¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
10,130¿ø |
---|
8,610¿ø (15%ÇÒÀÎ)
260P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
Ã¥¼Ò°³
A short, sleek novel of encounters set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami¡¯s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore.
At its center are two sisters-Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny¡¯s toward people whose lives are radically alien to her own: a jazz trombonist who claims they¡¯ve met before, a burly female ¡°love hotel¡± manager and her maid staff, and a Chinese prostitute savagely brutalized by a businessman. These ¡°night people¡± are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Eri¡¯s slumber-mysteriously tied to the businessman plagued by the mark of his crime-will either restore or annihilate her.
After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency-the interplay between self-expression and empathy, between the power of observation and the scope of compassion and love. Murakami¡¯s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
Reality bends all the more acutely with lack of sleep in this stunning novel from the master of the surreal.
Eyes mark the shape of the city
The midnight hour approaches in an almost-empty diner. Mari sips her coffee and reads a book, but soon her solitude is disturbed: a girl has been beaten up at the Alphaville hotel, and needs Mari's help.
Meanwhile Mari's beautiful sister Eri lies in a deep, heavy sleep that is 'too perfect, too pure' to be normal; it has lasted for two months. But tonight as the digital clock displays 00:00, a hint of life flickers across the television screen, even though it's plug has been pulled out.
Strange nocturnal happenings, or a trick of the night?
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19490112 |
---|
1949³â ±³Åä¿¡¼ ž ¿Í¼¼´Ù´ëÇб³ ¹®Çкθ¦ Á¹¾÷Çß´Ù. 1979³â ¡¶¹Ù¶÷ÀÇ ³ë·¡¸¦ µé¾î¶ó¡··Î ±ºÁ¶½ÅÀι®ÇлóÀ» ¼ö»óÇÏ¸ç µ¥ºßÇß°í, 1982³â ù ÀåÆí¼Ò¼³ ¡¶¾çÀ» ÂÑ´Â ¸ðÇè¡·À¸·Î ³ë¸¶¹®¿¹½ÅÀλóÀ», 1985³â¿¡´Â ¡¶¼¼°èÀÇ ³¡°ú Çϵ庸ÀÏµå ¿ø´õ·£µå¡··Î ´Ù´ÏÀÚÅ° ÁØÀÌÄ¡·Î»óÀ» ¼ö»óÇß´Ù. 1987³â¿¡ ¡¶»ó½ÇÀÇ ½Ã´ë¡·(¿øÁ¦: ³ë¸£¿þÀÌÀÇ ½£)¸¦ ¹ßÇ¥, À¯·Ê¾ø´Â º£½ºÆ®¼¿·¯ ¼±Ç³°ú ÇÔ²² ÇÏ·çÅ° ½Åµå·ÒÀ» ÀÏÀ¸Å°¸ç ¼¼°èÀû ÀÛ°¡·Î ¾Ë·ÁÁö°Ô µÇ¾ú´Ù. 1994³â ¡¶Å¿± °¨´Â »õ¡··Î ¿ä¹Ì¿ì¸® ¹®ÇлóÀ» ¼ö»óÇß°í, 2005³â ¡¶Çغ¯ÀÇ Ä«ÇÁÄ«¡·°¡ ¾Æ½Ã¾Æ ÀÛ°¡ÀÇ ÀÛÇ°À¸·Î´Â µå¹°°Ô ¡´´º¿åŸÀÓ½º¡µ ¡®¿ÃÇØÀÇ Ã¥¡¯¿¡ ¼±Á¤µÇ¾ú´Ù. ±× ¹Û¿¡µµ ¡¶´í½º ´í½º ´í½º¡· ¡¶±¹°æÀÇ ³²ÂÊ, žçÀÇ ¼ÂÊ¡· ¡¶½ºÇªÆ®´ÏÅ©ÀÇ ¿¬ÀΡ· ¡¶1Q84¡· ¡¶±â»ç´ÜÀå Á×À̱⡷ ¡¶¸Õ ºÏ¼Ò¸®¡· ¡¶ÀÌÀ¹°í ½½Ç ¿Ü±¹¾î¡· ¡¶´Þ¸®±â¸¦ ¸»ÇÒ ¶§ ³»°¡ ÇÏ°í ½ÍÀº À̾߱⡷ µî ¸¹Àº ¼Ò¼³°ú ¿¡¼¼ÀÌ°¡ Àü ¼¼°è µ¶ÀÚµéÀÇ »ç¶ûÀ» ¹Þ°í ÀÖ´Ù. 2006³â¿¡´Â ¿¤ÇÁ¸®µ¥ ¿»¸®³×Å©¿Í ÇØ·²µå ÇÉÅÍ µîÀÇ ³ëº§¹®Çлó ¼ö»óÀÚ¸¦ ¹èÃâÇÑ ¹Ù ÀÖ´Â ÇÁ¶õÃ÷ Ä«ÇÁÄ«»óÀ» ¼ö»óÇß°í, 2009³â¿¡´Â À̽º¶ó¿¤ ÃÖ°íÀÇ ¹®ÇлóÀÎ ¿¹·ç»ì·½»óÀ», 2011³â¿¡´Â ½ºÆäÀÎ Ä«Å»·ç³Ä ±¹Á¦»óÀ» ¼ö»óÇß´Ù. ¶ÇÇÑ 2012³â °í¹Ù¾ß½Ã È÷µ¥¿À»ó, 2014³â µ¶ÀÏ º§Æ® ¹®Çлó, 2016³â µ§¸¶Å© ¾Èµ¥¸£¼¾ ¹®Çлó, 2023³â ¾Æ½ºÅõ¸®¾Æ½º °øÁÖ»óÀ» ¼ö»óÇÏ´Â µî ÇÏ·çÅ°ÀÇ ¹®ÇÐÀû ¼ºÃë¿¡ Àü ¼¼°è°¡ ÁÖ¸ñÇÏ°í ÀÖ´Ù.
ÆîÃ帱âÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.