´ë·®±¸¸ÅȨ >
°æÁ¦°æ¿µ
>
°æÁ¦
>
°æÁ¦Àü¸Á

Consumer Trend in Korea 2013 : Æ®·»µå ÄÚ¸®¾Æ 2013 ¿µ¹®ÆÇ : 2013³âÀ» ½Â¸®·Î À̲ø 10´ë ¼ÒºñÆ®·»µå Å°¿öµå
Á¤°¡ 16,000¿ø
ÆǸŰ¡ 14,400¿ø (10% , 1,600¿ø)
I-Æ÷ÀÎÆ® 800P Àû¸³(6%)
ÆǸŻóÅ ÆǸÅÁß
ºÐ·ù °æÁ¦Àü¸Á
ÀúÀÚ ±è³­µµ , ÀÌÁØ¿µ , Àü¹Ì¿µ , ÀÌÇâÀº , ±è¼­¿µ , ±è³­µµ , ÀÌÁØ¿µ, Àü¹Ì¿µ, ÀÌÇâÀº, ±è¼­¿µ
ÃâÆÇ»ç/¹ßÇàÀÏ ¹Ì·¡ÀÇâ / 2013.01.01
ÆäÀÌÁö ¼ö 240 page
ISBN 9788959892129
»óÇ°ÄÚµå 211795029
°¡¿ëÀç°í Àç°íºÎÁ·À¸·Î ÃâÆÇ»ç ¹ßÁÖ ¿¹Á¤ÀÔ´Ï´Ù.
 
ÁÖ¹®¼ö·® :
´ë·®±¸¸Å Àü¹® ÀÎÅÍÆÄÅ© ´ë·®ÁÖ¹® ½Ã½ºÅÛÀ» ÀÌ¿ëÇÏ½Ã¸é °ßÀû¿¡¼­ºÎÅÍ ÇàÁ¤¼­·ù±îÁö Æí¸®ÇÏ°Ô ¼­ºñ½º¸¦ ¹ÞÀ¸½Ç ¼ö ÀÖ½À´Ï´Ù.
µµ¼­¸¦ °ßÀûÇÔ¿¡ ´ãÀ¸½Ã°í ½Ç½Ã°£ °ßÀûÀ» ¹ÞÀ¸½Ã¸é ±â´Ù¸®½Ç ÇÊ¿ä¾øÀÌ ÇÒÀιÞÀ¸½Ç ¼ö ÀÖ´Â °¡°ÝÀ» È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
¸ÅÁÖ ¹ß¼ÛÇØ µå¸®´Â ÀÎÅÍÆÄÅ©ÀÇ ½Å°£¾È³» Á¤º¸¸¦ ¹Þ¾Æº¸½Ã¸é »óÇ°ÀÇ ¼±Á¤À» ´õ¿í Æí¸®ÇÏ°Ô ÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

 ´ë·®±¸¸ÅȨ  > °æÁ¦°æ¿µ  > °æÁ¦  > °æÁ¦Àü¸Á
 ´ë·®±¸¸ÅȨ  > °æÁ¦°æ¿µ  > Æ®·»µå/¹Ì·¡¿¹Ãø

2022 Consumer Trend Insights(Æ®·»µå ÄÚ¸®¾Æ ¿µ¹®ÆÇ) 16,200¿ø (10%)
2020 Consumer Trend Insights(Æ®·»µå ÄÚ¸®¾Æ ¿µ¹®ÆÇ) 17,100¿ø (10%)
Consumer Trend in Korea 2013 : Æ®·»µå ÄÚ¸®¾Æ 2013 ¿µ¹®ÆÇ 14,400¿ø (10%)
2021 Consumer Trend Insights(Æ®·»µå ÄÚ¸®¾Æ ¿µ¹®ÆÇ) 16,200¿ø (10%)
        
 

