°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (19,360¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (14,260¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄÅ©Ä«µå 20% (16,300¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

American Prometheus : ¾Æ¸Þ¸®Ä­ ÇÁ·Î¸ÞÅ׿콺 *¿µ±¹ÆÇ* The Triumph and Tragedy of J. Robert Oppenheimer

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

°øÀ¯Çϱâ
Á¤°¡

21,000¿ø

  • 20,370¿ø (3%ÇÒÀÎ)

    620P (3%Àû¸³)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • S-Point Àû¸³Àº ¸¶ÀÌÆäÀÌÁö¿¡¼­ Á÷Á¢ ±¸¸ÅÈ®Á¤ÇϽŠ°æ¿ì¸¸ Àû¸³ µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
  • Ç°Àý 
  • ¹«·á¹è¼Û
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡

ÃâÆÇ»ç ¼­Æò

A riveting account of one of history's most essential and paradoxical figures. -- Christopher Nolan

Reads like a thriller, gripping and terrifying by turns... No more absorbing biography will, I predict, come out this year, nor, given the dangers we face, a more important one. -- John Carey ¡ª Sunday Times

I hate to say it, but, if you zip through all six hundred pages of the book before seeing the film, you'll enjoy the ride more. -- Anthony Lane ¡ª New Yorker

Fascinating... Enthralling... All previous works on the topic are, in the nicest possible sense, blown out of the sky by a book which is, in both the proper and metaphorical meanings, monumental. -- Mark Lawson ¡ª Esquire

No previous biography has... matched the power, range and lucidity of Martin Sherwin and Kai Bird's Life... Its combination of meticulous scholarship and felicitous prose grasps the drama of Oppenheimer's life in all its riveting complexity. ¡ª Sunday Telegraph

A giant among biographies, a life story that at times reads like a thriller but which is also deeply authoritative and persuasively informative.... Magisterial. ¡ª Observer

This is a magisterial biography: a masterpiece that has taken decades to put together. -- Kathryn Hughes ¡ª Mail on Sunday

A tremendous work of scholarship. ¡ª Financial Times

Dazzling... Rich in incident and enigma... It wears its scholarship lightly and whisks the reader through the story at thriller-like pace. ¡ª New Statesman

Magisterial... There have been many books on Oppenheimer... but American Prometheus is the first to attempt to explore more than a single facet... It is a portrait of the man, the times, the science, and the politics... It is a vaulting ambition, and it is amply rewarded. -- Judith Flanders ¡ª Spectator

The definitive biography... Oppenheimer's life doesn't influence us. It haunts us. ¡ª Newsweek

A work of voluminous scholarship and lucid insight, unifying its multifaceted portrait with a keen grasp of Oppenheimer's essential nature... It succeeds in deeply fathoming his most damaging, self-contradictory behavior. ¡ª New York Times

A masterful account of Oppenheimer's rise and fall, set in the context of the turbulent decades of America's own transformation. It is a tour de force. ¡ª Los Angeles Times Book Review

There have been numerous books about Oppenheimer but they can't touch this extraordinary book's impressive breadth and scope. ¡ª Miami Herald

The first biography to give full due to Oppenheimer's extraordinary complexity... Stands as an Everest among the mountains of books on the bomb project and Oppenheimer, and is an achievement not likely to be surpassed or equaled. ¡ª Boston Globe

Ã¥¼Ò°³

Winner of the Pulitzer Prize, published to exceptional reviews in both the US and the UK, American Prometheus is as compelling a work of biography as it is a significant work of history.

***THE INSPIRATION FOR CHRISTOPHER NOLAN'S NEW FILM OPPENHEIMER***

THE SUNDAY TIMES BESTSELLER

WINNER OF THE PULITZER PRIZE FOR NONFICTION

'Reads like a thriller, gripping and terrifying' Sunday Times

Physicist and polymath, as familiar with Hindu scriptures as he was with quantum mechanics, J. Robert Oppenheimer - director of the Manhattan Project that developed the atomic bomb - was the most famous scientist of his generation. In their meticulous and riveting biography, Kai Bird and Martin J. Sherwin reveal a brilliant, ambitious, complex and flawed man, profoundly involved with some of the momentous events of the twentieth century.

°ü·ÃÀ̹ÌÁö

ÀúÀÚ¼Ò°³

Bird, Kai [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ 19510902

Àü±â ÀÛ°¡ÀÌÀÚ Àú¼ú°¡·Î¼­ Á¸ »çÀÌ¸Õ ±¸°ÕÇÏÀÓ Àç´Ü, ¾Ë¸®½Ã¾Æ ÆÐÅͽ¼ Àú³Î¸®Áò Æç·Î½Ê, ¸Æ¾Æ´õ Àç´Ü, ·ÏÆç·¯ Àç´Ü, Åä¸Ó½º ¿Ó½¼ Àç´Ü, µ¶ÀÏ ¸¶¼È ±â±Ý, ¿ìµå·¯ Àª½¼ ±¹Á¦ ¿¬±¸ ¼¾ÅÍ µîÀÇ Áö¿øÀ» ¹Þ¾Ò´Ù. ¡º¾Æ¿ô¶óÀ̾î: Áö¹Ì Ä«ÅÍ ¹Ì¿ÏÀÇ ´ëÅë·ÉÁ÷¡», ¡º±Â ½ºÆÄÀÌ: ·Î¹öÆ® ¿¡ÀÓ½ºÀÇ »î°ú Á×À½¡» µîÀ» ½è´Ù.

