¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
Á¤°¡ |
9,500¿ø |
---|
6,450¿ø (32%ÇÒÀÎ)
200P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(2)
»óÇ°±Ç
ÃâÆÇ»ç ¼Æò
" A page turner and a heartbreaker, a tour de force of knotted tension and buried anguish." -- "Time"
" A Gothic tour de force. . . . A tight, deftly controlled story . . . . Just as accomplished [as "The Remains of the Day"] and, in a very different way, just as melancholy and alarming." -- "The New York Times"
" Elegaic, deceptively lovely. . . . As always, Ishiguro pulls you under." -- "Newsweek"
" Superbly unsettling, impeccably controlled . . . . The book' s irresistible power comes from Ishiguro' s matchless ability to expose its dark heart in careful increments." -- "Entertainment Weekly"
º»¹®Áß¿¡¼
Ã¥¼Ò°³
From the Booker Prize-winning author of "The Remains of the Day" and "When We Were Orphans" comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.
ÀÌ ÆÇÇüÀº ¹Ì±¹ÆÇ, Æ÷Äϵµ¼ÀÔ´Ï´Ù.
¿µ±¹ ½Ã°ñÀÇ ¿¤¸®Æ® Çб³ Hailsham¿¡ Ưº°ÇÑ ¾ÆÀ̵éÀÌ ÀÖ¾ú´Ù. ÀÌÁ¦´Â 30´ë¿¡ µé¾î¼± ¼¼ »ç¶÷ Kathy, Ruth, ±×¸®°í TommyÀº °ú°Å·ÎÀÇ ¿©ÇàÀ» ½ÃÀÛÇϴµ¥¡¦ 2005³â ºÎÄ¿»ó ¼ö»óÀÛ.
From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.
Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it's only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.
Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.
"From the Hardcover edition.
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 1954 |
---|
ÀúÀÚ °¡Áî¿À À̽ñ¸·Î(Kazuo Ishiguro)´Â 1954³â ÀϺ» ³ª°¡»çÅ°¿¡¼ ž, 1960³â ¿µ±¹À¸·Î ÀÌÁÖÇØ ÄËÆ® ´ëÇаú À̽ºÆ®¾Þ±Û¸®¾Æ ´ëÇп¡¼ ¼öÇÐÇÑ ÈÄ ·±´ø¿¡¼ ÀÛÇ°À» ¾²°í ÀÖ´Ù. 1982³â¿¡ ¹ßÇ¥ÇÑ Ã¹ ¼Ò¼³ 'â¹éÇÑ ¾ð´ö dz°æ(A Pale View of Hills)'À¸·Î À§´ÏÇÁ·¹µå ȦƮºñ ±â³ä»óÀ» ¹Þ¾Ò´Ù. 1986³â ÀÛ 'ºÎÀ¯ÇÏ´Â ¼¼»óÀÇ ¿¹¼ú°¡(An Artist of Floating World)'·Î ÈÖÆ®ºê·¹µå »ó°ú ÀÌÅ»¸®¾Æ ½ºÄ³ë »óÀ» ¹Þ¾ÒÀ¸¸ç, ÀÌ ÀÛÇ°Àº ºÎÄ¿ »ó Èĺ¸¿¡ ¿À¸£±âµµ Çß´Ù. ¼¼ ¹ø° ¼Ò¼³ '³²¾Æ ÀÖ´Â ³ª³¯(The Remains of the Days)'´Â 1989³â¿¡ ºÎÄ¿ »óÀ» ¹Þ¾ÒÀ¸¸ç, Á¦ÀÓ½º ¾ÆÀ̺¸¸® °¨ µ¶ÀÇ ¿µÈ·Î ¸¸µé¾îÁ³´Ù. ±× ¿Ü¿¡ 1995³â 'À§·Î¹ÞÁö ¸øÇÑ »ç¶÷µé(The Unconsoled)', 2000³â '¿ì¸®°¡ °í¾Æ¿´À» ¶§(When we were orphans)'(ºÎÄ¿ »ó Èĺ¸)¿¡ ÀÌ¾î ¹®Á¦ÀÛ 'Àý´ë ³¯ ¶°³ªÁö ¸¶(Never Let Me Go)' ±×¸®°í ÃÖ½ÅÀÛ '³ìÅÏ(Nocturnes)'±îÁö Àΰ£°ú ¹®¸í¿¡ ´ëÇÑ ºñÆÇÀ» ÀÛ°¡ ƯÀ¯ÀÇ ¹®Ã¼·Î Àß ³ì¿© ³½ ÀÛÇ°µé·Î, °¡Áî¿À À̽ñ¸·Î´Â Æò´Ü°ú µ¶ÀÚÀÇ »ç¶ûÀ» µ¿½Ã¿¡ ¹ÞÀ¸¸ç, ÁÖ¸ñ¹Þ´Â Çö´ë ¿µ¹Ì±Ç ÀÛ°¡ÀÇ ÇÑ »ç¶÷À¸·Î Æò°¡¹Þ°í ÀÖ´Ù. ¹®ÇÐÀû °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ 1995³â ´ë¿µÁ¦±¹ ÈÆÀåÀ», 1998³â ÇÁ¶û½º ¹®¿¹ÈÆÀåÀ» ¹ÞÀº ¹Ù ÀÖ´Ù. 2017³â ³ëº§ ¹®ÇлóÀ» ¼ö»óÇß´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âNever Let Me Go * 2017 ³ëº§ ¹®Çлó *
When We Were Orphans * 2017 ³ëº§ ¹®Çлó ...
The Unconsoled ( Vintage International )...
A Pale View of Hills * 2017 ³ëº§ ¹®Çлó ...
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.