ¹È­ Çö´ë¹Ì¼úÀÇ ¾îÁ¦¿Í ¿À´Ã, ±¹¸³Çö´ë¹Ì¼ú°ü
¾Æ½Ã¾Æ Çö´ë 乬Àü, ¹Ì¼úȸ°ü
ÇϳªÀÇ ¾ÐÃà, Çѱ¹È­ Çö»óÀü, ¾Æ¸£²¿½º¸ð¹Ì¼ú°ü
Çѱ¹È­ 100³âÀü, È£¾Ï°¶·¯¸®
86¡® ¼­¿ï¹Ì¼ú´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1987 Çѱ¹ Çö´ë¹Ì¼ú¿¡ À־ÀÇ È桤¹éÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
¡®87 Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çѱ¹È­ ½ÅÇ¥ÇöÀü, ¹Ì¼úȸ°ü
1988 Çö´ë Çѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
Á¦24ȸ ¼­¿ï¿Ã¸²ÇȾÆÆ® ±¹Á¦Çö´ë¹Ì¼úÀü, ¼­¿ï
Çѱ¹È­ ÀǽÄÀÇ ÀüȯÀü, °üÈƹ̼ú°ü
Çѱ¹ Çö´ëȸȭÀü, ´ë¸¸
±¹Á¦ Çö´ëȸȭÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çö´ëÀÛ°¡ÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çö´ë Çѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
¿À´ÃÀÇ À̹ÌÁöÀü, ½Ã°øÈ­¶û
Á¶¼±ÀϺ¸¹Ì¼ú°ü °³°ü±â³äÀü, ¼­¿ï
88¡® Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1989 89¡® Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
ÃÊ´ëÀÛ°¡ 89ÀÎÀü, °üÈƹ̼ú°ü
¼­¿ï¹Ì¼ú´ëÀü, ¼­¿ï½Ã¸³¹Ì¼ú°ü
Àΰ£°ú ÀÚ¿¬À» º¸´Â ½Ã°¢Àü, ±ÝÈ£¹Ì¼ú°ü
Ä«µåÀÛÇ° ÃÊ´ëÀü
¿À´ÃÀÇ Çѱ¹È¸È­ 7ÀÎÀü, ÀϺ»
Çѱ¹Çö´ë¹Ì¼úÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1990 °Ü¿ïÀü, 63°¶·¯¸®
Àΰ£°ú ÀÚ¿¬Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
µ¿¹æÀÇ ºû¥±Àü, Å°¿¡ÇÁ½Ã¸³¹Ì¼ú°ü, ·¯½Ã¾Æ
¿À´ÃÀÇ ¼­¿ïÀü, ¹Ì¼úȸ°ü
¹éµÎ»ê °¡´Â ±æÀü, ·Ôµ¥¹Ì¼ú°ü
Çѱ¹¹Ì¼ú-¿À´ÃÀÇ »óȲÀü, ¿¹¼úÀÇ Àü´ç
Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
1991 6ÀÎÀü, ´ë¸²È­¶û
Çѱ¹Çö´ë¹Ì¼úÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çѱ¹È­ ¹°¼º°ú ½Ã´ëÁ¤½ÅÀü, ¹®¿¹ÁøÈï¿ø
Çѱ¹Çö´ë¹Ì¼úÀÇ Çѱ¹¼º ¸ð»öÀü, ÇÑ¿ø°¶·¯¸®
Çѱ¹Çö´ë¹Ì¼ú À¯°í ¼øȸÀü, À¯°í½½¶óºñ¾Æ
Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
1992 Çѱ¹ÀÇ ¸Æ?Çѱ¹¼º ¸ð»öÀü, ¼­³²¹Ì¼ú°ü
¼±¹¦¿Í Ç¥Çö-Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸®
Çѱ¹Çö´ë¹Ì¼úÀÇ Çѱ¹¼º ¸ð»ö ¥³ºÎÀü, ÇÑ¿ø°¶·¯¸®
1993 ÀÚ¿¬ ±×¸®°í Çѱ¹È­ Á¤½ÅÀü, ¹Ì¼úȸ°ü
Çѱ¹¹Ì¼ú ¾îÁ¦¿Í ¿À´ÃÀü, ÇѸ²°¶·¯¸®
ÀοջêÁ¦»öµµ1993Àü, ¼­³²¹Ì¼ú°ü
ÆÇÈ­Àü, ¿µµ¿¾ÆƮȦ
1994 Çѱ¹Áö¼ºÀÇ Ç¥»óÀü, ÇÑ°¡¶÷¹Ì¼ú°ü
¼­¿ï±¹Á¦Çö´ë¹Ì¼úÁ¦, ±¹¸³Çö´ë¹Ì¼ú°ü
¼ö¹¬ÀÇ Àç¹ß°ßÀü, °øÆò¾ÆÆ®¼¾ÅÍ
¿ì¸®ÀǽÄÀÇ °øµ¿Á¦Àü, ¹Ì¼úȸ°ü
Çö´ë¹Ì¼ú 40³â, È£¾Ï°¶·¯¸®
1995 Çѱ¹Çö´ë¹Ì¼ú 50³âÀü, ÇѸ²°¶·¯¸®, ´ëÀü
Çѱ¹Çö´ë¹Ì¼úÀü(¼­¿ï, ´ëÀü, ºÏ°æ)
¼­¿ï¹Ì¼ú´ëÀü, ¼­¿ï½Ã¸³¹Ì¼ú°ü
Çѱ¹¹Ì¼ú 50ÀÎ À¯³×½ºÄÚÃÊ´ëÀü, Æĸ® À¯³×½ºÄÚ º»ºÎ
Á¶±¹ÀÇ »êÇÏÀü, ¹®¿¹ÁøÈï¹Ì¼úȸ°ü
1996 ¿À´ÃÀÇ Çѱ¹È­-±× ¸Æ¶ô°ú Àü°³Àü, ´ö¿ø°¶·¯¸®
Çѱ¹È­, Áõ½ÄÀÇ ¹æ¹ýÀü, ¼­³²°¶·¯¸®
Çѱ¹À̹ÌÁöÀü, ¿ÀŬ·£µå ¾Æ¿ÀÅ׾Ƽ¾ÅÍ
Çѱ¹ ´ëÇ¥ãÌìÑ ÁÖÁ¦ ¹Ì¼úÀü-Ǫ¸£¸¥ ³¯, ÇаíÁ¦
ÀüÁÖ MBC ÁßÁøÀÛ°¡Àü, ÀüÁÖ »ï¾ç¹®È­°ø°£
Çѱ¹¸ð´õ´ÏÁòÀÇ Àü°³:1970-1990 ±Ù´ëÀÇ ÃʱØÀü, ±ÝÈ£¹Ì¼ú°ü
Çö´ë Çѱ¹È­ Á¶ÇüÀÇ Ç¥»óÀü, µ¿»ê¹æÈ­¶û
Áß¾Óºñ¿£³¯·¹, ¼­¿ï½Ã¸³¹Ì¼ú°ü
¿¡²Ãµå ¼­¿ï, °üÈƹ̼ú°ü
Çѱ¹ Çö´ë¹Ì¼ú, ÇöÀç¿Í ¹Ì·¡Àü, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü
º£¼¼Åä ±¹Á¦¼­È­Àü, ¼­¿ï½Ã¸³¹Ì¼ú°ü
Çѱ¹ Çö´ë¹Ì¼ú Á¶ÇüÀÇ ¸ðµ¨Àü, Áö¿¬È­¶û
SAIFÀü, KOEX ÅÂÆò¾ç°ü
Çѱ¹ ¸ð´õ´ÏÁòÀÇ Àü°³, ±ÝÈ£¹Ì¼ú°ü
1997 ÀüÁÖ MBC ÁßÁøÀÛ°¡Àü, »ï¾ç¹®È­°ø°£, ÀüÁÖ
¡¯97 Çѱ¹¹Ì¼ú ¿À´ÃÀÇ »óȲÀü, ±¹¸³ÀüÁÖ¹Ú¹°°ü, ÀüÁÖ
21¼¼±âÇѱ¹¹Ì¼úÀÇ Ç¥»óÀü-¿ø·Î, ÁßÁøÀü, ¿¹¼úÀÇ Àü´ç
´« ±×¸²Àü, ±¹¸³ÀüÁÖ¹Ú¹°°ü, ÀüÁÖ
1998 Áß¿ø¹Ì¼úÀÇ Çâ±â, ´ëÀü½Ã¸³¹Ì¼ú°ü
Âü¿©¿¬´ë »ç¶ûÃÊ´ëÀü, °æÀι̼ú°ü
2000 Çؾç¹Ì¼úÁ¦ 2000-¹Ù´ÙÀ̹ÌÁöî÷, ¼¼Á¾°¶·¯¸®
°íÀüÀÇ ÁöÇý-Çö´ëÀÎÀÇ »îî÷, °øÆò¾ÆÆ®¼¾ÅÍ
2001 ¼ö¹¬ÀÇ Çâ±â, ¼ö¹¬ÀÇ Á¶Çü, ùÛ¡¤ñ顤ìí Çö´ë¼ö¹¬È­î÷ ±¹¸³Çö´ë¹Ì¼ú°ü
