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ÀÌ Ã¥À» ÅëÇÏ¿© ÀÛ°î°¡´Â °¡¾ß±ÝÀÇ ±âº»ÀûÀÎ Áö½Ä°ú »ó»óÀ» ¶Ù¾î³Ñ´Â °¡¾ß±Ý ¼Ò¸®ÀÇ ´Ù¾çÇÔ°ú °¡´É¼ºÀ» ¾Ë ¼ö ÀÖÀ¸¸ç °¡¾ß±Ý ¿¬ÁÖ°¡´Â °¡¾ß±ÝÀÇ ´Ù¾çÇÑ »õ·Î¿î Çö´ëÁÖ¹ý¿¡ ´ëÇÏ¿© »ìÆ캼 ¼ö ÀÖÀ» °ÍÀÌ´Ù.
Contemporary Gayageum Notation for Performers and Composers provides an introduction to the history of the instrument, its many forms, and performance genres. The text also provides information on special techniques and features essential for composing modern pieces for gayageum. To help elucidate the world of gayageum performance techniques, the book includes two hundred and thirty sample notations selected from traditional repertoires and seventy-seven compositions by forty-six composers, and these sample notations are accompanied by video demonstrations.
The examples cover comprehensively all techniques for gayageum performance, from the most traditional to the extremely modern. Together, the notation and video further enable the reader to grasp the performance techniques and the particularities of the notation. I hope composers who engage in writing new compositions for the gayageum can use the book and accompanying materials to better grasp the performance techniques and aesthetics of gayageum performance. Gayageum performers, as well, can also learn much about contemporary performance techniques through the pages of this book.
¿Ö °¡¾ß±ÝÀ» ÁÖ¸ñÇØ¾ß Çϴ°¡?
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¥°. °¡¾ß±ÝÀÇ ÀÌÇØ Understanding the Gayageum
1. °¡¾ß±ÝÀÇ ±â¿ø Origins of the Gayageum
2. °¡¾ß±ÝÀÇ »ó¡ Symbolic Value of the Gayageum
3. °¡¾ß±ÝÀÇ Á¾·ù Types of Gayageum
(1) Á¤¾Ç°¡¾ß±Ý(ïáäÅÊ¡å¦ÐÖ) Jeongak Gayageum
(2) »êÁ¶°¡¾ß±Ý(ߤðàÊ¡å¦ÐÖ) Sanjo Gayageum
(3) 18Çö±Ý 18-string Gayageum
(4) 21Çö±Ý 21-string Gayageum
(5) 25Çö±Ý 25-string Gayageum
(6) °íÀ½°¡¾ß±Ý High-register Gayageum
(7) ÀúÀ½°¡¾ß±Ý Bass Gayageum
(8) ö°¡¾ß±Ý Metal-string Gayageum
(9) ÀüÀÚ°¡¾ß±Ý Electronic Gayageum
4. °¡¾ß±Ý À½¾ÇÀÇ Àö¸£ Genres of Gayageum Music
(1) ÀüÅëÀ½¾Ç Traditional Music
(2) Çö´ëÀ½¾Ç Contemporary Music
5. °¡¾ß±ÝÀÇ ¿¬ÁÖ¹ý Gayageum Performance Techniques
(1) ¿À¸¥¼Õ ¿¬ÁÖ¹ý Playing Techniques for Right Hand
(2) ¿Þ¼Õ ¿¬ÁÖ¹ý Playing Techniques for Left Hand
(3) ¾ç¼Õ ¿¬ÁÖ¹ý Playing Techniques Using Both Hands
6. °¡¾ß±ÝÀÇ ¿¬ÁÖÇüÅ Forms of Gayageum Performance
7. °¡¾ß±Ý ¾Çº¸ Gayageum Notation
