¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
33,850¿ø |
---|
28,770¿ø (15%ÇÒÀÎ)
870P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
ÃâÆÇ»ç ¼Æò
Wonderfully easy to read and just as wonderfully difficult to make sense of...like the narrator, who slowly accepts the presence in his life of mystery, we slowly recognize the possibility of a new kind of world. Like him, we lean forward and topple headlong into magic ¡ª Washington Post
It begins as a detective novel, dips into a screwball comedy, and at its close becomes a tale of possession...A highly accomplished piece of craftsmanship ¡ª New Yorker
Mr. Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving ¡ª New York Times
A Wild Sheep Chase has the conventional hull of a thriller - a quest, a mystery, an extraordinary woman, and plenty of elegant duress - but its fantastic superstructure transforms it into something quite different...a science fiction fantasy, a romance, a metaphysical tease, or a dramatisation of philosophical ideas ¡ª Independent
If you consider yourself an intelligent, sensitive common reader but wish to accommodate something a little removed from your experience, and probably your imagination, I dare you to turn your eyes towards Murakami and head off on a wild sheep chase. ¡ª Glasgow Herald
Ã¥¼Ò°³
A beautifully packaged hardback edition of Haruki Murakami's brilliantly surreal, detective-story classic, now with a new introduction by the author.
The man was leading an aimless life, time passing, one big blank. His girlfriend has perfectly formed ears, ears with the power to bewitch, marvels of creation. The man receives a letter from a friend, enclosing a seemingly innocent photograph of sheep, and a request: place the photograph somewhere it will be seen.
Then, one September afternoon, the phone rings, and the adventure begins. Welcome to the wild sheep chase.
'Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving' New York Times
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19490112 |
---|
1949³â ±³Åä¿¡¼ ž ¿Í¼¼´Ù´ëÇб³ ¹®Çкθ¦ Á¹¾÷Çß´Ù. 1979³â ¡¶¹Ù¶÷ÀÇ ³ë·¡¸¦ µé¾î¶ó¡··Î ±ºÁ¶½ÅÀι®ÇлóÀ» ¼ö»óÇÏ¸ç µ¥ºßÇß°í, 1982³â ù ÀåÆí¼Ò¼³ ¡¶¾çÀ» ÂÑ´Â ¸ðÇè¡·À¸·Î ³ë¸¶¹®¿¹½ÅÀλóÀ», 1985³â¿¡´Â ¡¶¼¼°èÀÇ ³¡°ú Çϵ庸ÀÏµå ¿ø´õ·£µå¡··Î ´Ù´ÏÀÚÅ° ÁØÀÌÄ¡·Î»óÀ» ¼ö»óÇß´Ù. 1987³â¿¡ ¡¶»ó½ÇÀÇ ½Ã´ë¡·(¿øÁ¦: ³ë¸£¿þÀÌÀÇ ½£)¸¦ ¹ßÇ¥, À¯·Ê¾ø´Â º£½ºÆ®¼¿·¯ ¼±Ç³°ú ÇÔ²² ÇÏ·çÅ° ½Åµå·ÒÀ» ÀÏÀ¸Å°¸ç ¼¼°èÀû ÀÛ°¡·Î ¾Ë·ÁÁö°Ô µÇ¾ú´Ù. 1994³â ¡¶Å¿± °¨´Â »õ¡··Î ¿ä¹Ì¿ì¸® ¹®ÇлóÀ» ¼ö»óÇß°í, 2005³â ¡¶Çغ¯ÀÇ Ä«ÇÁÄ«¡·°¡ ¾Æ½Ã¾Æ ÀÛ°¡ÀÇ ÀÛÇ°À¸·Î´Â µå¹°°Ô ¡´´º¿åŸÀÓ½º¡µ ¡®¿ÃÇØÀÇ Ã¥¡¯¿¡ ¼±Á¤µÇ¾ú´Ù. ±× ¹Û¿¡µµ ¡¶´í½º ´í½º ´í½º¡· ¡¶±¹°æÀÇ ³²ÂÊ, žçÀÇ ¼ÂÊ¡· ¡¶½ºÇªÆ®´ÏÅ©ÀÇ ¿¬ÀΡ· ¡¶1Q84¡· ¡¶±â»ç´ÜÀå Á×À̱⡷ ¡¶¸Õ ºÏ¼Ò¸®¡· ¡¶ÀÌÀ¹°í ½½Ç ¿Ü±¹¾î¡· ¡¶´Þ¸®±â¸¦ ¸»ÇÒ ¶§ ³»°¡ ÇÏ°í ½ÍÀº À̾߱⡷ µî ¸¹Àº ¼Ò¼³°ú ¿¡¼¼ÀÌ°¡ Àü ¼¼°è µ¶ÀÚµéÀÇ »ç¶ûÀ» ¹Þ°í ÀÖ´Ù. 2006³â¿¡´Â ¿¤ÇÁ¸®µ¥ ¿»¸®³×Å©¿Í ÇØ·²µå ÇÉÅÍ µîÀÇ ³ëº§¹®Çлó ¼ö»óÀÚ¸¦ ¹èÃâÇÑ ¹Ù ÀÖ´Â ÇÁ¶õÃ÷ Ä«ÇÁÄ«»óÀ» ¼ö»óÇß°í, 2009³â¿¡´Â À̽º¶ó¿¤ ÃÖ°íÀÇ ¹®ÇлóÀÎ ¿¹·ç»ì·½»óÀ», 2011³â¿¡´Â ½ºÆäÀÎ Ä«Å»·ç³Ä ±¹Á¦»óÀ» ¼ö»óÇß´Ù. ¶ÇÇÑ 2012³â °í¹Ù¾ß½Ã È÷µ¥¿À»ó, 2014³â µ¶ÀÏ º§Æ® ¹®Çлó, 2016³â µ§¸¶Å© ¾Èµ¥¸£¼¾ ¹®Çлó, 2023³â ¾Æ½ºÅõ¸®¾Æ½º °øÁÖ»óÀ» ¼ö»óÇÏ´Â µî ÇÏ·çÅ°ÀÇ ¹®ÇÐÀû ¼ºÃë¿¡ Àü ¼¼°è°¡ ÁÖ¸ñÇÏ°í ÀÖ´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âThe City and Its Uncertain Walls (¿µ±¹ÆÇ...
The City and Its Uncertain Walls (¹Ì±¹ÆÇ...
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.