°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (6,800¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (5,010¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄÅ©Ä«µå 20% (5,720¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Resurrection (Penguin Classics)

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

°øÀ¯Çϱâ
Á¤°¡

8,900¿ø

  • 7,150¿ø (20%ÇÒÀÎ)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • S-Point Àû¸³Àº ¸¶ÀÌÆäÀÌÁö¿¡¼­ Á÷Á¢ ±¸¸ÅÈ®Á¤ÇϽŠ°æ¿ì¸¸ Àû¸³ µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
  • 3/19(È­) À̳» ¹ß¼Û ¿¹Á¤  (¼­¿ï½Ã °­³²±¸ »ï¼º·Î 512)
  • ¹è¼Ûºñ : 2,500¿ø
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡
  • À̺¥Æ®/±âȹÀü

  • ¿¬°üµµ¼­(135)

  • »óÇ°±Ç

AD

¸ñÂ÷

Foreword 9
Acknowledgments 12
Abbreviations 13
List of Contributors 16
Introduction 17
Questioning Sheol 22
Resurrection and the Judgment of the Titans: [actual symbolnot reproducible] in LXX Isaiah 26.19 33
Resurrection, the Greeks and the New Testament 52
Did Jesus Predict his Death and Resurrection? 82
Resurrection: Reflections on a New Approach 98
The Relationship between the Resurrection, the Proclamationto the Spirits in Prison and Baptismal Regeneration: 1 Peter 3.19-22 106
Some New Testament Words for Resurrection and the Company They Keep 136
Logic of the Resurrection 166
The Risen Jesus: Analogies and Presence 195
Oscar Romero and Resurrection Hope 218
The Isma'ili Resurrection of Alamut: A Bid for Spiritual Awakening or a Statement of Political Authority? 249
'At the Resureccioun of this Flour': The Resurrection, Ambiguity and Identity in Chaucer's Poetry 264
Musical-Textual Relationships regarding Resurrection in the Western Wind Settings of the Credo by John Taverner, John Sheppard and Christopher Tye 275
Dying on Stage: 'The Acting of a Dreadful Thing' 288
'He is not here' (Luke 24.6): Christ's Resurrection in Seventeenth-Century English Poetry 302
'The Resurrection and the Life': D. H. Lawrence's 'The Man who Died' 315
Resurrection as Political Vision in Two East African Novels 334
'I Have Been Dead and Am Alive Again': Resurrection in the Rehabilitation Narrative 350
Index of References 362
Index of Authors 370

Ã¥¼Ò°³

Resurrection combines a love story with a ferocious attack on the Russian regime. Prince Dmitrii Nekhliudov is a member of a jury trying Katiusha Maslova for murder. Before long, though, he puts himself on trial and condemns all of upper-class and official Russia. Meanwhile, once convicted, Maslova evolves from prostitute to revolutionary. In the stories of Maslova and other convicts, Leo Tolstoy depicts the hard lot of women and the disenfranchised in nineteenth-century tsarist Russia.


pubOne.info present you this new edition. Opinions about Tolstoy and his work differ, but on one point there surely might be unanimity. A writer of world-wide reputation should be at least allowed to know how to spell his own name. Why should any one insist on spelling it ¡°Tolstoi¡± (with one, two or three dots over the ¡°i¡±), when he himself writes it ¡°Tolstoy¡±? The only reason I have ever heard suggested is, that in England and America such outlandish views are attributed to him, that an outlandish spelling

