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A Guidebook providing knowledge on how music can be the therapeutic medium for human in various aspects.
Music plays a significant role in our everyday living. Just as the saying ¡°from lullaby to requiem,¡± human relationship with music begins before we are born and continues throughout our lives. We all listen to music. Our listening pool is personalized and differs from each other. The music selection also changes over the time depending on our state of mind and feelings. Each moment calls for music of different emotional quality and energy. It is so interesting that music, made up of complex arrangement of sounds, can meet such psychological and emotional needs in different depth.
Human relationship with the emotional aspects of sound attributes begins from the intrauterine environment. The two most significant sound sources are mother¡¯s heartbeat and voice. Even after birth, mother¡¯s lullaby singing continues to be the stimulus for sedation and consolation. Gradually music plays to be a nurturer, energizer, companion, spiritual guide, and other roles that we are in need of along different stages of life. Music is used for therapy and as therapy.
This book purports to provide a foundational and rudimentary understanding of how music can work as a therapeutic tool for human needs. If the reader is pursuing into the music therapy field, this knowledge will be useful for gaining a basic understanding of music therapy practice. If the reader is just a music lover or performer, then the book can provide some insights about one¡¯s musical taste and relationship with music.
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1ºÎ´Â À½¾Ç¿¡ ´ëÇÑ Á¤ÀÇ, Ä¡·áÀû È°¿ë¿¡ ´ëÇÑ ¿ª»çÀû ¹è°æ, À½¾Ç ¿ä¼ÒÀÇ Ä¡·áÀû ±â´É¿¡ ´ëÇÑ ¼Ò°³¸¦ Æ÷ÇÔÇÑ´Ù. 1Àå¿¡¼´Â À½¾ÇÀÇ ±â¿ø°ú ¿ª»çÀû °üÁ¡¿¡¼ Á¶¸íµÇ¾î¿Â ´Ù¾çÇÑ À½¾ÇÀÇ Ä¡·áÀû À̷аú °³³äÀ» ¼Ò°³ÇÏ°í ÀÖÀ¸¸ç. 2Àå¿¡¼´Â žÆÀÇ ¾ç¼ö ȯ°æ¿¡¼ºÎÅÍ ¾î¸° ¾ÆÀÌÀÇ ¾çÀ° ȯ°æ±îÁö À̾îÁö´Â Àΰ£°ú À½¾ÇÀÇ °ü°è¸¦ ´Ù·é´Ù. 3Àå¿¡¼ 5Àå±îÁö´Â À½¾ÇÀû ¿ä¼Ò±º°ú À̵éÀÇ Á¤¼Àû Ãø¸é¿¡ ´ëÇؼ »ìÆ캻´Ù.
2ºÎ´Â ´Ù¾çÇÑ À½¾Ç °æÇè¿¡ ´ëÇÑ Ä¡·áÀû °³³äÀ» ¼Ò°³ÇÏ´Â Àåµé·Î ÀÌ·ç¾îÁø´Ù. ¼ºÀå°úÁ¤¿¡¼ À½¾ÇÀÌ ¾î¶»°Ô ¹ß´ÞÀû ±â¼úÀ» ÃËÁø½ÃÄÑÁÖ´ÂÁö¿Í, À½¾Ç °¨»ó, ¿¬ÁÖ, °¡Ã¢ÀÌ Á¦°øÇÏ´Â Ä¡·áÀû È¿°ú ¹× Ä¡·áÀÇ ½ÇÁ¦¸¦ ÅëÇÕÀûÀ¸·Î ¼Ò°³ÇÑ´Ù. ¶ÇÇÑ À½¾ÇÀÌ °¨Á¤ÀÇ µµ±¸·Î¼ ¾î¶»°Ô Àΰ£ÀÇ Á¤¼¸¦ Á¶À²ÇÒ ¼ö ÀÖ´ÂÁö¿¡ ´ëÇÑ ³»¿ë°ú ´õºÒ¾î À½¾ÇÄ¡·á°¡ ½ÃÇàµÇ°í ÀÖ´Â ÇöÀåÀÇ ½ÇÁ¦¿Í ±× Ä¡·áÀû ¸ÞÄ¿´ÏÁòÀ» ºÐ¼®ÇÑ´Ù. 6Àå¿¡¼´Â ¹ß´ÞÇÐÀû Ãø¸é°ú À½¾Ç ÇൿÀÇ ¿¬°è¼ºÀ» ´Ù·ç°í, 7Àå¿¡¼´Â À½¾Ç °¨»ó¿¡¼ ÀÌ·ç¾îÁö´Â û°¢Àû Áö°¢ ÀÎÁö °úÁ¤ ¹× Á¤¼Àû ¹ÝÀÀ¿¡ ´ëÇؼ ´Ü°èÀûÀ¸·Î »ìÆ캻´Ù. 8Àå¿¡¼´Â ¾Ç±â ¿¬ÁÖ¿Í °ü·ÃµÈ ´Ù¾çÇÑ ¿îµ¿ ¹× ½Åü ±â´É°ú ÀÌ¿¡ µû¸¥ Á¤½Å ¿ªµ¿Àû Ãø¸éÀ» ¼Ò°³Çϸç, 9Àå¿¡¼´Â ¸ñ¼Ò¸®ÀÇ Á¸Àç·ÐÀû ÀÇ¹Ì¿Í °¡Ã¢ÀÇ Ä¡·áÀû ±â´ÉÀ» ¾Ë¾Æº»´Ù. 10Àå¿¡¼´Â À½¾Ç°ú ½Åü¸¦ ¿¬°áÇÏ´Â ¸®µëÀÇ ¿îµ¿Àû ¿ªµ¿¼º°ú ±âÁ¦¸¦, 11Àå¿¡¼´Â À½¾Ç°ú Á¤¼ Á¶À²°ú °ü·ÃµÈ À̷аú ½ÇÁ¦¸¦ ¼Ò°³ÇÑ´Ù. ¸¶Áö¸·À¸·Î 12Àå¿¡¼´Â ÇöÀå¿¡¼ ÀÌ·ç¾îÁö°í ÀÖ´Â À½¾ÇÄ¡·á ¿µ¿ª°ú ±× ´ë»óÀÚ±º¿¡ µû¸¥ Ä¡·áÀû ³í°Å¿Í ±âÁ¦µéÀ» »ìÆ캻´Ù. ¶ÇÇÑ ÀÌ Ã¥¿¡¼´Â °¢ éÅÍ¿¡¼ ¼Ò°³µÈ °³³äµéÀ» »ç·Ê Áß½ÉÀÇ ¡®Case Example¡¯·Î Á¦½ÃÇÔÀ¸·Î½á µ¶ÀÚµéÀÇ ÀÌÇظ¦ µ½°í ÀÖÀ¸¸ç, éÅÍÀÇ ³¡ºÎºÐ¿¡´Â ¡®Summary Points¡¯¸¦ µÎ¾î ÇÙ½É ³»¿ëÀ» ¿ä¾àÇÏ¿© Á¦°øÇÏ°í ÀÖ´Ù.
