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¡´K-ÇȼǡµÀº ÃÖ±Ù¿¡ ¹ßÇ¥µÈ °¡Àå ¿ì¼öÇÏ°í Èï¹Ì·Î¿î ÀÛÇ°À» ¾ö¼±ÇÏ¿© ÇÑ¿µ´ë¿ªÀ¸·Î ¼Ò°³ÇÏ´Â ½Ã¸®Áî·Î, Çѱ¹¹®ÇÐÀÇ »ý»ýÇÑ ÇöÀåÀ» ±¹³»¿Ü µ¶ÀÚµé°ú °øÀ¯ÇÏ°íÀÚ ±âȹµÇ¾ú´Ù. ¸Å °èÀý »õ·Î¿î ÀÛÇ°À» ¼±º¸ÀÌ°í ÀÖ´Ù.
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°ñµå·¯½Ã Gold Rush
âÀÛ³ëÆ® Writer¡¯s Note
Çؼ³ Commentary
ºñÆòÀÇ ¸ñ¼Ò¸® Critical Acclaim
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I hope you feel grieved while reading the story. Even after you finish reading, I hope, you will never stop gazing after So-in tending the backyard or Jin-wu striking the kangaroo down with the tire lever. I hope you can be sympathetic towards the couple who are clutching with all their might at their love that is no more. I wish to hear you say: By not giving up on love, we may be able to come across it someday.
- âÀÛ³ëÆ® Áß¿¡¼ From Writer¡¯s Note
ÇϳªÀÇ ½Ã°£ÀÌ ³¡³µÀ½À» ¼±°íÇÏ´Â ÀÏÀº ´Ü¼øÈ÷ ¹Ì·¡ÀÇ ½ÇÆи¦ ÀǹÌÇÏÁö ¾Ê´Â´Ù. ¾î¶² °ÍÀÌ Èê·¯°£ ½Ã°£ÀÌ µÇ¾î¹ö·ÈÀ» ¶§ ±×°ÍÀº ÃßüÇèµÇ±â ½ÃÀÛÇÑ´Ù. ÀÌ ¼´ÃÇÑ Á¾¾ðÀÇ ¼»ç´Â ¡®Áö³ª°¡¹ö¸° ¹Ì·¡¡¯ÀÏÁö¶óµµ ±×°Í¿¡ ´ëÇÑ µ¿°æÀÌ ½¬ÀÌ ³¡³ªÁö ¾ÊÀ» °ÍÀÓÀ» ¾Ï½ÃÇÑ´Ù. ±×¸®°í ¹Ù·Î Áö±Ý, ¡®´õ ÀÌ»ó¹Ì·¡ ¾øÀ½¡¯ÀÇ ½ÃÁ¡¿¡¼µµ ±× ÀÌÈÄ¿¡ ´ëÇÑ ¾î·ÅDzÇÑ ±â´ë°¡ Áö±Ý ¾î¶² °ü°è¸¦ ¿ÏÀüÈ÷ ³¡Àå³»Áö ¸øÇÔÀ», ¹Ì·¡·Î ÇâÇÏ´Â »îÀÇ ºÒÈ®½Ç¼ºÀ̶õ ±×·± ½ÄÀ¸·Î »îÀ» Áö¼Ó½ÃŲ´Ù´Â °ÍÀ» ¿ì¸®´Â Á¶±Ý¾¿ ¾Ë¾Æ°£´Ù.
Pronouncing the end of a time does not simply mean the failure to have the anticipated future arrive. Once something passes into the bygone times, it then begins to be re-experienced in one way or another. The terrible pronouncement of death paradoxically alludes to the fact that the aspiration for the future is hard to die even after it becomes the ¡®bygone future.¡¯ And now, at this moment of ¡®no more future,¡¯ some expectation for the ¡®thereafter,¡¯ faint as it may be, holds one back from ending the present relationship once and for all. Thus, we learn little by little that is the way the uncertainty of the future has us carry on with our lives.
- ¼±¿ìÀº½Ç(¹®ÇÐÆò·Ð°¡) Sunwoo Eunsil(Literary Critic)
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