2003 µå·ÎÀ×ÀÇ »õ·Î¿î ÁöÆò, ±¹¸³Çö´ë¹Ì¼ú°ü
2003 ¸ðÈ£ÇÑ ÍöѨ(A Vague Scene) À¯¾ÆÆ®½ºÆäÀ̽º °³°ü±â³äî÷ À¯¾ÆÆ®½ºÆäÀ̽º
2005 ÇÑ¡¤ÁßÇö´ë¼ö¹¬Àü(¼­¿ï½Ã¸³¹Ì¼ú°ü ±âȹÀü) ¼­¿ï½Ã¸³¹Ì¼ú°ü
2007 ¾ÆÆ® ´ë±¸(2007 ¾ÆÆ®Æä¾î), ´ë±¸ EXCO
2008 ±Â ¸ð´× Mr.¹é³²ÁØ_ 2008³â ·±´øÇѱ¹¹®È­¿ø °³°ü ±â³äî÷, ¿µ±¹Çѱ¹¹®È­¼¾ÅÍ
°¡½¿¼Ó¿¡ ´ë¸¦ Ç°°í ¼¼»óÀ» º¸³×_¿ù°£ ¹Ì¼ú¼¼°è ±âȹ-¹®ÀÎÈ­ ÃÊ´ëî÷, ¸ð¶õ°¶·¯¸®
1960³â´ë echo, ¿¡ÀÌ¿ø °¶·¯¸® °³°ü±â³äî÷_ ¿¡ÀÌ¿ø °¶·¯¸®
Going to_Oriental Paintings of Korea, go to Bayernî÷, KUNST-DIREKT GALLERY Çѱ¹¹®È­¿¹¼úÀ§¿øȸ ÈÄ¿ø
2009 È­À½_ûþëå, À¯¾ÆÆ®½ºÆäÀ̽º °³°ü 6Áֳ⠱â³äî÷, À¯¾ÆÆ®½ºÆäÀ̽º
2010 Presence_¼ººÏ±¸¸³¹Ì¼ú°ü °³°ü±â³äî÷, ¼ººÏ±¸¸³¹Ì¼ú°ü
2011 Çѱ¹È­ÀÇ Àç¹ß°ßî÷ ¼º³²¾ÆÆ®¼¾ÅÍ
»î°ú dzÅä-´ë±¸¹Ì¼ú°ü°³°üƯº°î÷, ´ë±¸¹Ì¼ú°ü
´ÙÁ¤ÇÑ ÆíÁö-°í¹Ù¿ì ±è¼ºÈ¯ ¼ÒÀåÇ°, Çö´ëÈ­°¡ 113¸íÀÌ ±×¸° ÀÛÀº ºÀÅõ À§¿¡ ´ëÀÛî÷
·Ôµ¥¹éÈ­Á¡ °¶·¯¸®
2012 Çѱ¹¹Ì¼ú ¾ÆÆ® ´º ¿þÀ̺êî÷, ¿¹¼úÀÇÀü´ç ÇÑ°¡¶÷¹Ì¼ú°ü
2013 ±³°ú¼­ ¼Ó Çö´ë¹Ì¼ú, °í¾ç¾Æ¶÷´©¸® ¾Æ¶÷¹Ì¼ú°ü
µµÀÚ¿¡ ÇǾ ±×¸², ·Ôµ¥ ¹éÈ­Á¡ û·®¸®Á¡

Àú¼­
¼ö¹¬È­, µ¿¿ø»ç, 1977³â/µ¿¾çÈ­, µ¿¿ø»ç, 1978³â/ÀÚ¿¬°ú µµ½Ã, ÀÌÈ­ÃâÆÇ»ç, 1988³â/³²Ãµ »ç±ºÀÚ(»ó?ÇÏ), ¿¹°æ»ê¾÷»ç, 1990³â/¹¬(Ùø)?Ç¥Çö°ú »óÇü, ¿¹°æ»ê¾÷»ç, 1991³â/¼ö¹¬ÀÇ »ç°èÀý, ÀÌÈ­ÃâÆÇ»ç, 1991³â/¶°³ª´Â ÀÌÀÇ °¡½¿¿¡ ÇѼÛÀÌ ²ÉÀ» ²È¾ÆÁÖ°í(¼Û¼ö³² È­Á¦Áý), ÀÌ°¡Ã¥, 1994³â/Çѱ¹È­ÀÇ ±æ, ¹ÌÁø»ç, 1995³â/°íÇâ¿¡ µÎ°í ¿Â ÀÚ¿¬, ½Ã°ø»ç, 1996³â/¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ, ¾È±×¶óÇȽº, 1997³â/¼ö¹¬¸í»ó, ¾È±×¶óÇȽº, 1999³â/¿©¹éÀÇ ¹¬Çâ(ãÌ¡¤ßö¡¤ûþó¢), ¹Ì¼ú»ç¶û, 2001³â/ÀÌ ½Ã´ëÀÇ ¼ö¹¬ÀÎ, ³²Ãµ, °üÈƱâȹ, 2002³â/¸Å¶õ±¹Á×, ¹Ì¼ú¹®È­¿ø, 2005³â/¿ì¸®´Â ¸ðµÎ ÇູÇÑ ²ÉÀÌ´Ù. À̾߱â²É, 2009³â/»õ·Î¿î »ç±ºÀÚÀÇ ¼¼°è, µµ¼­ÃâÆÇ Àç¿ø, 2009³â/³²ÃµÀÇ ²É, µµ¼­ÃâÆÇ Àç¿ø, 2010³â/¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ ¼Û¼ö³², µµ¼­ÃâÆÇ Àç¿ø, 2010³â/Black & White: µðÀÚÀÎ ¸ÔÀ¸·Î ¸»ÇÏ´Ù, µµ¼­ÃâÆÇ Àç¿ø, 2011³â/¼¼¿ùÀÇ °­ ¼ö¹¬ÀÇ ¶ß¶ô¿¡¼­, µµ¼­ÃâÆÇ Àç¿ø, 2012³â/³²Ãµ ¼Û¼ö³², µµ¼­ÃâÆÇ Àç¿ø, 2014

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¡¼ÀÛÇ° ¸ñ·Ï¡½
Strokes of the Brush º×ÀÇ ³î¸²
Scenery dz°æ
Snowscape ¼³°æ
Small dock °­³ª·çÅÍ
Dark sea °ËÀº ¹Ù´Ù
Riverscape °­º¯Ç³°æ
Mountains and clouds »ê°ú ±¸¸§
Cityscape µµ½Ãdz°æ
Trees in Summer ¿©¸§³ª¹«
Trees in Winter °Ü¿ï³ª¹«
Trees ³ª¹«
The reeds °¥´ë½£
The woods ½£
In a windy day ¹Ù¶÷ºÎ´Â ³¯¿¡
Untitled ¹«Á¦
Folk painting ¹ÎÈ­
The nature and meditation ÀÚ¿¬°ú ¸í»ó
Meditation ¸í»ó
Plum blossoms ¸ÅÈ­
Orchid ³­ÃÊ
Chrysanthemum ±¹È­
Bamboo ´ë³ª¹«
Flowers ²É

Spirituality of Sumuk _ Soo-nam Song ¤ý 004
¼ö¹¬ÀÇ Á¤½Å¼º_ ¼Û¼ö³²

Soo-nam Song¡¯s cityscapes _ Kwang-soo Oh ¤ý 024
³²ÃµÀÇ µµ½Ãdz°æ _ ¿À±¤¼ö

Sumuk as the design _ Deok-hum Park ¤ý 050
µðÀÚÀÎÀ¸·Î¼­ÀÇ ¼ö¹¬ _ ¹Ú´öÈì

The Glow and Scent of Song¡¯s Flowers _ Deok-hum Park ¤ý 096
³²ÃµÀÇ ²É, ±× ºû°ú Çâ _ ¹Ú´öÈì

Biography Soo-nam Song¡¯s Life ¤ý 107
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Above all, the greatest feature of Song Soo-nam¡¯s sumuk paintings is that it combines the art world of the past, the current, and the near future. Song stylistically possesses an open position regarding all areas from concepts to abstractions. However, the physical form of concepts and abstractions is unimportant because nature is what bears art, according to