Hans Knappertsbusch - Å©³ªÆÛÃ÷ºÎ½´ - Àü¼³ÀÇ ºê·çÅ©³Ê ±³Çâ°î 3, 4, 5, 8¹ø (Hans Knappertsbusch - Decca & Westminster Bruckner Recordings) (Remastered)(4CD Boxset) 

¾ÆÆ¼½ºÆ® : Hans Knappertsbusch ¤Ó Decca ¤Ó ·¹À̺í : Decca ¤Ó ¹ß¸ÅÀÏ : 2020³â 02¿ù28ÀÏ

  • Å©°Ôº¸±â
°øÀ¯Çϱâ
Á¤°¡
51,000¿ø

ÆÇ¸Å°¡

ÃÖ´ë51,000¿ø
+
510P(1%Àû¸³)  

Àû¸³ÇýÅÃ

¾Æ½Ã¾Æ³ª ¸¶Àϸ®Áö

5¸¸¿øÀÌ»ó ÁÖ¹®½Ã 2õP+µî±Þº° ÃÖ´ë 1.5%Àû¸³

I-Point Àû¸³Àº Ãâ°í¿Ï·á ÈÄ 14ÀÏ À̳» ¸¶ÀÌÆäÀÌÁö¿¡¼­ Àû¸³¹Þ±âÇÑ °æ¿ì¸¸ Àû¸³µË´Ï´Ù.

Ãß°¡ÇýÅÃ
5¸¸¿øÀÌ»ó ÃÖ´ë 24°³¿ù ¹«ÀÌÀÚ ´õº¸±â
Á¦ÈÞ Ã»±¸ÇÒÀÎÄ«µå ¾È³»

¹è¼Ûºñ

¹«·á¹è¼Û l ÆÇ¸ÅÀÚ»óǰ 50,000¿øÀÌ»ó ±¸¸Å½Ã ¹«·á

¹è¼ÛÁ¤º¸

ÇØ¿ÜÁ÷¹è¼Û | Æò±Õ 3~4ÁÖÀÇ ¹è¼Û±â°£ÀÌ ¼Ò¿äµË´Ï´Ù.

ÁÖÀÇ»çÇ×

º» »óǰÀº ÆÇ¸ÅÀÚ°¡ Á÷Á¢ ¹è¼ÛÇÏ´Â ÇØ¿Ü±¸¸Å »óǰÀ̸ç, ÇØ¿Ü°Å·¡Ã³ »çÁ¤¿¡ ÀÇÇÏ¿© ǰÀý/Áö¿¬µÉ ¼ö ÀÖ½À´Ï´Ù. °í°´´ÔÀÇ ¿äû¿¡ ÀÇÇØ ¼öÀÔÀÌ ÁøÇàµÇ¹Ç·Î ÁÖ¹® ÈÄ º¯°æ ¹× Ãë¼Ò, ¹ÝǰÀÌ ºÒ°¡´ÉÇÑ Á¡ ¾çÁöÇØ Áֽñ⠹ٶø´Ï´Ù.

ÆÇ¸Å»óÅÂ

ÆÇ¸ÅÁß

ÁÖ¹®¼ö·®

±Ç
ºÏīƮ´ã±â ¹Ù·Î±¸¸Å
°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (48,450¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (35,700¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
Close
ÀÎÅÍÆÄÅ©µµ¼­ À½¹ÝÀÇ ÆÇ¸Å ¼ö·®Àº ÇÑÅÍÂ÷Æ®¿Í °¡¿ÂÂ÷Æ® ÆÇ¸Å·® Áý°è¿¡ ¹Ý¿µµË´Ï´Ù.

