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½Ã¹üÁÖÅà ÇÁ·Î±×·¥(Case Study Houses Program 1945-66)Àº ¹Ì±¹ °ÇÃà ¿ª»ç»ó ¸Å¿ì ¿¹¿ÜÀûÀ̸ç Çõ½ÅÀûÀÎ »ç°ÇÀ̾ú°í, ¿À´Ã³¯±îÁöµµ À¯ÀϹ«ÀÌÇÑ °ÍÀ¸·Î ³²¾Æ ÀÖ´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â LA¸¦ Áß½ÉÀ¸·Î ÇÏ¿©, ÀüÈÄ °ÇÃà ºÕÀÌ ÀÏ´ø ´ç½Ã ½±°í Àú·ÅÇÏ°Ô Çö´ëÀûÀÎ ÁÖ°Å°ø°£À» Áþ±â À§ÇØ ¸¸µé¾îÁ³´ø 36°³ÀÇ µðÀÚÀÎ ÇÁ·ÎÅäŸÀÔÀ» Á¶»çÇÑ °ÍÀÌ´Ù. ÀÌ ÀÛ¾÷À» À̲ø¾ú´ø ÁÖ¿ä Àι°Àº Richard Neutra, Charles and Ray Eames, Eero Saarinen°ú °°Àº ÈǸ¢ÇÑ °ÇÃà°¡µé°ú µ·µ¶ÇÑ °ü°è¸¦ ¸Î°í ÀÖ¾ú´ø [Arts & Architecture]ÀÇ ÆíÁýÀÚ John Entenza¿´´Ù. ±²ÀåÈ÷ ½ÇÇèÀûÀ̾ú´ø ÇÁ·Î±×·¥À» ÅëÇØ Çö´ë ÁÖ°Å°ÇÃàÀ» ÀçÁ¤ÀÇÇϱâ À§ÇØ µðÀÚÀεǾú´ø ÁýµéÀÌ ¸¸µé¾îÁ³À¸¸ç, ÇÁ·ÎÁ§Æ®°¡ ÁøÇàµÇ´ø ´ç½Ã»Ó¸¸ ¾Æ´Ï¶ó ¿À´Ã³¯±îÁöµµ ¹Ì±¹À» Æ÷ÇÔÇÑ Àü ¼¼°è °ÇÃà¿¡ ¸¹Àº ¿µÇâÀ» ³¢ÃÆ´Ù.
Ÿ¼ÏÀÇ ÀÌ Ã¥Àº ½Ã¹üÁÖÅà ÇÁ·Î±×·¥ Àü¹Ý¿¡ °üÇÑ ±â³äºñÀûÀΠȸ°í ÀÛ¾÷À̸ç, °Ç¹°ÀÇ Æò¸éµµ¿Í ½ºÄÉÄ¡ »çÁøÀ» Æ÷ÇÔÇÑ Á¾ÇÕÀû ±â·ÏÀ» ´ã°í ÀÖ´Ù. ÇÁ·ÎÁ§Æ® ÁøÇà ´ç½Ã¸¦ ºñ·ÔÇÑ ¿À´Ã³¯ÀÇ ¸ð½À±îÁö ¾çÁúÀÇ »çÁø µµÆÇÀ¸·Î Á¦°øÇÑ´Ù.