Song. Drawing nature as the eye sees it is conceptual, and drawing as you feel is abstract. Thus, the physical expressions of concept and abstraction aresimilar to the inner and outer elements of an object for Song. ? Kyeong-seong Lee (Critic)
¹«¾ùº¸´Ùµµ ³²ÃµÀÇ ¼ö¹¬È­ÀÇ °¡Àå Å« Ư¡Àº ¿¾°Í°ú Áö±ÝÀÇ °Í, ±×¸®°í ¾ÕÀ¸·Î ´Ù°¡ ¿Ã ¿¹¼úÀÇ ¼¼°è¸¦ Çϳª·Î Á¾ÇÕÇÏ°í Àִµ¥ ÀÖ´Ù. ¾ç½ÄÀûÀ¸·Îµµ ±¸»ó¿¡¼­ Ãß»ó¿¡ À̸£±â±îÁö ¸ðµç ºÐ¾ß¿¡ °³¹æÀû ÀÚ¼¼¸¦ Áö´Ï°í Àִµ¥, ±×¿¡°Ô À־ ±¸»ó°ú Ãß»óÀ̶ó´Â ¿ÜÇüÀûÀÎ ¾ç½ÄÀº ±×¸® ¹®Á¦°¡ µÇÁö ¾Ê±â ¶§¹®ÀÌ´Ù. ¿Ö³ÄÇϸé È­°¡ ³²Ãµ¿¡ À־ ÀÛÇ°ÀÇ ¸ðü°¡ µÇ´Â °ÍÀº ¾îµð±îÁö³ª ÀÚ¿¬À̱⠶§¹®¿¡ ±× ÀÚ¿¬À» ´«¿¡ º¸ÀÌ´Â ´ë·Î ±×¸± ¶§´Â ±¸»óÀÌ µÇÁö¸¸ ¸¶À½¿¡ ´À³¤ ´ë·Î ±×¸± ¶§´Â Ãß»óÀÌ µÇ´Â °ÍÀÌ´Ù. ±×·¯±â¿¡ È­°¡ ³²Ãµ¿¡ À־ ±¸»ó°ú Ãß»óÀ̶ó´Â ¿ÜÇüÀûÀΠǥÇöÀº °á±¹ ¹°Ã¼ÀÇ ¾È°ú ¹ÛÀ̶ó´Â °ü°è¿¡ ÀÖ´Â °ÍÀÌ´Ù. - À̰漺 <¹Ì¼úÆò·Ð°¡>

My work is the essence of my materials, or the pure formative language achieved by water, meok, and paper. It is a way to seek man¡¯s perpetuality which transcends ideas and realities, and expressing the natural spirit inherent in sumuk. Further, pursuit of the essence of sumuk, moderation and conciseness, integration and adaptability, over greed, predation, and selfishness in today¡¯s advanced industrial society where man and nature are becoming more disconnected and desolate is my self-reflective work activity. ? Soo-nam Song
³ªÀÇ ÀÛ¾÷Àº Àç·á°¡ °¡Áö°í ÀÖ´Â ¹°ÁúÀÇ º»Áú, Áï ¹°°ú ¸Ô ±×¸®°í Á¾ÀÌ°¡ ÀÌ·ç¾î³»´Â ÇϳªÀÇ ¼ø¼öÇÑ Á¶Çü¾ð¾îÀÌ´Ù. Çö½Ç°ú °ü³äÀ» ÃÊ¿ùÇÑ Àΰ£ÀÇ ¿µ¿ø¼ºÀ» Ãß±¸ÇÏ´Â ¹æ¹ýÀ̸ç, ±× ¼ö¹¬ ¼Ó¿¡ ³»ÀçµÇ¾î ÀÖ´Â ÀÚ¿¬Àû Á¤½ÅÀ» Ç¥ÇöÇÏ´Â °ÍÀÌ´Ù. ´õ¿í, ¿À´Ã°ú °°ÀÌ ÀÚ¿¬°ú Àΰ£ÀÌ ºÐ¸®µÇ°í ȲÆóÇØ °¡´Â °íµµÀÇ »ê¾÷»çȸ ±¸Á¶ ¼Ó¿¡¼­ Ž¿å°ú Æ÷½Ä, À̱â½É º¸´Ù´Â ¼ö¹¬ÀÇ Á¤½ÅÀÎ ÀýÁ¦¿Í °£°á, À¶ÇÕ ±×¸®°í ¼øÀÀ¼ºÀ» Ãß±¸ÇÏ´Â °ÍÀÌ ¹Ù·Î ³ªÀÇ ÀھƹݼºÀûÀÎ ÀÛ¾÷ÇàÀ§ÀÌ´Ù. - ¼Û¼ö³²

