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The Sorrows of Young Werther (Penguin Classics)

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  • ÃâÆÇ»ç : Penguin Classic
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  • ISBN : 9780140445039
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Chapter One

May 4, 1771

How glad I am to have come away! Dearest friend, what is the human heart! To leave you to whom I was so attached, from whom I was inseparable, and to be happy! I know you will forgive me. Did not fate seek out my other attachments just to trouble a heart like mine? Poor Leonore! And yet I was innocent. Could I help it that while I found her sister's willful charms pleasantly diverting, a passion was forming in the poor girl's heart? And yet--am I wholly innocent? Didn't I nourish her feelings? Didn't I make fun of those entirely genuine expressions of nature that so often made us laugh, as little to be laughed about as they were? Didn't I-- Oh, what is man, that he can grumble about himself! I will, dear friend, I promise you, change for the better, will no longer, as I have always done, chew on the cud of the little bit of unpleasantness that fate puts in our way; I will enjoy the present, and the past will be past for me. Of course you are right, my friend, people would have fewer pains if--God knows why they are made this way--their imaginations were not so busily engaged in recalling past trials rather than bearing an indifferent present.

Be so good as to tell my mother that I'm devoting myself wholeheartedly to herbusiness and will send her news of it very soon. I have spoken to my aunt, and found that she is by no means the evil person we made her out to be at home. She is a cheerful, impetuous woman with an excellent heart. I explained to her my mother's complaints about the part of the inheritance that has been withheld; she explained the reasons, causes, and the conditions under which she would be prepared to release it, and more than we were asking.--In short, I don't want to write about it now; tell my mother that everything will turn out all right. And, dear friend, in this little transaction I have again discovered that misunderstandings and lethargy cause perhaps more confusion in the world than cunning and malice. At least, the last two are certainly more rare.

Otherwise I am quite happy here, the solitude in this paradisiacal region is a precious balm to my heart, and the youthful season in all its fullness warms my often shivering heart. Every tree, every hedge, is a bouquet of blossoms, and one would like to be a mayfly drifting about in the sea of heady aromas, able to find in it all one's nourishment.

The town itself is unpleasant, but round about it an inexpressible natural beauty. This moved the late Count von M . . . to lay out his garden on one of the hills that intersect with the most appealing variety and form the loveliest valleys. The garden is simple, and you feel the moment you enter that its plan was not drawn up by some calculating gardener but by a feeling heart that sought its own enjoyment here. I have already wept many a tear for the deceased in the small, dilapidated summerhouse that was his favorite spot and is also mine. Soon I will be master of the garden: the gardener has taken a liking to me even in these few days, and he won't be the worse off for it.

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Be on your guard ¡¦ and take care not to fall in love!¡¯

Visiting an idyllic German village, Werther, a sensitive and romantic young man, meets and falls in love with sweet-natured Lotte. Although he realizes that Lotte is to marry Albert, he is unable to subdue his passion for her and his infatuation torments him to the point of absolute despair. The first great ¡®confessional¡¯ novel, The Sorrows of Young Werther draws both on Goethe¡¯s own unrequited love for Charlotte Buff and on the death of his friend Karl Wilhelm Jerusalem. The book was an immediate success and a cult rapidly grew up around it, resulting in numerous imitations as well as violent criticism and even suppression for its apparent recommendation of suicide. Goethe¡¯s sensitive exploration of the mind of a young artist at odds with society and ill-equipped to cope with life is now considered the first great tragic novel of European literature.

This edition includes notes and an introduction by Michael Hulse who explores the origins of the novel in the author¡¯s life and examines its impact on European culture.

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