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The photographer:
Julius ShulmanÀº 1920³â ÀÌ·¡ °ÅÀÇ 80³â¿¡ °¡±î¿î ¼¼¿ù µ¿¾È LA¿¡ °ÅÁÖÇÏ¸é¼ ³²ºÎ Ķ¸®Æ÷´Ï¾Æ¸¦ ºñ·ÔÇÑ Àü ¼¼°èÀÇ Çö´ë °ÇÃàÀ» »çÁøÀ¸·Î ³²±â±â ½ÃÀÛÇß´Ù. ±× °¡¿îµ¥ LA¿¡¼ ÃÔ¿µÇÑ Pierre KoenigÀÇ Case Study House No.22(1960)¿Í ÆʽºÇÁ¸µ½º¿¡¼ ÃÔ¿µÇÑ Richard J. NeutraÀÇ Kaufmann House(1947)´Â 20¼¼±â °ÇÃà »çÁø°è¿¡¼ °¡Àå ÀÎÁ¤¹Þ´Â »ó¡ÀûÀÎ ÀÛÇ°À¸·Î ³²¾Æ ÀÖ´Ù. ShulmanÀÌ »çÁø¿¡ ´ëÇÑ °ü½ÉÀ» °®°Ô µÈ °è±â´Â 1936³â ÄÚ´ÚÀÇ º£½ºÆ®Æ÷ÄÏ Ä«¸Þ¶ó(Vestpocket camera)¸¦ µé°í LA¿¡¼ NeutraÀÇ Kun Residence¸¦ ÃÔ¿µÇϸ鼺ÎÅÍ´Ù. Neutra´Â ÀþÀº ShulmanÀÇ »çÁøÀ» ¸÷½Ã ¸¶À½¿¡ µé¾îÇß°í ÀÌÈķεµ ±×¿Í ÇÔ²² ÀÛ¾÷ÇßÀ¸¸ç, ´ç´ëÀÇ ÁÖ¿ä °ÇÃà°¡µé°ú ÀâÁö, ½Å¹®, ÃâÆǹ°µéµµ Shulman°ú ÇÔ²² ÀÛ¾÷Çϱ⸦ ¿øÇß´Ù. ±×´Â American Institute of Architects(1969), International Center of Photography in New York(1998) µîÀ¸·ÎºÎÅÍ °ÇÃà»çÁø»óÀ» ¼ö»óÇßÀ¸¸ç, ¼ö¸¹Àº »çÁø ±³À°±â°üÀ¸·ÎºÎÅÍ ¸í¿¹¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. 2009³â 98¼¼ÀÇ ³ªÀ̷ΠŸ°èÇß´Ù.
The author:
Elizabeth A. T. Smith´Â ½ÃÄ«°í Museum of Contemporary Art¿¡¼ Ã¥ÀÓ Å¥·¹ÀÌÅÍÀÌÀÚ ÇÁ·Î±×·¥ µð·ºÅÍ·Î ÀÏÇÏ°í ÀÖ´Ù. LAÀÇ MOCA¿¡¼ Å¥·¹ÀÌÅÍ¿¡¼ ÀÏÇÏ¸ç ¡°Blueprints for Modern Living: History and Legacy of the Case Study Houses¡± Àü½Ã¸¦ Á¶Á÷Çϱ⵵ Çß´Ù. ÇöÀç LAÀÇ University of Southern California¿Í School of the Art Institute in Chicago¿¡¼ °ÀÇÇÏ°í ÀÖ´Ù. µ¿½Ã´ë ¹Ì¼ú°ú °ÇÃà¿¡ °üÇÑ ¿©·¯ Àü½Ã¸¦ ±âȹÇßÀ¸¸ç ´Ù¾çÇÑ Ã¥À» Ãâ°£Çß´Ù.
The editor:
Peter Gosse´Â ¹Ì¼ú°ü°ú Àü½Ã µðÀÚÀÎÀ» À§ÇÑ ¿¡ÀÌÀü½Ã¸¦ ¿î¿µÇÏ°í ÀÖ´Ù. Ÿ¼ÏÀÇ º£À̽ľÆÆ® ½Ã¸®Áî¿Í ÇÔ²², Julius Shulman°ú R.M. Schindler, John Lautner, ±×¸®°í Richard Neutra¿¡ °üÇÑ Àú¼¸¦ ÆíÁýÇß´Ù.
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Special bestseller price. The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to re-define the modern home, and thus had a pronounced influence on architecture. With comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, floor plans and sketches.
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