ÀúÀÚÀÇ ´Ù¸¥Ã¥

Àüüº¸±â
Martin J. Sherwin [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ 19370702

ÅÍÇÁÃ÷ ´ëÇб³ ¿ùÅÍ S. µñ½¼ ¼®Á ±³¼ö·Î ¿µ¹®Çаú ¹Ì±¹»ç¸¦ °¡¸£ÃÆÀ¸¸ç °°Àº ´ëÇб³ÀÇ ¿øÀÚ·Â ½Ã´ë ¿ª»ç ¹× Àι®ÇÐ ¼¾Å͸¦ ¼³¸³Çß´Ù. ¸Æ¾Æ ´õ Àç´Ü, Á¸ »çÀÌ¸Õ ±¸°ÕÇÏÀÓ Àç´Ü, ¹Ì±¹ Çмú ¾ÆÄ«µ¥¹Ì, ±¹¸³ Àι®ÇÐ ±â±Ý, ·ÏÆç·¯ Àç´ÜÀÇ Áö¿øÀ» ¹Þ¾Ò´Ù. 2021³â Æó¾ÏÀ¸·Î ¼¼»óÀ» ¶°³µ´Ù. Àú¼­¿¡ ¡ºÆı«µÈ ¼¼°è: È÷·Î½Ã¸¶¿Í ±× À¯»êµé¡», ¡º¾Æ¸¶°Ùµ·À» °Ç µµ¹Ú: È÷·Î½Ã¸¶¿¡¼­ Äí¹Ù ¹Ì»çÀÏ À§±â±îÁö ÇÙ¹«±â ·ê·¿¡» µîÀÌ ÀÖÀ¸¸ç ¹Ì±¹ ¿Ü±³»çÇÐȸ ¹ö³ª½º »ó, ±¹¸³ ¿ª»çÇÐȸÀÇ ¹Ì±¹»ç ÃÖ¿ì¼ö ¼­Àû»óÀ» ¼ö»óÇß´Ù. ´ÙÅ¥¸àÅ͸® ¡¸Æ®¸®´ÏƼ ÀÌÈÄ, ÇÙ Àü·«ÀÇ ¿ª»ç¡¹, ¡¸ÇÙ ½Ã´ëÀÇ ÀüÀï°ú ÆòÈ­¡¹

ÆîÃ帱â

ÀúÀÚÀÇ ´Ù¸¥Ã¥

Àüüº¸±â
Cummings, Jeff [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.

Blackstone Audio [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.

¹®ÇÐ ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    100ÀÚÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/100ÀÚ
    µî·ÏÇϱâ

    100ÀÚÆò

    0.0
    (ÃÑ 0°Ç)

    ÆǸÅÀÚÁ¤º¸

    • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óÇ°Àº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆǸÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óÇ°°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

    »óÈ£

    (ÁÖ)±³º¸¹®°í

    ´ëÇ¥ÀÚ¸í

    ¾Èº´Çö

    »ç¾÷ÀÚµî·Ï¹øÈ£

    102-81-11670

    ¿¬¶ôó

    1544-1900

    ÀüÀÚ¿ìÆíÁÖ¼Ò

    callcenter@kyobobook.co.kr

    Åë½ÅÆǸž÷½Å°í¹øÈ£

    01-0653

    ¿µ¾÷¼ÒÀçÁö

    ¼­¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù)

    ±³È¯/ȯºÒ

    ¹ÝÇ°/±³È¯ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼­ ½Åû °¡´É

    ¹ÝÇ°/±³È¯°¡´É ±â°£

    º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É
    ´Ü, »óÇ°ÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»

    ¹ÝÇ°/±³È¯ ºñ¿ë

    º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
    »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝÇ°Àº ¹Ý¼Û·á ÆǸÅÀÚ ºÎ´ã

    ¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯

    ·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
    (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)

    ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    ¿¹) È­ÀåÇ°, ½ÄÇ°, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî

    ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
    ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý

    ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì

    ·ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì

    »óÇ° Ç°Àý

    °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½

    ¼ÒºñÀÚ ÇÇÇغ¸»ó
    ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó

    ·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê

    ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

    ¹è¼Û¾È³»

    • ±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.

    • ¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.

    • - µµ¼­ ±¸¸Å ½Ã 15,000¿ø ÀÌ»ó ¹«·á¹è¼Û, 15,000¿ø ¹Ì¸¸ 2,500¿ø - »óÇ°º° ¹è¼Ûºñ°¡ ÀÖ´Â °æ¿ì, »óÇ°º° ¹è¼Ûºñ Á¤Ã¥ Àû¿ë