ÇÑÅÍÂ÷Æ®/°¡¿ÂÂ÷Æ® ÆÇ¸Å·® Áý°è ¹Ý¿µ

´Ý±â
ÀÚ¼¼ÇÑ ³»¿ëÀº ¾Æ·¡ FAQ¸¦ ÅëÇØ È®ÀÎÇϼ¼¿ä.
  • Â÷Æ® ¹Ý¿µ ±âÁØÀº ½ÃÁ¡Àº ¾ðÁ¦À̸ç, ¾î¶»°Ô Áý°èµÇ´Â °ÍÀΰ¡¿ä?
    ÇÑÅÍÂ÷Æ®´Â ¿¹¾àÆÇ¸Å ½ÃÁ¡ÀÇ ÆÇ¸Å¼ö·®À» ¹Ù·Î ¹Ý¿µÇÏÁö ¾Ê°í, ½ÇÁ¦ ¿¹¾àºÐÀÇ À½¹ÝÀÌ Ãâ°íµÈ °æ¿ì¿¡ ½Ã½ºÅÛ¿¡¼­ ÀÚµ¿À¸·Î µ¥ÀÌÅͰ¡ Àü¼Û/Áý°èµË´Ï´Ù.
    °¡¿ÂÂ÷Æ® ¶ÇÇÑ ¿¹¾àÆÇ¸Å·®ÀÌ ¾Æ´Ñ À¯Åë»ç¿¡¼­ Á¦°øµÈ ½ÇÁ¦ Ãâ°í·® µ¥ÀÌÅ͸¦ ±â¹ÝÀ¸·Î ÆÇ¸Å·®À» ÃëÇÕ/Áý°èÇϸç, Á¦°øµÇ´Â Ãâ°í·® µ¥ÀÌÅÍ¿¡´Â ÀÎÅÍÆÄÅ©µµ¼­·Î Ãâ°íµÈ ¼ö·® ¿ª½Ã ´©¶ô¾øÀÌ Æ÷ÇԵ˴ϴÙ.
  • ÆÐŰÁö ±¸¸Å ¶Ç´Â ÇÑ ¹øÀÇ ÁÖ¹®¿¡ ¿©·¯ ÀåÀÇ À½¹ÝÀ» ±¸¸ÅÇÑ °æ¿ì¿¡´Â ÆÇ¸Å ¼ö·®ÀÌ ¾î¶»°Ô ¹Ý¿µµÇ³ª¿ä?
    ÁÖ¹® °Ç¼ö¿Í »ó°ü ¾øÀÌ ½ÇÁ¦ ±¸¸ÅÇϽŠÀ½¹Ý ¼ö·®´ë·Î ÆÇ¸Å·®ÀÌ ¹Ý¿µµË´Ï´Ù. ÆÐŰÁö ÁÖ¹® ¶ÇÇÑ ÇϳªÀÇ ÆÐŰÁö ¾È¿¡ µé¾î°£ À½¹ÝÀÇ ³¹°³ ¼ö·® ¸ðµÎ °¢°¢ ¹Ý¿µÀÌ µË´Ï´Ù.
  • ÇØ¿Ü¹è¼Û ÁÖ¹®À̳ª ¿ÀÇÁ¶óÀÎ ¸ÅÀå ±¸¸Å°Çµµ Â÷Æ®¿¡ ¹Ý¿µÀÌ µÇ³ª¿ä?
    ÇØ¿Ü ÁÖ¹® °Ç°ú ¿ÀÇÁ¶óÀÎ ¸ÅÀå ÁÖ¹® °Ç ¸ðµÎ »çÀÌÆ® ÁÖ¹® °Ç°ú µ¿ÀÏÇÏ°Ô ¹Ý¿µµË´Ï´Ù.
  • °¢ »çÀÌÆ®º°·Î ÆÇ¸Å·® ¹Ý¿µ ºñÁßÀÌ ÀÖ³ª¿ä?
    »çÀÌÆ®º° ¹Ý¿µ ºñÁßÀº µ¿ÀÏÇÕ´Ï´Ù.
  • ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­ ±¸¸ÅÇÑ À½¹ÝÀº À½¾Ç¹æ¼Û(¹ÂÁ÷¹ðÅ©, ÀαⰡ¿ä µî) Â÷Æ®¿¡ ¹Ý¿µÀÌ µÇ³ª¿ä? KÂ÷Æ® À½¹ÝÆÇ¸Å·®¿¡ ÀÌÁßÁý°è µÇ´Â ƯÁ¤ ÆÇ¸Åó°¡ ÀÖ´Â °ÍÀÌ »ç½ÇÀΰ¡¿ä?
    À½¾Ç¹æ¼Û(¹ÂÁ÷¹ðÅ©, ÀαⰡ¿ä µî) À½¹ÝÆÇ¸Å·®(À½¹ÝÁ¡¼ö)Àº ÇÑÅÍÂ÷Æ® ¶Ç´Â °¡¿ÂÂ÷Æ®¸¦ ±â¹ÝÀ¸·Î Áý°èµË´Ï´Ù. µû¶ó¼­ ÇÑÅÍÂ÷Æ® ¹× °¡¿ÂÂ÷Æ®¿¡ ÆÇ¸Å·® µ¥ÀÌÅͰ¡ ¸ðµÎ Áý°èµÇ´Â ÀÎÅÍÆÄÅ©µµ¼­ÀÇ À½¹Ý ÆÇ¸Å·® ¿ª½Ã À½¾Ç¹æ¼Û À½¹ÝÁ¡¼ö¿¡ ¹Ý¿µµË´Ï´Ù. ÀÌÁßÁý°è¿Í °ü·ÃÇÑ »çÇ×Àº, ÇØ´ç À½¾Ç¹æ¼Û»ç °ø½Ä»çÀÌÆ® °øÁö»çÇ×À» ÅëÇØ "Ÿ À½¹Ý»çÀÇ À½¹ÝÆÇ¸Å·®ÀÌ <ÇÑÅÍ Â÷Æ®>¿Í Áߺ¹Áý°è µÇ´Â °ÍÀÌ ¾Æ´ÔÀ» ´Ù½Ã Çѹø ¾Ë·Áµå¸³´Ï´Ù." ¶ó°í Á¤½Ä °øÁöµÈ ¹Ù ÀÖ½À´Ï´Ù.