 
Ã¥³»¿ë
COBRA TWIST : The Top-10 consumer trends in Korea in 2013 "Be the first to catch Korea's latest consumer trend" 2008³âºÎÅÍ Çظ¶´Ù ´ÙÀ½ ³âµµ Çѱ¹ ¼ÒºñÀÚµéÀÇ ¿òÁ÷ÀÓ°ú ´Ù¾çÇÑ »çȸÀûÀÎ °æÇâÀ» ¿¹ÃøÇØ¿Â Æ®·»µå ÄÚ¸®¾Æ°¡ ¹ß°£ 5³â°¸¦ ¸ÂÀÌÇÏ¿© ¿µ¹®ÆÇÀ» Ãâ°£Çß´Ù. À̷νá, °úÇÐÀûÀÌ°í ü°èÀûÀÎ ºÐ¼®À» µ¿¿øÇϸ鼭µµ ´ëÁßÀûÀ¸·Î Ä£±ÙÇÑ ¹æ½ÄÀ¸·Î Æ®·»µå ¼ÒÅëÀÇ ¹®À» ¿¬ ¡¶Æ®·»µå ÄÚ¸®¾Æ¡·´Â ÀÌÁ¦ Çѱ¹À» ³Ñ¾î ¼¼°è·Î ³ª°¥ äºñ¸¦ ¸¶ÃÆ´Ù. ÃÖ±Ù Æø¹ßÀûÀÎ °ü½ÉÀ» ºÒ·¯ÀÏÀ¸Å² K-ÆË°ú µå¶ó¸¶ÀÇ ¿­Ç³¿¡ ÈûÀÔ¾î Çѱ¹¿¡ ´ëÇÑ ¼¼°èÀûÀÎ °ü½ÉÀÌ ÁõÆøÇÑ °¡¿îµ¥, ¼­¿ï´ë ¼ÒºñÆ®·»µåºÐ¼®¼¾Å͸¦ À̲ø°í ÀÖ´Â ±è³­µµ ±³¼ö´Â ÀÌ Ã¥ÀÌ Çѱ¹ Æ®·»µå¸¦ ±Ã±ÝÇØ ÇÏ´Â ¿Ü±¹ÀÎ(ºñÁî´Ï½º¸Ç°ú ÅõÀÚÀÚ, ±×¸®°í ÀϹÝÀÎÀ» ÅëƲ¾î)µé¿¡°Ô ÀûÀýÇÑ Á¤º¸¸¦ Á¦°øÇØÁÙ °ÍÀ̶ó°í ¸»ÇÑ´Ù. ¼¼°è ¾îµð¿¡µµ ¾ø´Â ´ÙÀ̳»¹ÍÇÑ ½ÃÀå. Çѱ¹À̶ó´Â ³ª¶ó¿Í °Å±â »ç´Â ¼ÒºñÀÚµéÀÇ ´Ùä·Ó°íµµ ¿ªµ¿ÀûÀÎ ¿òÁ÷ÀÓÀ» ´ãÀº Æ®·»µå ÄÚ¸®¾Æ¿¡ ¼¼°èÀÇ À̸ñÀÌ ½ò¸®°í ÀÖ´Ù.
¸ñÂ÷
Part 1. 2012 in Retrospect Deliver authenticity 17 Rawganic fever 27 Attention, please! 34 Give¡¯'em personalities 41 Over the generation 49 Neo-minorism 56 Blank space for my life 63 All by myself society 72 Let me choose plan B 81 Lessen your risk 91 Part 2. 2013 Trends Outlook City of hysteria 99 OTL¡¦¡¦ nonsense! 113 Bravo, Scandi-mom! 125 Redefined ownership 139 Arrival of detox fever 157 Tiding over burnout society 169 Whenever U want ?- the absence of seasons 182 Inconvenience is welcomed 196 Solitary lounging 210 Taste, the ascent thereof 223 Coauthors 236 2007~2012 Keywords Table 237 Index 238
º»¹®Áß¿¡¼­
I have often been asked to elaborate in English about Korea¡¯'s consumption trends by foreign entrepreneurs practicing their business in Korea and business people doing business in other Asian regions ? including China, Thailand and Vietnam ? which a few years later show a similar market pattern to the Korean trends. So I have long had in mind the need to publish an English edition of this Korea Trends series. Yet, swamped with lectures, writing and consulting, I didn't dare to publish the same book in English, but rather kept it on my wish list. So this year, I am very glad to get an English edition published through the help of a professional translator. I hope this translation reasonably conveys the cultural aspects of varied Korean consumption trends. This book is designed for all readers wanting to know more about Korean consumers and the Korean market. The global community is becoming increasingly interconnected via the Internet and mobile devices, while at the same time we live in very complicated times in which the consumer market is influenced by the national characteristics of each country. Although global trends appear simultaneously in many different countries, in some countries these trends may not hold much clout. Despite Korea being globalized, the Korean consumer market should not be understood simply as an extension of global trends. Moreover, from the point of view that Korean trends ? such as K-pop ? are pervading the globe, it can give one a good understanding of how Korean consumer trends may offer an indirect route on any quest to understand other countries¡¯' consumers. I hope readers will find this book helpful for navigating Korean trends, and indeed grasping the trends of other nations¡¯' consumers and markets. P8~9 The center of the typhoon, the 1990s¡¯' craze, is tvN drama Reply, 1997. With a backdrop of Busan in the 1990s when it was dichotomized by the music groups H.O.T. and Sechs Kies, this sentimental retro drama portrays six characterful high school girls and boys. Breaking 5% viewership, considered a "super success viewership rate¡± among cable channels, it created a newly popular word, "Reply-sick¡± which means the provocation of strong sentimental attachment to the drama. It used three key themes ? reminiscence, nostalgia and retro ? as subject matter and unfolded stories from diverse angles. As a result, the drama Reply, 1997 attained popularity and compathy from a broad range of age groups. Reply, 1997 exactly reproduced 1990s¡¯ fashion, props, episodes, background music, etc. which were deceptively great and perfect. Thanks to the drama¡¯'s popularity, on-line sales for 1990s-recalling retro items increased drastically. On the Auction (www.auction.co.kr), the sales of the drama props ? game machines, cartoon books and fashion items ? surged up to 45%, to date. Much attention was paid to "Eastpak¡± and "JanSport¡± backpacks that were used by the drama characters. P50~51 The 2012 pop culture industry was evidently swamped with those prevalent minors fortified with such B-class cultural sentiment. One of the most extreme cases is Gangnam Style by Psy, who has suddenly emerged as an international star. Despite his definitely minor features in light of appearance, choreography, costume and songs, upon going public via YouTube with a diverse parody of productions, his music videos easily broke 100 million Internet hits, unprecedented for Korean content, and he continues to break records. Psy was invited by the globally esteemed MTV video music awards, and was asked to make an appearance for one of the top American TV programs covering the households of Americans and provoking "Psy fever¡± around the globe. His incredible success has still been dissected in diverse analyses, but one clear thing is that the global music market, too, is going through a ¡°minorism¡± trend. P57~58 A conventional theory works the way in which the ensured management of existing customers costs

ÀúÀÚ
±è³­µµ
±³¼ö, Æ®·»µå ¿¬±¸ÀÚ, ÄÁ¼³ÅÏÆ®, ÀÛ°¡. ¼­¿ï´ëÇб³ »ýÈ°°úÇдëÇÐ ¼ÒºñÀÚÇаú¿¡¼­ ÇлýµéÀ» °¡¸£Ä¡°í, »ýÈ°°úÇבּ¸¼Ò ¼ÒºñÆ®·»µåºÐ¼®¼¾Å͸¦ À̲ø¸ç ¼ÒºñÆ®·»µå¸¦ ¿¬±¸ÇÏ°í ÀÖ´Ù. ¼­¿ï´ëÇб³ ±³À°»ó, ¸ÅÀÏ°æÁ¦½Å¹® Á¤Áø±â¾ð·Ð¹®È­»ó, Çѱ¹¼ÒºñÀÚÇÐȸ ÃÖ¿ì¼ö³í¹®»ó, Çѱ¹Á¤Ã¥ÇÐȸ Çмú»ó, Çѱ¹°¶·´ ÃÖ¿ì¼ö³í¹®Áöµµ»ó, Çѱ¹¸¶ÄÉÆÃÇùȸ °ø·Î»ó, ÇÑÁ߰濵´ë»ó ÇÑÁß°æÁ¦Çù·Â»ó µîÀ» ¼ö»óÇß´Ù. ÄÚ¿þÀÌ, ¾Æ¸ð·¹ÆÛ½ÃÇÈ, ¿¡¹ö·£µå, Çö´ëÀÚµ¿Â÷, »ï¼ºÀüÀÚ, SKÅÚ·¹ÄÞ, LGÀüÀÚ, CJ±×·ì, ½ÅÇÑÄ«µå, Çѱ¹¿Ü½Ä»ê¾÷¿¬±¸¿ø, ½Å¼¼°è±×·ì, SK°æ¿µ°æÁ¦¿¬±¸¼Ò, ·Ôµ¥¸¶Æ®, Á¦Àϱâȹ, ÇѶó¸¶À̽ºÅÍ, AKÇöóÀÚ µî ¿©·¯ ÁÖ¿ä ±â¾÷µéÀ» ÀÚ¹®Çϸç, ÀÌ·ÐÀû Áö½Ä°ú ½Ç¹«Àû °æÇèÀÇ ½Ã³ÊÁö¸¦ µµ¸ðÇÏ´Â µ¥µµ ÈûÀ» ½ñ°í ÀÖ´Ù.
[Æ®·»µå Â÷À̳ª], [·°¼Å¸® ÄÚ¸®¾Æ], [µðÀÚÀÎÀÇ ½Ã´ë, Æ®·»µåÀÇ ½Ã´ë](°øÀú), [2011 ´ëÇѹα¹ ¼ÒºñÁöµµ- ¼ÒºñÀÚ´Â ¹«¾ùÀ» ¿øÇϴ°¡?](°øÀú), [2013 Consumer Trends in Korea] µîÀÇ °æÁ¦°æ¿µ¼­¿Í [¿õÅ©¸° ½Ã°£µµ ³» »îÀ̴ϱî], [±è³­µµÀÇ ³»-ÀÏ], [õ ¹øÀ» Èçµé·Á¾ß ¾î¸¥ÀÌ µÈ´Ù], [¾ÆÇÁ´Ï±î ûÃáÀÌ´Ù]¿Í °°Àº ¿¡¼¼À̸¦ ½è´Ù.

