±¹³»µµ¼
Àü°øµµ¼/´ëÇб³Àç
»çȸ°úÇаè¿
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
15,000¿ø |
---|
15,000¿ø
750P (5%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
Ã¥¼Ò°³
Actual Survey Report of the Cheonjeon-ri Petroglyphs in Ulsan ±¹º¸ 147È£, ¿ï»ê õÀü¸®¾Ï°¢È Á¤¹Ð ½ÇÃø ¿µ¹® º¸°í¼ ¹ß°£
The Cheonjeon-ri Petroglyphs?No. 147 National Treasure of South Korea?consist of a large rectangular rock panel under a low hill, and several other rocks located north of this main panel about 2 kilometers from the Bangudae Petroglyphs in Ulsan. The numerous figures of deer, dogs, unidentifiable animals, human faces, full-length human bodies, geometric patterns, and more than 1,000 inscribed letters are carved on the panel.
The Cheonjeon-ri Petroglyphs in Ulsan is an actual survey report of the Cheonjeon-ri Petroglyphs. This book is published by the Bangudae Petroglyphs Institute of University of Ulsan. This report is composed of the analysis, categorization, and cataloguing of the all the carvings in the Cheonjeon-ri Petroglyphs. Through the surveys, unrecognized carvings were discovered and many textual inscriptions?showing a relationship between Silla Kingdoms and Ulsan area?were decoded.
Publication of this book is a great step forward in the study of this important site, an accomplishment that should be recognized by scholars both in and outside Korea studying rock art sites, ancient texts, and other historic relics. In fact, several survey reports of the site have been made, focusing on figures or inscriptions or on particular works or techniques, depending on the interests of the researchers.
¿ï»ê´ëÇб³ ¹Ý±¸´ë¾Ï°¢ÈÀ¯Àûº¸Á¸¿¬±¸¼Ò´Â ¹Ý±¸´ë¸¦ ºñ·ÔÇÑ Çѱ¹ÀÇ °í´ë ¾Ï°¢È¸¦ ¼¼°è¿¡ ¾Ë¸®°í ÇØ´ç ¿¬±¸ÀÚµé°úÀÇ ¼ÒÅë°ú Çù·ÂÀ» À§ÇØ ¿µ¹® ÇмúÀڷḦ ¹ß°£ÇÏ°í ÀÖ´Ù. ±× ÀÛ¾÷ÀÇ ÀÏȯÀÎ ¡ºThe Cheonjeon-ri Petroglyphs in Ulsan¡»ÀÌ Çѱ¹°ú ¹Ì±¹¿¡¼ µ¿½Ã Ãâ°£µÇ¾ú´Ù.
ÇØ´ç µµ¼´Â ¿ïÁÖ ÃµÀü¸®°¢¼®À» Á¤¹Ð ½ÇÃøÇÏ¿©, ¾Ï°¢È¿¡ »õ°ÜÁø ¼±»ç½Ã´ë ¹× ¿ª»ç½Ã´ë ±×¸²°ú ¸í¹®À» Á¾·ùº°·Î ºÐ·ùÇÏ°í, ¹øÈ£¸¦ ºÎ¿©ÇÏ´Â ¹æ½ÄÀ¸·Î ÁøÇàµÇ¾ú´Ù. À̹ø ÀÛ¾÷À» ÅëÇØ ±âÁ¸¿¡ ¾Ë·ÁÁø °Í°ú´Â ´Ù¸¥ »õ·Î¿î ¾Ï°¢È ¹× ¼¼¼±°¢È°¡ ´Ù¼ö È®ÀεǾú°í ½Å¶ó ¿Õ½Ç°ú ¿ï»ê Áö¿ª°úÀÇ °ü°è¸¦ ÃßÁ¤ÇÒ ¼ö ÀÖ´Â ´Ù¼öÀÇ ¸í¹®ÀÌ Ãß°¡ Æǵ¶µÇ¾ú´Ù.
ÀÌ Ã¥Àº õÀü¸®¾Ï°¢ÈÀÇ ´Ù¾çÇÑ Ç¥Çö°ú ¸í¹®¿¡ ´ëÇÑ °´°üÀûÀÎ ¿¬±¸ ÀڷḦ Á¦½ÃÇÏ¿© »õ·Î¿î ¿¬±¸¿Í ³íÀÇ°¡ ±¹Á¦ÀûÀ¸·Î ÁøÇàµÉ ¼ö ÀÖ°Ô ÇÑ Á¡¿¡¼ ±× ÇмúÀû °¡Ä¡¿Í Àǹ̰¡ Å©´Ù. ¹ß°£À» °è±â·Î õÀü¸®¾Ï°¢È¿¡ ´ëÇÑ ±¹Á¦ÀûÀÎ ¿¬±¸°¡ È°¼ºÈ µÇ°í õÀü¸®¾Ï°¢È°¡ Áö´Ñ ¹®ÈÀ¯»êÀ¸·Î¼ÀÇ ¼¼°èÀû ÀÇ¹Ì¿Í °¡Ä¡µµ ÀçÆò°¡ µÉ °ÍÀ¸·Î ¿¹»óÇÑ´Ù.
¸ñÂ÷
Preface
Location of the Site and Environment
1. Natural and Geological Environment
2. Archeological and Historical Environment
Classification of Images
1. Panel A
1) Animals
2) Human Figures
3) Geometric Patterns
4) Textual Inscriptions
5) Tools and Man-made Structures
6) Unidentified Figures
2. Panels B, C, D
1) Panel B
2) Panel C
3) Panel D
Readings and Interpretations of the Textual Inscriptions
Summary
Bibliography
¼¹®
À¯ÀûÀÇ ÀÔÁö¿Í ȯ°æ
1. ÀÚ¿¬°ú Áö¸®
2. °í°í¿Í ¿ª»ç
Çü»ó ºÐ·ù
1. A¸é (Á־ϸé)
1) µ¿¹°»ó
2) Àι°»ó
3) ±âÇϹ®
4) ¸í¹®
5) µµ±¸»ó, °ÇÁ¶¹°
6) ¹Ì»ó
2. B, C, D¸é (º°¸é)
1) B¸é
2) C¸é
3) D¸é
¸í¹® Æǵ¶
¿ä¾à
Âü°í ¹®Çå
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
Àü°øµµ¼/´ëÇб³Àç ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.