ÄíÆù/»çÀºÇ°/Àû¸³Æ÷ÀÎÆ®´Â Àû¿ë Á¶°ÇÀÌ ¸ÂÀ» ½Ã Á¦°øµË´Ï´Ù.

ÄíÆù ±Ý¾×ÇÒÀÎ Àû¸³P Total ÃÖ´ëÇýÅà ¹«ÀÌÀÚ »çÀºÇ°
- - 1,275P 3,275¿ø - -

ÀÌ»óǰÀÇ ´Ù¸¥ ±¸¸Å¹æ½Ä
  • Áß°í ÀÌ»óǰÀÇ Áß°í»óǰÀÌ ¾ø½À´Ï´Ù.

Àüü

»óǰ»ó¼¼Á¤º¸

ÀúÀÚ¼Ò°³

ÆÇ¸ÅÀÚÁ¤º¸

¹è¼Û/±³È¯/ȯºÒ

±Û¾¾Å©°Ô ±Û¾¾ÀÛ°Ô ±Û¾¾Å©±â

Àüü

»óǰ»ó¼¼Á¤º¸

ÀúÀÚ¼Ò°³

¸®ºäÅ׸¶

ÆÇ¸ÅÀÚÁ¤º¸

¹è¼Û/±³È¯/ȯºÒ

±Û¾¾Å©°Ô ±Û¾¾ÀÛ°Ô ±Û¾¾Å©±â

ÀÌ»óǰÀǺзù TOP

À½¹Ý ¼³¸í TOP



ÀÛ °î °¡ : Anton Bruckner
¾Ó»óºí/°üÇö¾Ç : Wiener Philharmoniker, Munchner Philharmoniker
³ìÀ½¹æ½Ä : ADD


[ºÎ°¡Á¤º¸]

Anton Bruckner (1824-1896)

Newly remastered and gathered under one roof for the first time, the Decca recordings of Hans Knappertsbusch conducting Bruckner: a legendary combination. For record collectors in the 1950s and 60s, the names of Bruckner and Knappertsbusch ('Kna') were practically synonymous. At a time when the composer's symphonies were routinely compared to Gothic cathedrals, the rough grandeur, steady pulse and towering climaxes of these readings marked out the conductor as an architect of symphonic majesty. Record companies did not have to work hard to cultivate this image, thanks to Knappertsbusch's craggy visage, imposing presence on the podium and decades of Wagnerian experience at Bayreuth. At a time when Wagner's Parsifal was still experienced as a primarily sacred music drama, the major works of Bruckner were likewise understood in semi-sacred terms as concert-hall rites, and who better to pierce their mysteries than Parsifal's pre-eminent interpreter? Knappertsbusch began recording Bruckner for Decca in 1954, with the Third. The Fourth and Fifth quickly followed, also from Vienna, and then the Eighth arrived as an appendix from Munich, first issued on the Westminster label in 1963. By then the conductor's readings of Romantic repertoire had become less impulsive, even more monumental in concept, but still lightened by a natural feeling for the dance rhythms in Bruckner's scherzos and L

ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ »óǰÁ¤º¸Á¦°ø °í½Ã
ǰ¸í ¹× ¸ðµ¨¸í  348034382
¹ý¿¡ ÀÇÇÑ ÀÎÁõ¡¤Çã°¡ µîÀ» ¹Þ¾ÒÀ½À» È®ÀÎ
ÇÒ ¼ö ÀÖ´Â °æ¿ì ±×¿¡ ´ëÇÑ »çÇ×
 ÇØ´ç¾øÀ½
Á¦Á¶±¹ ¶Ç´Â ¿ø»êÁö  Australia / ¼öÀÔ±¹ : µ¶ÀÏ
Á¦Á¶ÀÚ, ¼öÀÔǰÀÇ °æ¿ì
¼öÀÔÀÚ¸¦ ÇÔ²² Ç¥±â
 Import Music / ¼öÀÔÀÚ : imusic
A/S Ã¥ÀÓÀÚ¿Í ÀüÈ­¹øÈ£ ¶Ç´Â
¼ÒºñÀÚ»ó´ã °ü·Ã ÀüÈ­¹øÈ£
 imusic °í°´Áö¿ø : 1899-0587

¾ÆÆ¼½ºÆ®¼Ò°³ TOP

ÆòÁ¡ÁÖ±â starstarstarstarstar

°øÀ¯
  • ±â´ëÁö¼ö

  • ³»¿ë

  • Àç¹Ì

  • ÆíÁý/µðÀÚÀÎ

µî·Ï
* ¿¬¶ôó µî °³ÀÎÁ¤º¸ ÀÔ·Â ½Ã °³ÀÎÁ¤º¸µµ¿ë µîÀÇ ºÒÀÌÀÍÀÌ µû¸¦ ¼ö ÀÖÀ¸´Ï ÁÖÀÇÇØ Áֽñ⠹ٶø´Ï´Ù. [0 / 200ÀÚ]

ÆÇ¸ÅÀÚÁ¤º¸ TOP

  • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óǰÀº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆÇ¸ÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óǰ°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

»óÈ£

ÁÖ½Äȸ»ç ÀÎÅÍÆÄÅ©

´ëÇ¥ÀÚ¸í

±è°­¼¼

»ç¾÷ÀÚµî·Ï¹øÈ£

824-81-02515

¿¬¶ôó

1577-2555

ÀüÀÚ¿ìÆíÁÖ¼Ò

helpdesk@interpark.com

Åë½ÅÆÇ¸Å¾÷½Å°í¹øÈ£

2022-¼­¿ï°­³²-02179

¿µ¾÷ ¼ÒÀçÁö

¼­¿ïƯº°½Ã °­³²±¸ »ï¼º·Î 512 »ï¼ºµ¿ºôµù(»ï¼ºµ¿)

¹è¼Û/±³È¯/ȯºÒ TOP

ÀÎÅÍÆÄÅ©µµ¼­ »õ»óǰ

  • µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó ǰÀý/ÀýÆÇ µîÀÇ »çÀ¯·Î ÁÖ¹®ÀÌ Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù. ÀÌ °æ¿ì ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­ °í°´´Ô²² º°µµ·Î ¿¬¶ôÀ» µå¸³´Ï´Ù.
  • ÀÎÅÍÆÄÅ© µµ¼­ »óǰÀº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óǰÀ» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
  • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óǰÀ» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óǰÀ» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
  • °í°´º¯½É¿¡ ÀÇÇÑ ¹ÝǰÀº Ãâ°í¿Ï·á ´ÙÀ½³¯ºÎÅÍ 14ÀϱîÁö °¡´ÉÇϸç, ¹ÝǰÅùèºñ¿ë(3,000¿ø)Àº °í°´´Ô²²¼­ ÁöºÒÇÏ¼Å¾ß ÇÕ´Ï´Ù.
    ´Ü, »óǰÀ̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝǰÀÏ °æ¿ì ¸ðµç ºñ¿ëÀº ÀÎÅÍÆÄÅ©µµ¼­°¡ ºÎ´ãÇÏ°Ô µË´Ï´Ù.
  • ¹è¼ÛµÈ »óǰÀÇ ºÐ½Ç, »óǰÆ÷ÀåÀÌ ÈÑ¼ÕµÈ °æ¿ì, ºñ´Ò·¦ÇÎµÈ »óǰÀÇ ºñ´Ò °³ºÀ½Ã ±³È¯/¹ÝǰÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
  • ¹ÝǰÁ¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óǰ È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡ÇÒ ¼ö ÀÖ½À´Ï´Ù.
  • ±³È¯/¹Ýǰ/º¸ÁõÁ¶°Ç ¹× ǰÁúº¸Áõ ±âÁØÀº ¼ÒºñÀڱ⺻¹ý¿¡ µû¸¥ ¼ÒºñÀÚ ºÐÀï ÇØ°á ±âÁØ¿¡ µû¶ó ÇÇÇØ¸¦ º¸»ó ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.
  • Á¤È®ÇÑ È¯ºÒ ¹æ¹ý ¹× ȯºÒÀÌ Áö¿¬µÉ °æ¿ì 1:1¹®ÀÇ °Ô½ÃÆÇ ¶Ç´Â °í°´¼¾ÅÍ(1577-2555)·Î ¿¬¶ô Áֽñ⠹ٶø´Ï´Ù.
  • ¼ÒºñÀÚ ÇÇÇØº¸»óÀÇ ºÐÀïó¸® µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á±âÁØ(°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ µû¶ó ºñÇØ º¸»ó ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.
  • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÏ¿©, ÀÎÅÍÆÄÅ© ¿Ü Ÿ¾÷ü ¹è¼Û»óǰÀÎ °æ¿ì ¹ß¼ÛµÇÁö ¾ÊÀ» ¼ö ÀÖ½À´Ï´Ù.

Àα⸸Á¡ÃßõƯ°¡ TOP

Àüü

»óǰ»ó¼¼Á¤º¸

ÀúÀÚ¼Ò°³

ÆÇ¸ÅÀÚÁ¤º¸

¹è¼Û/±³È¯/ȯºÒ

TOP