Rando Kim is a professor in the Dept. of Consumer Science(DCS), Seoul National University(SNU) and the head of Consumer Trend Center(CTC), SNU. As a specialist in consumer behavior and market trend analysis, he has written more than 20 books including Trend Korea series, Trend China, What Consumers Want , and Luxury Korea. He also wrote essay books, Amor Fati , Future and My Job, and Youth, It¡¯s Painful which is sold three million copies in 14 countries. He has conducted research projects about consumer needs finding, new product planning, and market trend probing for Korea¡¯s major companies like Samsung, LG, SK, CJ, Hyundai Motors, Amore Pacific, Lotte, Fursys, Nongshim, and Coway.
   ±è³­µµÀÇ ³»ÀÏ | ±è³­µµ | ¿À¿ì¾Æ
   Æ®·»µå Â÷À̳ª | ±è³­µµ | ¿À¿ì¾Æ
   ¿õÅ©¸° ½Ã°£µµ ³» »îÀ̴ϱî | ±è³­µµ | ¿À¿ì¾Æ
   Æ®·»µå ÄÚ¸®¾Æ ´ÙÀ̾(Tren D)(2018) | ±è³­µµ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2019 | ±è³­µµ | ¹Ì·¡ÀÇâ
ÀÌÁØ¿µ
»ó¸í´ëÇб³ °æÁ¦±ÝÀ¶ÇкΠ±³¼ö·Î ÀçÁ÷ÇÏ°í ÀÖ´Ù. ¼­¿ï´ëÇб³ ¼ÒºñÀÚÇаú¿¡¼­ Çл硤¼®»ç¡¤¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. 2017³â Çѱ¹¼ÒºñÀÚÇÐȸ ÃÖ¿ì¼ö³í¹®»ó°ú Çѱ¹¼ÒºñÀÚÁ¤Ã¥±³À°ÇÐȸ ¿ì¼ö³í¹®»óÀ» ¼ö»óÇßÀ¸¸ç 2014³â °æ»óºÏµµ µµÁö»ç ǥâÀ» ¹Þ¾Ò´Ù. LGÀüÀÚ LSR¿¬±¸¼Ò¿¡¼­ ±Ù¹«ÇßÀ¸¸ç ÇöÀç »ó¸í´ëÇб³¿¡¼­ ¼ÒºñÀںм®¿¬±¸¼Ò ¼ÒÀåÀ» ¸Ã°í ÀÖ´Ù. Àú¼­·Î´Â [1ÄÚ³ë¹Ì], [ÄɹÌÄà ¶óÀÌÇÁ], [¼ÒºñÆ®·»µåÀÇ ÀÌÇØ¿Í ºÐ¼®]ÀÌ ÀÖ´Ù.

June Young Lee currently works as an associate professor in Sang-Myung University. He received a doctor¡¯s degree in DCS, SNU. He received ¡®The Best Paper Award¡¯ in The Journal of Consumer Studies. He worked as a senior researcher in Life Soft Research lab of LG Electronics. He is a laboratory chief of Consumer Research Center in Sang-Myung University.
   1ÄÚ³ë¹Ì | ÀÌÁØ¿µ | 21¼¼±âºÏ½º
   Æ®·»µå ÄÚ¸®¾Æ 2019 | ÀÌÁØ¿µ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2020 | ÀÌÁØ¿µ | ¹Ì·¡ÀÇâ
   Äڷγª°¡ ½ÃÀåÀ» ¹Ù²Û´Ù | ÀÌÁØ¿µ | 21¼¼±âºÏ½º
   Æ®·»µå ÄÚ¸®¾Æ 2021 | ÀÌÁØ¿µ | ¹Ì·¡ÀÇâ
Àü¹Ì¿µ
¼­¿ï´ëÇб³ ¼ÒºñÆ®·»µåºÐ¼®¼¾ÅÍ ¿¬±¸À§¿øÀ¸·Î ÀçÁ÷ÇÏ°í ÀÖ´Ù. ¼­¿ï´ëÇб³ ¼ÒºñÀÚÇаú¿¡¼­ Çл硤¼®»ç¡¤¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾ÒÀ¸¸ç, »ï¼º°æÁ¦¿¬±¸¼Ò ¸®¼­Ä¡¾Ö³Î¸®½ºÆ®, ¼­¿ï´ëÇб³ ¼ÒºñÀÚÇаú ¿¬±¸±³¼ö µîÀ» ¿ªÀÓÇß´Ù. [Æ®·»µå ÄÚ¸®¾Æ](2010~2019)¿Í [Æ®·»µå Â÷À̳ª](2013) °øÀú, Áß¾ÓÀÌÄÚ³ë¹Ì½ºÆ® Ä®·³´Ï½ºÆ®, KBS¶óµð¿À [±è³­µµÀÇ Æ®·»µåÇ÷¯½º], [°æÁ¦¸¦ ¹è¿ó½Ã´Ù] °íÁ¤ Ã⿬ µîÀ¸·Î È°µ¿ÇßÀ¸¸ç, ´Ù¼öÀÇ ±â¾÷°ú Çѱ¹¡¤Áß±¹¡¤ÀϺ»ÀÇ ¼ÒºñÆ®·»µå ±â¹Ý ½ÅÁ¦Ç° °³¹ß ¾÷¹«¸¦ ¼öÇàÇÏ°í ÀÖ´Ù.

