추가 적립 안내

상처와 고통을 준 사회 현실을 시를 통해 초월하고 극복하려고 노력한 시인 박남수의 시선집. 박남수 시인은 감각적, 존재론적 이미지와 표현미를 중시했다는 점에서 전형적인 모더니스트다. 미국으로 이민한 이후의 시에는 인생에 대한 감성적 인식이 주조를 이룬다는 점에서 리리시즘적인 성향을 보여주기도 했다.

박남수 시인은 감각적, 존재론적 이미지와 표현미를 중시했다는 점에서 전형적인 모더니스트다. 다만 미국으로 이민한 이후의 시에는 인생에 대한 감성적 인식이 주조를 이룬다는 점에서 리리시즘적인 성향을 보여 주기도 했다. 그의 시는 대략 세 시기로 구분할 수 있다. 제1기는 첫 시집 ≪초롱불≫(1939)을 출간한 시기로서 감각적, 예술적 이미지를 강조하는 시를 보여 준다. 제2기는 ≪갈매기 소묘≫(1958), ≪신의 쓰레기≫(1964), ≪새의 암장≫(1970) 등을 출간한 시기로서 지성적, 존재론적 이미지를 형상화하는 데 많은 노력을 기울인다. 그리고 제3기는 ≪사슴의 관≫(1981), ≪서쪽 그 실은 동쪽≫(1992), ≪그리고 그 이후≫(1993), ≪소로≫(1994)를 출간한 시기로서 이민 생활의 향수와 인생의 본질에 대한 성찰을 빈도 높게 드러낸다.
북한에서 태어나 일본으로 유학을 다녀오고 월남해 부산과 서울에서 살다가 미국으로 이민을 떠나 그곳에서 하직한 그의 삶은, 유랑 그 자체였다. 그 역사적 배경인 일제 치하와 광복 전후의 혼란기, 그리고 급속한 산업화와 도시화의 과정은 시인에게 많은 번민과 고통을 안겨 주었다. 이 우여곡절의 생애를 살아가면서도 50여 년을 이어 온 그의 시작 활동은 시대사적인 면과 함께 문예미학의 차원에서도 의미 있는 자산으로 기록되어야 할 것이다.

≪초롱불≫
酒幕 ·······················3
距離 ·······················4
초롱불 ······················5

≪갈매기 素描≫
바람 ·······················9
江 ·······················13
持續 ······················16
갈매기 素描 ···················17
生成의 꽃 ····················28
다섯 篇의 쏘? ··················34
할머니 꽃씨를 받으시다 ··············40

≪神의 쓰레기≫
새 壹 ······················45
새 參 ······················47
종달새 ·····················49
神의 쓰레기 ···················51
焚身 ······················53
잔등의 詩 ····················55
귀 ·······················57
손 ·······················59
解土 ······················60
解土 貳 ·····················62
無題 ······················64
나무 ······················65
鐘소리 ·····················66
소리 ······················68
釣魚 ······················70

≪새의 暗葬≫
言語 ······················75
아침 이미지 壹 ··················76
아침 이미지 貳 ··················77
아침 이미지 參 ··················79
아침 이미지 四 ··················80
아침 이미지 五 ··················82
밤 壹 ······················83
밤 貳 ······················84
窓 ·······················86
어딘지 모르는 숲의 記憶 ·············87
열매 ······················90
새의 暗葬 壹 ···················91
새의 暗葬 貳 ···················92
호르라기의 장난 ·················94
바다의 勞動 ···················96

≪사슴의 冠≫
한 방울의 눈물 ·················101
바다 壹 ·····················103
거울 ······················105
江 ·······················106
絶叫 ······················107
숨 가쁜 언덕을 넘어 ···············108
메르헨 參 ····················109
흰 갈대 머리가, 바람에 ··············110
사슴의 冠 ····················112
말 貳 ······················114
秋夕 ······················115
새 ·······················116

≪서쪽, 그 실은 동쪽≫
몸짓 ······················121
소리 ······················122
서글픈 暗喩 1 ··················124
回歸 1 ·····················126
춤 壹 ······················128
맨하탄의 갈매기 ·················132
生活 ······················133
피난길 ·····················135
바람 ······················136

≪그리고 그 以後≫
온전한 視力 ···················139
별똥 ······················141
마지막 나들이 ··················143
下直 ······················144


≪小路≫
새털 ······················149
씨 ·······················151
나의 사막에는 낙타가 없다 ············152
빛과 어둠 ····················156
하루살이 ····················158

시집 미수록 작품
물구나무서서 ··················161
연꽃 ······················163

해설 ······················165
지은이에 대해 ··················174
엮은이에 대해 ··················177