°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (115,430¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (91,500¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄÅ©Ä«µå 20% (97,200¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Case Study Houses (Taschen 25th Anniversary Special Editions) : The complete CSH Programm 1945 - 1966[¾çÀå]

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

°øÀ¯Çϱâ
Á¤°¡

135,000¿ø

  • 121,500¿ø (10%ÇÒÀÎ)

    3,650P (3%Àû¸³)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • S-Point Àû¸³Àº ¸¶ÀÌÆäÀÌÁö¿¡¼­ Á÷Á¢ ±¸¸ÅÈ®Á¤ÇϽŠ°æ¿ì¸¸ Àû¸³ µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
  • 5/7(È­) À̳» ¹ß¼Û ¿¹Á¤  (¼­¿ï½Ã °­³²±¸ »ï¼º·Î 512)
  • ¹«·á¹è¼Û
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡
  • À̺¥Æ®/±âȹÀü

  • ¿¬°üµµ¼­

  • »óÇ°±Ç

AD

ÃâÆÇ»ç ¼­Æò

Çö´ë ÁÖ°Å °ÇÃàÀ» ÀçÁ¤ÀÇÇÏ´Ù
½Ã¹üÁÖÅà ÇÁ·Î±×·¥À» ȸ°íÇÏ´Â ±â³äºñÀû ÀÛ¾÷

½Ã¹üÁÖÅà ÇÁ·Î±×·¥(Case Study Houses Program 1945-66)Àº ¹Ì±¹ °ÇÃà ¿ª»ç»ó ¸Å¿ì ¿¹¿ÜÀûÀ̸ç Çõ½ÅÀûÀÎ »ç°ÇÀ̾ú°í, ¿À´Ã³¯±îÁöµµ À¯ÀϹ«ÀÌÇÑ °ÍÀ¸·Î ³²¾Æ ÀÖ´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â LA¸¦ Áß½ÉÀ¸·Î ÇÏ¿©, ÀüÈÄ °ÇÃà ºÕÀÌ ÀÏ´ø ´ç½Ã ½±°í Àú·ÅÇÏ°Ô Çö´ëÀûÀÎ ÁÖ°Å°ø°£À» Áþ±â À§ÇØ ¸¸µé¾îÁ³´ø 36°³ÀÇ µðÀÚÀÎ ÇÁ·ÎÅäŸÀÔÀ» Á¶»çÇÑ °ÍÀÌ´Ù. ÀÌ ÀÛ¾÷À» À̲ø¾ú´ø ÁÖ¿ä Àι°Àº Richard Neutra, Charles and Ray Eames, Eero Saarinen°ú °°Àº ÈǸ¢ÇÑ °ÇÃà°¡µé°ú µ·µ¶ÇÑ °ü°è¸¦ ¸Î°í ÀÖ¾ú´ø [Arts & Architecture]ÀÇ ÆíÁýÀÚ John Entenza¿´´Ù. ±²ÀåÈ÷ ½ÇÇèÀûÀ̾ú´ø ÇÁ·Î±×·¥À» ÅëÇØ Çö´ë ÁÖ°Å°ÇÃàÀ» ÀçÁ¤ÀÇÇϱâ À§ÇØ µðÀÚÀεǾú´ø ÁýµéÀÌ ¸¸µé¾îÁ³À¸¸ç, ÇÁ·ÎÁ§Æ®°¡ ÁøÇàµÇ´ø ´ç½Ã»Ó¸¸ ¾Æ´Ï¶ó ¿À´Ã³¯±îÁöµµ ¹Ì±¹À» Æ÷ÇÔÇÑ Àü ¼¼°è °ÇÃà¿¡ ¸¹Àº ¿µÇâÀ» ³¢ÃÆ´Ù.
Ÿ¼ÏÀÇ ÀÌ Ã¥Àº ½Ã¹üÁÖÅà ÇÁ·Î±×·¥ Àü¹Ý¿¡ °üÇÑ ±â³äºñÀûÀΠȸ°í ÀÛ¾÷À̸ç, °Ç¹°ÀÇ Æò¸éµµ¿Í ½ºÄÉÄ¡ »çÁøÀ» Æ÷ÇÔÇÑ Á¾ÇÕÀû ±â·ÏÀ» ´ã°í ÀÖ´Ù. ÇÁ·ÎÁ§Æ® ÁøÇà ´ç½Ã¸¦ ºñ·ÔÇÑ ¿À´Ã³¯ÀÇ ¸ð½À±îÁö ¾çÁúÀÇ »çÁø µµÆÇÀ¸·Î Á¦°øÇÑ´Ù.