She currently works as a research fellow in the CTC, SNU. She worked as a research analyst at the Samsung Economic Research Institute. She obtained BA, MA, and PhD degrees in DCS, SNU. She wrote Ph.D. dissertation and subsequent articles about purchasing behavior and consumer happiness. She received ¡®The Best Publication Award¡¯ from the Korean Society of Consumer Studies in 2008. She is interested in tracking consumer trends in Korea and China as well as big data analysis for new product development and industrial application.
   Æ®·»µå Â÷À̳ª | Àü¹Ì¿µ | ¿À¿ì¾Æ
   Æ®·»µå ÄÚ¸®¾Æ 2019 | Àü¹Ì¿µ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2020 | Àü¹Ì¿µ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2021 | Àü¹Ì¿µ | ¹Ì·¡ÀÇâ
   2021 Consumer Trend Insights(Æ®·»µå ÄÚ¸®¾Æ ¿µ¹®ÆÇ) | Àü¹Ì¿µ | ¹Ì·¡ÀÇâ
ÀÌÇâÀº
¼º½Å¿©ÀÚ´ëÇб³ ¼­ºñ½ºµðÀÚÀΰøÇаú ±³¼ö.
UX Æ®·»µå¿Í »ç¿ëÀÚ ½É¸®¸¦ ¿¬±¸ÇÏ°í ÀÖÀ¸¸ç 2009³âºÎÅÍ ¼­¿ï´ëÇб³ ¼ÒºñÀÚÇаú ±è³­µµ ±³¼ö¿Í ÇÔ²² ¡¶Æ®·»µåÄÚ¸®¾Æ 2011¡·ºÎÅÍ ¡¶Æ®·»µåÄÚ¸®¾Æ 2020¡·±îÁö ÃÑ 10±ÇÀ» °øµ¿À¸·Î ÁýÇÊÇß´Ù. 2012³â ¼­¿ï´ëÇб³ µðÀÚÀÎÇÐ ¹Ú»çÇÐÀ§¸¦ ÃëµæÇÑ ÀÌÇâÀº ±³¼ö´Â ¼¼°èÀû ±ÇÀ§ÀÇ µðÀÚÀÎ ¾î¿öµåÀÎ µ¶ÀÏ iF Design AwardÀÇ ½É»çÀ§¿øÀ¸·Îµµ ¼±Á¤µÈ ¹Ù ÀÖÀ¸¸ç, ±³À° ¿Ü¿¡µµ µðÀÚÀΰú ¼Òºñ¹®È­¸¦ ¾Æ¿ì¸£´Â ÅëÂû·ÂÀ» °®°í ÀÖ´Â Àü¹®°¡·Î¼­ »ï¼ºÀüÀÚ, Çö´ëÀÚµ¿Â÷, ´ëÀ¯ À§´Ï¾Æ µî ±â¾÷µéÀÇ µðÀÚÀΰ濵 ÄÁ¼³Æðú ÀÚ¹®, Çõ½Å Á¦Ç° ÄܼÁÆ® °³¹ß°ú °°Àº ´Ù¾çÇÑ ÇÁ·ÎÁ§Æ®¸¦ ¼öÇàÇÏ¸ç ¿Õ¼ºÇÑ È°µ¿À» ÇÏ°í ÀÖ´Ù. 2016³â Red Dot ¾î¿öµå¿¡¼­ ÃÖ°í»óÀ» ¼ö»óÇѵ¥ À̾î 2020³â¿¡´Â µ¶ÀÏ iF µðÀÚÀÎ ¾î¿öµå¿¡¼­ LG CNS¿Í ÇÔ²² ±âȹÇÑ ¸¶ÄÉÆà ¼Ö·ç¼Ç B.E.A.T·Î ¼­ºñ½ºµðÀÚÀÎ ºÎºÐ ¼ö»óÀÇ ¿µ¿¹¸¦ ¾È¾Ò´Ù. ´Ù¾çÇÑ ±¹Á¦ Æ÷·³ÀÇ »çȸÀڷεµ È°¾àÇÏ°í ÀÖ´Ù.

