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Preface
01 Korean Theater Prior to the 1970s 1970³â´ë ÀÌÀüÀÇ Çѱ¹ ¿¬±Ø
02 Modernization of Tradition and Introduction of Western Experimental Theater in the 1970s ÀüÅëÀÇ Çö´ëÈ¿Í ¼±¸ ½ÇÇè±ØÀÇ ¼Ò°³: 1970³â´ë
- Yu Deok-hyeong: A Pioneer of Contemporary Korean Theater at Drama Center
µå¶ó¸¶¼¾ÅÍÀÇ ÃÑüÀû ½ÇÇè±Ø: À¯´öÇüÀÇ ¡´ÃʺСµ
- Ahn Min-soo: Encounter of Traditional Asian Theater and Theater of Cruelty
µ¿¾ç ÀüÅë ¿¬±Ø°ú ÀÜȤ±ØÀÇ ¸¸³²: ¾È¹Î¼öÀÇ ¡´Å¡µ, ¡´ÇϸêÅÂÀÚ¡µ
- Oh Tae-suk: Moli?re Revived in the Traditional Korean Performing Arts
¸ô¸®¿¡¸£¿Í Çѱ¹ ÀüÅ뿬ÈñÀÇ ¸¸³²: ¿Àż®ÀÇ ¡´¼è¶ÒÀÌ ³îÀÌ¡µ
- Succession of Traditional Performing Arts as Political Satir
ÀüÅ뿬ÈñÀÇ °è½Â°ú Á¤Ä¡Ç³ÀڷμÀÇ ¸¶´ç±Ø
- Theatre Group Minye¡¯s Adoption of Tradition ±Ø´Ü ¹Î¿¹ÀÇ ÀüÅëÀÇ ¼ö¿ë°ú ¾Æ³ªÅ©·Î´ÏÁò
- Non-realistic Playwrights »©¾î³ ºñ»ç½ÇÁÖÀÇÀû ±ØÀÛ°¡µé: ÃÖÀÎÈÆ, ÀÌÇöÈ, ÀÌ°¹é
03 Resurgence of Original Korean Theater and Madanggeuk in Anti-Dictatorship Activism in the 1980s âÀ۱صéÀÇ ºÐ¹ß°ú ¹Ýµ¶ÀçÅõÀïÀÇ ¸¶´ç±Ø: 1980³â´ë
- Madanggeuk Going Indoors ½Ç³»·Î µé¾î°£ ¸¶´ç±Ø: ¿¬¿ì¹«´ëÀÇ Á¤Ä¡Ç³Àڱصé
- The Korean Theater Festival ´ëÇѹα¹ ¿¬±ØÁ¦ Èñ°îµé: À±Á¶º´, ÀÌ°¹é, À±´ë¼º
- Launch of Mokwha Repertory Company by Oh Tae-suk ¿Àż®ÀÇ ±Ø´Ü ¸ñÈÀÇ Ãâ¹ü
- Jayu Theater Company: Display of Traditional Korean Beauty toward the World ¼¼°è¸¦ ÇâÇÑ ÇÑ±Ø ÀüÅë¹ÌÀÇ °ú½Ã: ±Ø´Ü ÀÚÀ¯
- Michoo Theatre Company: Modernization of Traditional Performing Arts ÀüÅ뿬ÈñÀÇ µ¿½Ã´ëÈ: ¼ÕÁøÃ¥ÀÇ ±Ø´Ü ¹ÌÃß
- Ki Kook-seo¡¯s Hamlet Series ±â±¹¼ÀÇ Çܸ´ ½Ã¸®Áî
- Introduction of Foreign Theater Productions and Diversification of Korean Plays ÇØ¿Ü ¿¬±ØÀÇ ¼Ò°³¿Í ¿¬±ØÀÇ ´Ùº¯È
04 Postmodernist Spectacle and the Emergence of Young Directors in the 1990s
Æ÷½ºÆ®¸ð´øÇÑ ½ºÆåÅÍŬ°ú ÀþÀº ¿¬Ãâ°¡µéÀÇ ºÎ»ó: 1990³â´ë
- Lee Youn-taek: A Powerless Intellectual and a Showman on the Stage
ÀÌÀ±ÅÃ: ¹«·ÂÇÑ Áö½ÄÀÎ, ¹«´ëÀÇ ÈïÇà»ç
- Chae Seung-hun: Insanity of Death in the Criticism towards Civilization
ä½ÂÈÆ: Á×À½ÀÇ ±¤±â¿Í ¹®¸í ºñÆÇ
- Choi Yong-hun¡¯s Theater Company ZakEunShinHwa: Exhilarating Satire through Collective Creation ÃÖ¿ëÈÆÀÇ ±Ø´Ü ÀÛÀº½ÅÈ: Áý´ÜâÀÛÀ» ÅëÇÑ °æÄèÇÑ »çȸ dzÀÚ
- Cho Kwang-hwa: The Patriarchal System and the Opressed Sexual Energy
Á¶±¤È: °¡ºÎÀåÁ¦ÀÇ ¾ï¾Ð°ú ¼ºÀû ¿¡³ÊÁö
- Kim Ara: A Glamorous Stylist amid Nature ±è¾Æ¶ó: ÀÚ¿¬ ¼ÓÀÇ È·ÁÇÑ ½ºÅ¸Àϸ®½ºÆ®
- Oh Tae-suk: Expos? on the Inhumanity of Korean Society ¿Àż®: ºñÀΰ£Àû Çѱ¹»çȸ¿¡ ´ëÇÑ °í¹ß
- Sohn Jin-chaek: National Consciousness and Advanced Theatrical Aesthetics
¼ÕÁøÃ¥: ¹ÎÁ·Àǽİú ÷´ÜÀû ¿¬±Ø¹ÌÇÐ
- Ki Kook-seo: Scumbags of Postmodernist Society ±â±¹¼: Æ÷½ºÆ®¸ð´ø »çȸÀÇ ¾²·¹±âµé
05 Appreciation of New Everyday Life and the Search for Alternatives since the 2000s
»õ·Î¿î ÀÏ»ó°ú ´ë¾È ¸ð»ö
- Park Keun-hyeong: Cracks underneath the Surface of Ordinary Life ¹Ú±ÙÇü: ÀÏ»óÀû Ç¥¸é ¹ØÀÇ ±Õ¿
- Han Tae-sook: Mise-en-sc?ne of Dark Desire ÇÑż÷: ¾îµÎ¿î ¿å¸ÁÀÇ ¹ÌÀå¼¾
- Choi ZinA: A Woman as the Subject of Desire ÃÖÁø¾Æ: ¿å¸ÁÀÇ ÁÖü·Î¼ ¿©¼º
- Bae Sam-sik: Contemplation on Ecological Life ¹è»ï½Ä: »ýÅÂÀû »î¿¡ °üÇÑ »çÀ¯
- Oh Tae-suk: From Rage and Nightmares to Reconciliation and Life
¿Àż®: ºÐ³ë¿Í ¾Ç¸ùÀ¸·ÎºÎÅÍ ÈÇØ¿Í »ý¸íÀ¸·Î
- Lee Youn-taek: Renewed Interpretation of Koreans throughout History
ÀÌÀ±ÅÃ: ¿ª»ç ¼Ó Çѱ¹ÀεéÀÇ ÀçÁ¶¸í
- Yang Jeong-woong: A Traveler of the Global Age ¾çÁ¤¿õ: ±Û·Î¹ú ½Ã´ëÀÇ ¿©ÇàÀÚ
06 Epilogue
Notes
Bibliography |
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Kim Bang Ock
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