ÀúÀÚ¼Ò°³

Å罺ÅäÀÌ [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ 18280909

µµ½ºÅ俽½ºÅ°¿Í ÇÔ²² 19¼¼±â ·¯½Ã¾Æ ¹®ÇÐÀ» ´ëÇ¥ÇÏ´Â ´ë¹®È£·Î, 1828³â 9¿ù 9ÀÏ ·¯½Ã¾Æ ³²ºÎÀÇ ¾ß½º³ª¾ß Æú·ª³ª¿¡¼­ ¸í¹® Áý¾ÈÀÇ ³Ý° ¾Æµé·Î ž´Ù. ¾î·Á¼­ ºÎ¸ð¸¦ ¸ðµÎ ¿©ÀÇ°í, °í¸ð¸¦ ÈÄ°ßÀÎÀ¸·Î ¼ºÀåÇß´Ù. 1844³â Ä«ÀÜ´ëÇб³¿¡ ÀÔÇÐÇßÀ¸³ª 3³â µÚ ÁßÅðÇßÀ¸¸ç, °íÇâÀ¸·Î µ¹¾Æ°¡¼­ Èû¾´ ³ó¹Î °è¸ù¿îµ¿ÀÌ ½ÇÆÐÇÏ°í 3³â µ¿¾È ¹æȲÇϱ⵵ Çß´Ù. 1852³â ÀÚÀü¼Ò¼³ÀÎ ¡¶À¯³â½ÃÀý¡·ÀÌ ¹®ÇмºÀ» ÀÎÁ¤¹ÞÀº µ¥¿¡ ÈûÀÔ¾î ¡¶¼Ò³â½ÃÀý¡·°ú ¡¶Ã»³â½ÃÀý¡·À» ÁýÇÊÇßÀ¸¸ç, 1853³â Å©¸²ÀüÀï¿¡ Âü¿©ÇÑ °æÇèÀ» Åä´ë·Î ÇÑ ¡¶¼¼¹Ù½ºÅäÆú À̾߱⡷·Î ¸í¼ºÀ» È®°íÈ÷ Çß´Ù. ÀÌ¿Í ÇÔ²² ³ó¹Î ±³À°»ç¾÷¿¡

ÆîÃ帱â

ÀÌ »óÇ°ÀÇ ½Ã¸®Áî

(ÃÑ 136±Ç / ÇöÀ籸¸Å °¡´Éµµ¼­ 136±Ç)

¼±ÅÃÇÑ »óÇ° ºÏÄ«Æ®´ã±â
ÆîÃ帱â

(ÃÑ 149±Ç / ÇöÀ籸¸Å °¡´Éµµ¼­ 149±Ç)

¼±ÅÃÇÑ »óÇ° ºÏÄ«Æ®´ã±â
ÆîÃ帱â

¹®ÇÐ ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    100ÀÚÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/100ÀÚ
    µî·ÏÇϱâ

    100ÀÚÆò

    0.0
    (ÃÑ 0°Ç)

    ÆǸÅÀÚÁ¤º¸

    • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óÇ°Àº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆǸÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óÇ°°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

    »óÈ£

    (ÁÖ)±³º¸¹®°í

    ´ëÇ¥ÀÚ¸í

    ¾Èº´Çö

    »ç¾÷ÀÚµî·Ï¹øÈ£

    102-81-11670

    ¿¬¶ôó

    1544-1900

    ÀüÀÚ¿ìÆíÁÖ¼Ò

    callcenter@kyobobook.co.kr

    Åë½ÅÆǸž÷½Å°í¹øÈ£

    01-0653

    ¿µ¾÷¼ÒÀçÁö

    ¼­¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù)

    ±³È¯/ȯºÒ

    ¹ÝÇ°/±³È¯ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼­ ½Åû °¡´É

    ¹ÝÇ°/±³È¯°¡´É ±â°£

    º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É
    ´Ü, »óÇ°ÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»

    ¹ÝÇ°/±³È¯ ºñ¿ë

    º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
    »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝÇ°Àº ¹Ý¼Û·á ÆǸÅÀÚ ºÎ´ã

    ¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯

    ·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
    (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)

    ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    ¿¹) È­ÀåÇ°, ½ÄÇ°, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî

    ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
    ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý

    ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì

    ·ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì

    »óÇ° Ç°Àý

    °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½

    ¼ÒºñÀÚ ÇÇÇغ¸»ó
    ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó

    ·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê

    ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

    (ÁÖ)KGÀ̴Ͻýº °áÁ¦´ë±Ý¿¹Ä¡¾÷ µî·Ï¹øÈ£: 02-006-00013

    (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ
    ¸ðµç °Å·¡¿¡ ´ëÇÏ¿© (ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼­ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
    µî·Ï ¿©ºÎ´Â e-±ÝÀ¶¹Î¿ø¼¾ÅÍ È¨ÆäÀÌÁö(www.fcsc.kr)ÀÇ µî·Ï¡¤½Å°í>ÀüÀÚ±ÝÀ¶¾÷µî·ÏÇöȲ ¸Þ´º¿¡¼­ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. ¼­ºñ½º °¡ÀÔ»ç½Ç È®ÀÎ

    ¹è¼Û¾È³»

    • ±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.

    • ¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.

    • - µµ¼­ ±¸¸Å ½Ã 15,000¿ø ÀÌ»ó ¹«·á¹è¼Û, 15,000¿ø ¹Ì¸¸ 2,500¿ø - »óÇ°º° ¹è¼Ûºñ°¡ ÀÖ´Â °æ¿ì, »óÇ°º° ¹è¼Ûºñ Á¤Ã¥ Àû¿ë