Hyang Eun Lee is an associate professor in the Dept. of Service Design Engineering, Sungshin Women¡¯s University. She has a master¡¯s degree in Design Management from the Central Saint Martins in London, England and a Ph.D. in Design from the Graduate School of Arts, SNU with dissertation on ¡°A Study on the Process Model Focused on Experience: Centering on Experience of a Designer Transformed into Intuitive Insight.¡± Her main area of research includes UX trends and user psychology, as well as design and consumption trends. She is working in research and development as regards to innovvation in government and corporations.
   Æ®·»µå ÄÚ¸®¾Æ 2019 | ÀÌÇâÀº | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2020 | ÀÌÇâÀº | ¹Ì·¡ÀÇâ
   µðÀÚÀÎ ¸Å´ÏÆ佺Åä | ÀÌÇâÀº | ½Ã°ø»ç
   Æ®·»µå ÄÚ¸®¾Æ 2021 | ÀÌÇâÀº | ¹Ì·¡ÀÇâ
   2021 Consumer Trend Insights(Æ®·»µå ÄÚ¸®¾Æ ¿µ¹®ÆÇ) | ÀÌÇâÀº | ¹Ì·¡ÀÇâ
±è¼­¿µ
¢ß½ºÄ­µð¿¡µà ´ëÇ¥·Î ÀçÁ÷ÇÏ°í ÀÖÀ¸¸ç, ¼­¿ï´ëÇб³ »ýÈ°°úÇдëÇÐ ¼ÒºñÀÚÇаú¿¡¼­ ¹Ú»ç °úÁ¤À» ¼ö·áÇß´Ù. µ¿ ´ëÇпø¿¡¼­ [20~30´ë ±âÈ¥ ¿©¼º°ú ¹ÌÈ¥ ¿©¼ºÀÇ ¼Òºñ °¡Ä¡ ¿¬±¸]¶ó´Â ³í¹®À¸·Î ¼®»ç ÇÐÀ§¸¦ ¹Þ¾ÒÀ¸¸ç, [Æ®·»µå Â÷À̳ª](2013)¸¦ °øÀúÇß´Ù. ¼ÒºñÀÚÀÇ ±¸¸Å ½Ã ³ú È°¼ºÈ­ »óÅÂ, ¼ÒºñÀÚÀÇ ½É¸®Àû ÀÏÅ» ¹× ¶óÀ̼±½Ì È¿°ú, ¼ÒºñÀÚÀÇ ¾ç°¡¼º(ambivalence)¿¡ °üÇÑ ½É¸® ±¸Á¶, Çѱ¹°ú Áß±¹ ¼ÒºñÆ®·»µåÀÇ È®»ê °úÁ¤°ú ¿¹Ãø µîÀÇ ÁÖÁ¦¿¡ °ü½ÉÀÌ ¸¹´Ù.
   Æ®·»µå Â÷À̳ª | ±è¼­¿µ | ¿À¿ì¾Æ
   Æ®·»µå ÄÚ¸®¾Æ 2019 | ±è¼­¿µ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2020 | ±è¼­¿µ | ¹Ì·¡ÀÇâ
±è³­µµ
1963³â 3¿ù 2ÀÏ ¼­¿ï Ãâ»ýÀ¸·Î ±³¼ö, Æ®·»µå ¿¬±¸ÀÚ, ÄÁ¼³ÅÏÆ®, ÀÛ°¡´Ù. ¼­¿ï´ëÇб³ »ýÈ°°úÇдëÇÐ ¼ÒºñÀÚÇаú¿¡¼­ ÇлýµéÀ» °¡¸£Ä¡°í, »ýÈ°°úÇבּ¸¼Ò ¼ÒºñÆ®·»µåºÐ¼®¼¾Å͸¦ À̲ø¸ç ¼ÒºñÆ®·»µå¸¦ ¿¬±¸ÇÏ¿´´Ù. LGÀüÀÚ »ó¹«. ¼º½Å¿©ÀÚ´ëÇб³ ¼­ºñ½º¡¤µðÀÚÀΰøÇаú ±³¼ö. ¿µ±¹ ¼¾Æ®·² ¼¼ÀÎÆ® ¸¶Æ¾Central Saint Martins ¼®»ç, ¼­¿ï´ë µðÀÚÀÎÇÐ ¹Ú»ç. ¼­¿ï´ëÇб³ ±³À°»ó, ¸ÅÀÏ°æÁ¦½Å¹® Á¤Áø±â¾ð·Ð¹®È­»ó, Çѱ¹¼ÒºñÀÚÇÐȸ ÃÖ¿ì¼ö³í¹®»ó, Çѱ¹Á¤Ã¥ÇÐȸ Çмú»ó, Çѱ¹°¶·´ ÃÖ¿ì¼ö³í¹®Áöµµ»ó, Çѱ¹¸¶ÄÉÆÃÇùȸ °ø·Î»ó, ÇÑÁ߰濵´ë»ó ÇÑÁß°æÁ¦Çù·Â»ó µîÀ» ¼ö»óÇß´Ù. ÄÚ¿þÀÌ, ¾Æ¸ð·¹ÆÛ½ÃÇÈ, ¿¡¹ö·£µå, Çö´ëÀÚµ¿Â÷, »ï¼ºÀüÀÚ, SKÅÚ·¹ÄÞ, LGÀüÀÚ, CJ±×·ì, ½ÅÇÑÄ«µå, Çѱ¹¿Ü½Ä»ê¾÷¿¬±¸¿ø, ½Å¼¼°è±×·ì, SK°æ¿µ°æÁ¦¿¬±¸¼Ò, ·Ôµ¥¸¶Æ®, Á¦Àϱâȹ, ÇѶó¸¶À̽ºÅÍ, AKÇöóÀÚ µî ¿©·¯ ÁÖ¿ä ±â¾÷µéÀ» ÀÚ¹®Çϸç, ÀÌ·ÐÀû Áö½Ä°ú ½Ç¹«Àû °æÇèÀÇ ½Ã³ÊÁö¸¦ µµ¸ðÇÏ´Â µ¥µµ ÈûÀ» ½ñ°í ÀÖ´Ù. LGÀüÀÚ¿¡¼­ °í°´°æÇèCX Çõ½Å°ú °ü·ÃµÈ ¼­ºñ½ºµðÀÚÀÎ ¹× »óÇ°±âȹÀ» ´ã´çÇÏ¸ç °ø°£ ¼­ºñ½º µðÀÚÀÎ, Æ®·»µå, ¶óÀÌÇÁ½ºÅ¸ÀÏ µî µðÀÚÀΰú ¼Òºñ¹®È­¸¦ ¾Æ¿ì¸£´Â ÅëÂû·ÂÀ» ¹ßÈÖÇÏ°í ÀÖ´Ù. ¼º½Å¿©´ë ¼­ºñ½º¡¤µðÀÚÀΰøÇаú ±³¼ö·Î¼­ Çаè¿Í ¾÷°è¸¦ ¿À°¡¸ç Çö´ëÀÚµ¿Â÷, »ï¼ºÀüÀÚ, ´ëÀ¯À§´Ï¾Æ, SK °Ç¼³ µî ´Ù¼öÀÇ ±â¾÷ °í°´°æÇè ¹× »óÇ° ±âȹ ÇÁ·ÎÁ§Æ®¸¦ ¼öÇàÇßÀ¸¸ç, ±¹³»¿Ü CXÀÇ Á߿伺ÀÌ Ä¿Áü¿¡ µû¶ó Áö³­ÇØ LGÀüÀÚ »ýÈ°°¡Àü&°øÁ¶H&A »ç¾÷º»ºÎ ³»¿¡ ½Å¼³µÈ °í°´°æÇèÇõ½Å´ã´ç¡¤»ó¹«·Î ¹ßŹµÇ¾ú´Ù. ¼¼°è 3´ë µðÀÚÀÎ °ø¸ðÀü Áß ÇϳªÀÎ ¡®µ¶ÀÏ iFµðÀÚÀÎ ¾î¿öµå¡¯ÀÇ ½É»çÀ§¿øÀ¸·Î È°µ¿ÇÏ°í ÀÖÀ¸¸ç, Q1(»óÀ§ 25%) SSCI ±¹Á¦ Àú¸íÇмúÁö¿¡ ¿¬±¸ ³í¹®À» °ÔÀçÇÏ´Â µî ÇÐÀڷμ­ÀÇ ¿¬±¸È°µ¿µµ ¿Õ¼ºÇÏ´Ù. 2010³âºÎÅÍ ¡´Æ®·»µå ÄÚ¸®¾Æ¡µ ½Ã¸®ÁîÀÇ °øÀúÀÚ·Î ÁýÇÊÈ°µ¿À» ÇÏ°í ÀÖÀ¸¸ç, ¡ºµðÀÚÀÎ ¸Å´ÏÆ佺Åä¡»¸¦ Àú¼úÇß´Ù. °ú±âºÎ¡¤ÅëÀϺΠÁ¤Ã¥ÀÚ¹®À§¿ø, »ï¼ºÀüÀÚ ¹Ì·¡±â¼ú ÀÚ¹®±³¼ö µîÀ» ¿ªÀÓÇß´Ù. ¡¶Áß¾ÓÀϺ¸¡·¿¡ ¡®ÀÌÇâÀºÀÇ Æ®·»Æ®ÅÍÄ¡¡¯¸¦ ¿¬ÀçÇϸç Ä®·³´Ï½ºÆ®·Îµµ È°µ¿ÇÏ°í ÀÖ´Ù.¡ºÆ®·»µå Â÷À̳ª¡», ¡º·°¼Å¸® ÄÚ¸®¾Æ¡», ¡ºµðÀÚÀÎÀÇ ½Ã´ë, Æ®·»µåÀÇ ½Ã´ë¡»(°øÀú), ¡º2011 ´ëÇѹα¹ ¼ÒºñÁöµµ: ¼ÒºñÀÚ´Â ¹«¾ùÀ» ¿øÇϴ°¡?¡»(°øÀú), ¡º2013 Consumer Trends in Korea¡» µîÀÇ °æÁ¦°æ¿µ¼­¿Í ¡º¿õÅ©¸° ½Ã°£µµ ³» »îÀ̴ϱ, ¡º±è³­µµÀÇ ³»:ÀÏ¡», ¡ºÃµ ¹øÀ» Èçµé·Á¾ß ¾î¸¥ÀÌ µÈ´Ù¡», ¡º¾ÆÇÁ´Ï±î ûÃáÀÌ´Ù¡»¿Í °°Àº ¿¡¼¼À̸¦ ½è´Ù.
   ±è³­µµÀÇ ³»ÀÏ | ±è³­µµ | ¿À¿ì¾Æ
   Æ®·»µå Â÷À̳ª | ±è³­µµ | ¿À¿ì¾Æ
   Æ®·»µå ÄÚ¸®¾Æ 2019 | ±è³­µµ | ¹Ì·¡ÀÇâ
   Æ®·»µå ÄÚ¸®¾Æ 2020 | ±è³­µµ | ¹Ì·¡ÀÇâ
   ±è³­µµÀÇ Æ®·»µå ·Îµå: ´º¿å ÀÓÆļ­ºí | ±è³­µµ | ±×¸°ÇϿ콺
ÀÌÁØ¿µ, Àü¹Ì¿µ, ÀÌÇâÀº, ±è¼­¿µ