ÀúÀÚ ¼Ò°³

The photographer:

Julius ShulmanÀº 1920³â ÀÌ·¡ °ÅÀÇ 80³â¿¡ °¡±î¿î ¼¼¿ù µ¿¾È LA¿¡ °ÅÁÖÇϸ鼭 ³²ºÎ Ķ¸®Æ÷´Ï¾Æ¸¦ ºñ·ÔÇÑ Àü ¼¼°èÀÇ Çö´ë °ÇÃàÀ» »çÁøÀ¸·Î ³²±â±â ½ÃÀÛÇß´Ù. ±× °¡¿îµ¥ LA¿¡¼­ ÃÔ¿µÇÑ Pierre KoenigÀÇ Case Study House No.22(1960)¿Í ÆʽºÇÁ¸µ½º¿¡¼­ ÃÔ¿µÇÑ Richard J. NeutraÀÇ Kaufmann House(1947)´Â 20¼¼±â °ÇÃà »çÁø°è¿¡¼­ °¡Àå ÀÎÁ¤¹Þ´Â »ó¡ÀûÀÎ ÀÛÇ°À¸·Î ³²¾Æ ÀÖ´Ù. ShulmanÀÌ »çÁø¿¡ ´ëÇÑ °ü½ÉÀ» °®°Ô µÈ °è±â´Â 1936³â ÄÚ´ÚÀÇ º£½ºÆ®Æ÷ÄÏ Ä«¸Þ¶ó(Vestpocket camera)¸¦ µé°í LA¿¡¼­ NeutraÀÇ Kun Residence¸¦ ÃÔ¿µÇϸ鼭ºÎÅÍ´Ù. Neutra´Â ÀþÀº ShulmanÀÇ »çÁøÀ» ¸÷½Ã ¸¶À½¿¡ µé¾îÇß°í ÀÌÈķεµ ±×¿Í ÇÔ²² ÀÛ¾÷ÇßÀ¸¸ç, ´ç´ëÀÇ ÁÖ¿ä °ÇÃà°¡µé°ú ÀâÁö, ½Å¹®, ÃâÆǹ°µéµµ Shulman°ú ÇÔ²² ÀÛ¾÷Çϱ⸦ ¿øÇß´Ù. ±×´Â American Institute of Architects(1969), International Center of Photography in New York(1998) µîÀ¸·ÎºÎÅÍ °ÇÃà»çÁø»óÀ» ¼ö»óÇßÀ¸¸ç, ¼ö¸¹Àº »çÁø ±³À°±â°üÀ¸·ÎºÎÅÍ ¸í¿¹¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. 2009³â 98¼¼ÀÇ ³ªÀ̷ΠŸ°èÇß´Ù.