Sumuk is a material and at the same time an emotion. It is a form, but at the same time has substance. The substance is not simply designating a category of subject matter, but a kind of mind system. In truth, the difference between sumuk paintings and other types of paintings can be found here. A new self-awareness and recognition of sumuk painting were unfolded during the series of sumuk painting exhibitions from the late 1970¡¯s and early 1980¡¯s. This series of exhibitions were not a collective presentation of sumuk paintings as a simple genre of art, but had the purpose of a cultural movement in which to pursue our intrinsic affective system through the form of sumuk. The artist at the center of this movement was Song Soo-nam ? Kwang-soo Oh (Art Critic)
¼ö¹¬Àº Àç·áÀ̸鼭 µ¿½Ã¿¡ Á¤¼­ÀÌ´Ù. Çü½ÄÀ̸鼭 µ¿½Ã¿¡ ³»¿ëÀÌ´Ù. ±× ³»¿ëÀº ´Ü¼øÇÑ ¼ÒÀçÀû ¹üÁÖ¸¦ ÁöĪÇÏ´Â °ÍÀÌ ¾Æ´Ï¶ó ÀÏÁ¾ÀÇ Á¤½Åü°èÀÌ´Ù. ½Ç·Î, ¼ö¹¬È­°¡ ´Ù¸¥ Á¾·ùÀÇ ±×¸²°ú ´Ù¸¥ Ư¡ÀÌ ¿©±â¿¡ ÀÖ´Ù. ¼ö¹¬È­¿¡ ´ëÇÑ »õ·Î¿î ÀÚ°¢°ú ÀνÄÀº 70³â´ë ÈĹݿ¡¼­ 80³â´ë ÃÊ¿¡ °ÉÄ£ ÀÏ·ÃÀÇ ¼ö¹¬È­ÀüÀ» ÅëÇØ È°±â ÀÖ°Ô Àü°³µÈ ¹Ù ÀÖ´Ù. À̶§ Àü°³µÈ ÀÏ·ÃÀÇ ¼ö¹¬È­ÀüÀº ´Ü¼øÇÑ À帣·Î¼­ÀÇ ¼ö¹¬È­ÀÇ Áý´ÜÀû ¹ßÇ¥¶ó±âº¸´Ù ¿ì¸® °íÀ¯ÇÑ Á¤¼­Ã¼°è¸¦ ¼ö¹¬È­¶õ Çü½ÄÀ» ÅëÇØ Ãß±¸Çغ¸ÀÚ´Â ÀÏÁ¾ÀÇ ¹®È­¿îµ¿ÀÇ ¼º°ÝÀ» ¶í °ÍÀ̾ú´Ù. ÀÌ ¿îµ¿ÀÇ Á߽ɿ¡ ÀÖ¾ú´ø ÀÛ°¡°¡ ³²Ãµ(Ñõô¸) ¼Û¼ö³²À̾ú´Ù. - ¿À±¤¼ö <¹Ì¼úÆò·Ð°¡>

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