ÀÌ ÃâÆÇ»çÀÇ °ü·Ã»óÇ°
Æ®·»µå ÄÚ¸®¾Æ 2021 : ¼­¿ï´ë ¼ÒºñÆ®·»µå ºÐ¼®¼¾ÅÍÀÇ 2021 Àü¸Á | ¹Ì·¡ÀÇâ
Æ®·»µå ÄÚ¸®¾Æ 2020 | ¹Ì·¡ÀÇâ
Àα¸°¡ ¹Ù²Û ¿ªµ¿ÀÇ ¼¼°è»ç | ¼­Á¤¾Æ | ¹Ì·¡ÀÇâ
Áö±¸¸¦ ±¸ÇÏ´Â °¡°èºÎ | ÀÌÁؼö | ¹Ì·¡ÀÇâ
°¨Ãâ ¼ö ¾ø´Â, Ç¥Á¤ÀÇ ½É¸®ÇÐ | ¼ÕÈñÁÖ | ¹Ì·¡ÀÇâ

ÀÌ ºÐ¾ß ½Å°£ °ü·Ã»óÇ°
Á÷¹«ÀÇ Á¾¸» | ÆÄÁöÆ®
 
µµ¼­¸¦ ±¸ÀÔÇϽŠ°í°´ ¿©·¯ºÐµéÀÇ ¼­ÆòÀÔ´Ï´Ù.
ÀÚÀ¯·Î¿î ÀÇ°ß ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù¸¸, ¼­ÆòÀÇ ¼º°Ý¿¡ ¸ÂÁö ¾Ê´Â ±ÛÀº »èÁ¦µÉ ¼ö ÀÖ½À´Ï´Ù.

µî·ÏµÈ ¼­ÆòÁß ºÐ¾ß¿Í »ó°ü¾øÀÌ ¸ÅÁÖ ¸ñ¿äÀÏ 5ÆíÀÇ ¿ì¼öÀÛÀ» ¼±Á¤ÇÏ¿©, S-Money 3¸¸¿øÀ» Àû¸³Çص帳´Ï´Ù.
ÃÑ 0°³ÀÇ ¼­ÆòÀÌ ÀÖ½À´Ï´Ù.