This book has two parts. Part 1 provides chapters on music itself and its components, starting from defining music which will be used throughout this book, going into specifics of its components that constitute music. Chapter 1 covers the origin of music and basic highlights of how music was used for therapeutic purpose in different historical stages. Chapter 2 describes the innate relationship between human and music which begins during the gestational period before we are born. Even after, this intimate relationship with human beings continues on. In Chapter 3 to 5, each components of music are introduced respectively. Part 2 provides chapters on therapeutic aspects of music experiences, ranging from receptive to active, and instrumental to vocal, understanding musical behavior as a part of human behavior. Chapter 6 shows how musical behavior is related to developmental skills. Chapter 7 shows therapeutic aspects of music listening, how a listener comprehends music and responds cognitively and affectively. Chapter 8 introduces various benefits of instrumental playing ranging from functional skills to psychodynamic aspects of the person engaged in music playing. Chapter 9 describes the existential meaning of our voice as an embodied instrument and the meaning of singing. Chapter 10 presents various theories about music and movement focusing on the rhythm as the bridge between music and human. Music can activate and facilitate various movement and motor functioning through our innate physical rhythm. Chapter 11 describes how music is used to regulate our emotions in arousal level (hypo to hyper) and valence (negative to positive). Music is an essential tool for human emotion regulation. Lastly, chapter 12 provides a broad introduction on music therapy practice as a health-related profession. For each setting where music therapy is practiced, music interventions are formulated for different therapy goals based on its theoretical mechanisms.
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Preface
Foreword
PART 1 Music and Its Components
Chapter 1 Music and Its Origin
1. Origin of Music
2. Biblical Foundations of Music Function
3. Music in Historical Periods
Chapter 2 Human Musicality
1. Innate Musicality
2. Lullaby as a Transitional Object
3. Affection Attunement
4. Music Child
Chapter 3 Rhythm Components of Music
1. Sound Patterns in Music
2. Organization of Rhythm
3. Rhythmic Ground
4. Rhythmic Figure
5. Meter
6. Accents
7. Tempo
Chapter 4 Tonal Components of Music
1. Melody
2. Scale
3. Harmony
Chapter 5 Structural Components of Music
1. Motif
2. Phrase and Theme
3. Form
4. Texture
5. Dynamic
PART 2 Therapeutic Aspects of Music Experiences
Chapter 6 Music for Developmental Growth
1. Music and Developmental Theory
2. Music for Developing Cognitive Skills
3. Music for Motor Physical Skills Development
4. Music for Speech and Language Skills
5. Music for Social Skills
Chapter 7 Music Listening
1. Perception of Sound
2. Music Cognition and Comprehension
3. Cognitive-Affective Response to Music Listening
4. Music Iso-Principle
Chapter 8 Music Playing
1. Music Playing for Self-Actualization
2. Music Instruments
3. Music Playing for Motor Physical Skills
4. Music Playing for Emotional Expression
Chapter 9 Voice and Singing
1. Existential Meaning of Voice
2. Voice in Developmental Stages
3. Psychodynamic Perspectives of Voice
4. Songs
5. Singing
6. Singer¡¯s Voice
7. Song Psychotherapy
Chapter 10 Music and Movement
1. Development of Human Rhythmic Behavior
2. Timing and Entrainment
3. Range of Motion and Cueing
4. Rhythm for Movement Optimization
5. Rhythm for Movement Productivity
Chapter 11 Music for Emotion Regulation
1. Music and the Dimensional Model of Affect
2. Affect Regulation with Music
3. Music for Self-Attunement
4. Music for Ex-pression
Chapter 12 Music Therapy Practice
1. Music Therapy as an Intervention
2. Fields of Music for Therapy
References
Index
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