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'A masterpiece of great beauty, meticulous control and, as ever, clear, simple prose.' - Sunday Times
'Another masterwork, a work that makes us feel afresh the beauty and fragility of our humanity' - Observer
'Intelligent, beautiful, mesmeric and a breeze to read - what more could you want?' - Metro
'A delicate, haunting story, steeped in sorrow and hope.'- The Washington Post
'For four decades now, Ishiguro has written eloquently about the balancing act of remembering without succumbing irrevocably to the past. Memory and the accounting of memory, its burdens and its reconciliation, have been his subjects... Klara and the Sun complements [Ishiguro's] brilliant vision...There's no narrative instinct more essential, or more human.' - The New York Times Book Review
'A prayer is a postcard asking for a favor, sent upward. Whether our postcards are read by anyone has become the searching doubt of Ishiguro's recent novels, in which this master, so utterly unlike his peers, goes about creating his ordinary, strange, godless allegories.' - The New Yorker
'Few writers who've ever lived have been able to create moods of transience, loss and existential self-doubt as Ishiguro has - not art about the feelings, but the feelings themselves.' - The Los Angeles Times
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AVAILABLE TO PREORDER NOWFrom the bestselling and Booker Prize winning author of Never Let me Go and The Remains of the Day, a stunning new novel - his first since winning the Nobel Prize in Literature - that asks, what does it mean to love?
*Longlisted for the Booker Prize 2021*
*A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post
'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.
In Klara and The Sun, Kazuo Ishiguro looks at our rapidly changing world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?
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ÀúÀÚ °¡Áî¿À À̽ñ¸·Î(Kazuo Ishiguro)´Â 1954³â ÀϺ» ³ª°¡»çÅ°¿¡¼ ž, 1960³â ¿µ±¹À¸·Î ÀÌÁÖÇØ ÄËÆ® ´ëÇаú À̽ºÆ®¾Þ±Û¸®¾Æ ´ëÇп¡¼ ¼öÇÐÇÑ ÈÄ ·±´ø¿¡¼ ÀÛÇ°À» ¾²°í ÀÖ´Ù. 1982³â¿¡ ¹ßÇ¥ÇÑ Ã¹ ¼Ò¼³ 'â¹éÇÑ ¾ð´ö dz°æ(A Pale View of Hills)'À¸·Î À§´ÏÇÁ·¹µå ȦƮºñ ±â³ä»óÀ» ¹Þ¾Ò´Ù. 1986³â ÀÛ 'ºÎÀ¯ÇÏ´Â ¼¼»óÀÇ ¿¹¼ú°¡(An Artist of Floating World)'·Î ÈÖÆ®ºê·¹µå »ó°ú ÀÌÅ»¸®¾Æ ½ºÄ³ë »óÀ» ¹Þ¾ÒÀ¸¸ç, ÀÌ ÀÛÇ°Àº ºÎÄ¿ »ó Èĺ¸¿¡ ¿À¸£±âµµ Çß´Ù. ¼¼ ¹ø° ¼Ò¼³ '³²¾Æ ÀÖ´Â ³ª³¯(The Remains of the Days)'´Â 1989³â¿¡ ºÎÄ¿ »óÀ» ¹Þ¾ÒÀ¸¸ç, Á¦ÀÓ½º ¾ÆÀ̺¸¸® °¨ µ¶ÀÇ ¿µÈ·Î ¸¸µé¾îÁ³´Ù. ±× ¿Ü¿¡ 1995³â 'À§·Î¹ÞÁö ¸øÇÑ »ç¶÷µé(The Unconsoled)', 2000³â '¿ì¸®°¡ °í¾Æ¿´À» ¶§(When we were orphans)'(ºÎÄ¿ »ó Èĺ¸)¿¡ ÀÌ¾î ¹®Á¦ÀÛ 'Àý´ë ³¯ ¶°³ªÁö ¸¶(Never Let Me Go)' ±×¸®°í ÃÖ½ÅÀÛ '³ìÅÏ(Nocturnes)'±îÁö Àΰ£°ú ¹®¸í¿¡ ´ëÇÑ ºñÆÇÀ» ÀÛ°¡ ƯÀ¯ÀÇ ¹®Ã¼·Î Àß ³ì¿© ³½ ÀÛÇ°µé·Î, °¡Áî¿À À̽ñ¸·Î´Â Æò´Ü°ú µ¶ÀÚÀÇ »ç¶ûÀ» µ¿½Ã¿¡ ¹ÞÀ¸¸ç, ÁÖ¸ñ¹Þ´Â Çö´ë ¿µ¹Ì±Ç ÀÛ°¡ÀÇ ÇÑ »ç¶÷À¸·Î Æò°¡¹Þ°í ÀÖ´Ù. ¹®ÇÐÀû °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ 1995³â ´ë¿µÁ¦±¹ ÈÆÀåÀ», 1998³â ÇÁ¶û½º ¹®¿¹ÈÆÀåÀ» ¹ÞÀº ¹Ù ÀÖ´Ù. 2017³â ³ëº§ ¹®ÇлóÀ» ¼ö»óÇß´Ù.
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Àüüº¸±âNever Let Me Go * 2017 ³ëº§ ¹®Çлó *
When We Were Orphans * 2017 ³ëº§ ¹®Çлó ...
The Unconsoled ( Vintage International )...
A Pale View of Hills * 2017 ³ëº§ ¹®Çлó ...
The Remains of the Day * 2017 ³ëº§ ¹®ÇÐ...
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