The author:
Elizabeth A. T. Smith´Â ½ÃÄ«°í Museum of Contemporary Art¿¡¼­ Ã¥ÀÓ Å¥·¹ÀÌÅÍÀÌÀÚ ÇÁ·Î±×·¥ µð·ºÅÍ·Î ÀÏÇÏ°í ÀÖ´Ù. LAÀÇ MOCA¿¡¼­ Å¥·¹ÀÌÅÍ¿¡¼­ ÀÏÇÏ¸ç ¡°Blueprints for Modern Living: History and Legacy of the Case Study Houses¡± Àü½Ã¸¦ Á¶Á÷Çϱ⵵ Çß´Ù. ÇöÀç LAÀÇ University of Southern California¿Í School of the Art Institute in Chicago¿¡¼­ °­ÀÇÇÏ°í ÀÖ´Ù. µ¿½Ã´ë ¹Ì¼ú°ú °ÇÃà¿¡ °üÇÑ ¿©·¯ Àü½Ã¸¦ ±âȹÇßÀ¸¸ç ´Ù¾çÇÑ Ã¥À» Ãâ°£Çß´Ù.

The editor:
Peter Gosse´Â ¹Ì¼ú°ü°ú Àü½Ã µðÀÚÀÎÀ» À§ÇÑ ¿¡ÀÌÀü½Ã¸¦ ¿î¿µÇÏ°í ÀÖ´Ù. Ÿ¼ÏÀÇ º£À̽ľÆÆ® ½Ã¸®Áî¿Í ÇÔ²², Julius Shulman°ú R.M. Schindler, John Lautner, ±×¸®°í Richard Neutra¿¡ °üÇÑ Àú¼­¸¦ ÆíÁýÇß´Ù.

Ã¥¼Ò°³

Special bestseller price. The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to re-define the modern home, and thus had a pronounced influence on architecture. With comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, floor plans and sketches.

°ü·ÃÀ̹ÌÁö

ÀúÀÚ¼Ò°³

Gossel, Peter [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.

Shulman, Julius [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.

Goessel, Peter [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.

½Ç¿ë/¿¹¼ú ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    100ÀÚÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/100ÀÚ
    µî·ÏÇϱâ

    100ÀÚÆò

    0.0
    (ÃÑ 0°Ç)

    ÆǸÅÀÚÁ¤º¸

    • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óÇ°Àº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆǸÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óÇ°°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

    »óÈ£

    (ÁÖ)±³º¸¹®°í

    ´ëÇ¥ÀÚ¸í

    ¾Èº´Çö

    »ç¾÷ÀÚµî·Ï¹øÈ£

    102-81-11670

    ¿¬¶ôó

    1544-1900

    ÀüÀÚ¿ìÆíÁÖ¼Ò

    callcenter@kyobobook.co.kr

    Åë½ÅÆǸž÷½Å°í¹øÈ£

    01-0653

    ¿µ¾÷¼ÒÀçÁö

    ¼­¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù)

    ±³È¯/ȯºÒ

    ¹ÝÇ°/±³È¯ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼­ ½Åû °¡´É

    ¹ÝÇ°/±³È¯°¡´É ±â°£

    º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É
    ´Ü, »óÇ°ÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»

    ¹ÝÇ°/±³È¯ ºñ¿ë

    º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
    »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝÇ°Àº ¹Ý¼Û·á ÆǸÅÀÚ ºÎ´ã

    ¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯

    ·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
    (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)

    ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    ¿¹) È­ÀåÇ°, ½ÄÇ°, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî

    ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
    ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý

    ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì

    ·ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì

    »óÇ° Ç°Àý

    °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½

    ¼ÒºñÀÚ ÇÇÇغ¸»ó
    ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó

    ·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê

    ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

    (ÁÖ)KGÀ̴Ͻýº ±¸¸Å¾ÈÀü¼­ºñ½º¼­ºñ½º °¡ÀÔ»ç½Ç È®ÀÎ

    (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
    (ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼­ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.

    ¹è¼Û¾È³»

    • ±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.

    • ¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.

    • - µµ¼­ ±¸¸Å ½Ã 15,000¿ø ÀÌ»ó ¹«·á¹è¼Û, 15,000¿ø ¹Ì¸¸ 2,500¿ø - »óÇ°º° ¹è¼Ûºñ°¡ ÀÖ´Â °æ¿ì, »óÇ°º° ¹è¼Ûºñ Á¤Ã¥ Àû¿ë