(1) Á¤¾Ç ¾Çº¸ Jeongak Notation
(2) ¹Î¼Ó¾Ç ¾Çº¸ Minsokak Notation
(3) Çö´ëÀ½¾Ç ¾Çº¸ Contemporary Music Notation
¥±. Çö´ë °¡¾ß±Ý ÀÛÇ°ÀÇ ±âº¸ Notation for Contemporary Gayageum Music
1. °¡¾ß±ÝÀÇ ±âº» Á¶Çö¹ý Basic Tuning Method for Gayageum
(1) Á¤¾Ç°¡¾ß±ÝÀÇ ±âº» Á¶Çö¹ý Basic Tuning System for Jeongak Gayageum
(2) »êÁ¶°¡¾ß±ÝÀÇ ±âº» Á¶Çö¹ý Basic Tuning System for Sanjo Gayageum
(3) 18Çö±ÝÀÇ ±âº» Á¶Çö¹ý Basic Tuning System for 18-string Gayageum
(4) 25Çö±ÝÀÇ ±âº» Á¶Çö¹ý Basic Tuning System for 25-string Gayageum
(5) ±× ¿Ü ¾Ç±âÀÇ Á¶Çö¹ý Tuning Systems for Other Gayageum
2. ¿À¸¥¼Õ ¿¬ÁÖ¹ýÀÇ ±âº¸ Notation for Right Hand
(1) 1. 2. 3. 4. 5 : ¼Õ°¡¶ô ¹øÈ£ Fingering Numbers
(2) : Á¤¾Ç°¡¾ß±Ý ¼ö¹ýÀ¸·Î ¿¬ÁÖ Jeongak Gayageum Playing Techniques
(3) : µÎ ¼Õ°¡¶ôÀ» ¸ð¾Æ ÇÔ²² ¶â±â Two-finger Pizzicato
(4) ¡â : Çöħ °¡±îÀÌ ¿¬ÁÖ Playing Near the Hyeonchim
(5) : ÇöÀÇ Áß°£ ¿¬ÁÖ Playing in the Middle of String
(6) ¤· : ƨ±è Flicking
(7) : ¼ÕÅé ¿¬ÁÖ Nail-plucking Technique
(8) ¡ý: ¾öÁö¼ÕÅé ¿¬ÁÖ Thumbnail Plucking
(9) ¡è,¡é: µÎ À½ ÀÌ»óÀÇ À½ ±Û¸®»êµµ Glissando Incorporating Two or More Notes
(10) c.s. : ÄÜ ¼Ò¸£µð³ë Con Sordino
s.s. : ¼¾ÀÚ ¼Ò¸£µð³ë Senza Sordino
(11) : °³¹æÇöÀ¸·Î ¿¬ÁÖ Playing without Dampening the Strings
(12) ¤ý : ½ºÅ¸Ä«Åä Staccato
(13) ¡Þ : Çϸð´Ð½º Harmonics
(14) : ¹Ù¸£Åå ÇÇÄ¡Ä«Åä Bartok Pizzicato
(15) X : ºÒƯÁ¤À½ Random Notes
(16) R.H. : ¿À¸¥¼Õ ¿¬ÁÖ Right Hand Playing
L.H. : ¿Þ¼Õ ¿¬ÁÖ Left Hand Playing
3. ¿Þ¼Õ ¿¬ÁÖ¹ýÀÇ ±âº¸ Notation for Left Hand
(1) : ³óÇö Nonghyeon
(2) : Àü¼º Jeonseong
(3) : Åð¼º(÷Üá¢) Toeseong
(4) : ¶ãµ¿ Tteuldong
(5)¡ü : ²ª´Â À½ Bending Note
(6) : Âï¾î ³»¸®´Â À½ Strong Sliding Note
(7) ¶Ç´Â : ÇÑ ÁÙ ¾Æ·¡ ÇöÀ¸·Î ¿¬ÁÖ Play on the Lower String
¶Ç´Â : ÇÑ ÁÙ À ÇöÀ¸·Î µ¹¾Æ°¨ Return to the Upper String
(8) ¶Ç´Â : µÎ ÁÙ ¾Æ·¡ ÇöÀ¸·Î ¿¬ÁÖ Play on Two Lower Strings Away
¶Ç´Â : µÎ ÁÙ À ÇöÀ¸·Î µ¹¾Æ°¨ Return to Original String (Two Higher Strings Away)
(9) : ¿©À½¿¬°á ºÎÈ£ Connecting Notes through Lingering Sound
(10) : ¿©À½ÁøÇà Progression of Lingering Notes
(11) µîµî : ±×¸² ¿©À½ÁøÇà Pictorial Lingering Sound Progression
(12) : ¿©À½ µ¹·Á ¿¬ÁÖÇϱâ Alternating Lingering Tones
(13) : ´Ù·çÄ¡±â Daruchigi
(14) : ¹ÌºÐÀ½ ÁøÇà Microtonal Progression
(15) ¶Ç´Â ¦¬ : ¿Þ¼Õ ¾öÁö·Î ´©¸§ Pressing with the Left Thumb
(16) : °¡Àå ³ôÀº À½ The Highest Note
4. °¡
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