¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
7,500¿ø |
---|
7,500¿ø
230P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(14)
»óÇ°±Ç
Ã¥¼Ò°³
This innovative edition of one of Shakespeare's most beloved plays offers modernized texts not only of the 1599 quarto but also of the short, or "bad" quarto of 1597, regarding each as witness to a "mobile text" which changed in composition as Shakespeare wrote it and which has continued to evolve throughout its richly varied history, both in the theatre and in film, television, opera, and ballet. The more familiar 1599 text is accompanied by a detailed explanatory commentary. The Introduction traces the Romeo and Juliet narrative from its origins in myth through its adaptation in the novella, and shows how Shakespeare's transmutation of the story reflects contemporary concerns with love, death, adolescence, and patriarchism.
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 15640426 |
---|
¿µ±¹ ÃÖ°íÀÇ ½ÃÀÎÀÌÀÚ ±ØÀÛ°¡. 1564³â 4¿ù 26ÀÏ ¿µ±¹ ÁߺÎÀÇ ½ºÆ®·§ÆÛµå¾îÆù¿¡À̹ø¿¡¼ ¾Æ¹öÁö Á¸ ¼ÎÀͽºÇǾî¿Í ¾î¸Ó´Ï ¸Þ¸® ¾ÆµçÀÇ 8³²¸Å Áß Àå³²À¸·Î ž´Ù. ºñ±³Àû ºÎÀ¯ÇÑ È¯°æ¿¡¼ ¾î¸° ½ÃÀýÀ» º¸³»´Ù°¡ 1577³â°æºÎÅÍ °¡¼¼°¡ ±â¿ï¾î Çо÷À» Áß´ÜÇß´Ù. 1580³â´ë ÈĹݿ¡´Â Áý¾ÈÀ» µ½±â À§ÇØ ·±´øÀ¸·Î »ó°æÇß°í, ±Ø´Ü¿¡ µé¾î°¡ Èñ°î µî ÀÛÇ°À» ½è´Ù. 1582³â ¾Ø Çؼ¿þÀÌ¿Í °áÈ¥ÇÏ¿© ¼¼ ¸íÀÇ Àڳฦ ³º¾Ò´Ù. ÀÌÈÄ 1585³âºÎÅÍ 1592³â±îÁö 7³â°£ÀÇ »ýÈ°¿¡ °üÇؼ´Â ¸íÈ®È÷ ¹àÇôÁø ¹Ù°¡ ¾ø´Ù. ¡ºÇ 6¼¼¡» 3ºÎÀÛ, ¡ºÅ¸ÀÌÅͽº ¾Øµå·¯´ÏÄ¿½º¡»·Î ±ØÀÛ°¡·Î¼ À̸§À» ¾Ë¸®±â ½Ã ÀÛÇÑ ±×´Â 1594³â üÀÓ¹ú¸° °æÀÇ ±Ø´Ü¿¡ Âü¿©ÇÏ¿© ±¤¹üÀ§ÇÑ ÀÛÇ° ¼¼°è¸¦ ÆîÃÄ º¸¿´´Ù.1590³â´ë¿¡ ¡º¸®Ã³µå 2¼¼¡», ¡ºÇÑ¿©¸§ ¹ãÀÇ ²Þ¡», ¡ºº£´Ï½ºÀÇ »óÀΡ», ¡ºÇ 4¼¼¡», ¡ºÁÙ¸®¾î½º ½ÃÀú¡» µîÀÇ ´ëÇ¥ÀÛÀ¸·Î ¸í¼ºÀ» ´ÙÁ³°í, 1603³â Á¦ÀÓ½º 1¼¼°¡ ÁïÀ§ÇÏÀÚ ¿ÕÀÇ ÈÄ¿øÀ» ¹ÞÀ¸¸ç ±ÃÁ¤¿¡¼µµ ÀÛÇ°À» »ó¿¬ÇÑ´Ù. 1600~1601³â¿¡ ¾²ÀÎ ¡ºÇܸ´¡»À» Æ÷ÇÔÇÏ¿© ¡º¿À¼¿·Î¡», ¡º¸®¾î ¿Õ¡», ¡º¸Æº£½º¡» µî À̸¥¹Ù 4´ë ºñ±ØÀÌ ÀÌ ½Ã±âÀÇ ÀÛÇ°ÀÌ´Ù. ¸»³â¿¡´Â ¡º°Ü¿ï À̾߱⡻, ¡º½É¹ú¸°¡», ¡ºÅÛÆ佺Ʈ¡» µî ·Î¸Ç½º±ØÀ¸·Î ¾Ë·ÁÁø ÀÛÇ°À» ½è´Ù. ÁÖ·Î ½ºÆ®·§Æ۵忡¼ »ýÈ°ÇÏ´Ù°¡ 1616³â 4¿ù 23ÀÏ 53¼¼ÀÇ ³ªÀÌ·Î »ç¸ÁÇÏ¿© °íÇâ¿¡ Àִ Ȧ¸® Æ®¸®´ÏƼ ±³È¸¿¡ ¾ÈÀåµÇ¾ú´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âWilliam Shakespeare X Rose Wylie: The Te...
Much Ado about Nothing (with MP3)
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
ÀÌ »óÇ°ÀÇ ½Ã¸®Áî
(ÃÑ 15±Ç / ÇöÀ籸¸Å °¡´Éµµ¼ 15±Ç)
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.