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It shows us talent, determination and individual sensibility being molded into great art and maintaining its momentum over time. This is what a retrospective should do, and Katz’s work does this with extraordinary clarity, almost transparency. It should give everyone, especially artists, hope. -- Roberta Smith ― The New York Times

What this retrospective makes clear though, is that Katz remains in a league of his own, defined by his cool regard for the sentimental distance to be found in his own backyard. Perhaps his greatest legacy will be his insistence, via the very acute speech of his paintings, that a global grandeur can be found there. -- Tom McGlynn ― Brooklyn Rail

Katz’s paintings leave you buzzing with the pleasures of social life. Reticent about things best left unsaid, they dare instead to be witty, charming and disarmingly heartfelt. Celebrations of social display, they’re about the joys of seeing and being seen. -- Sebastian Smee ― Washington Post

The evolution of Alex Katz: nearly 80 years of restless innovation in portraiture and landscape across painting, works on paper and sculpture

Across decades of intense creative production, Alex Katz has sought to capture a state of “absolute awareness” in paint. Whether evoking a glancing exchange between friends or a shaft of light filtered through trees, he has aimed to create a record of “quick things passing,” compressing the flux of everyday life into a condensed burst of optical perception. Published on the occasion of the artist’s first US career retrospective in more than 30 years, Alex Katz: Gathering offers a definitive account of Katz’s artistic project, demonstrating both its marked coherence and restless evolution. Generously illustrated, the book features the full breadth of the artist’s work across mediums and formats, from intimate sketches of riders on the New York City subway in the late 1940s to the rapturous, monumentally scaled landscapes that have dominated his recent production.
Essays by artists, writers and art historians offer fresh, authoritative overviews of the artist’s practice alongside more focused considerations of specific facets of his art, including his flower paintings, collages, prints, freestanding “cutouts” and set design collaborations with the Paul Taylor Dance Company. A sourcebook of historical reviews, essays and poems rounds out the volume, which offers an overdue reassessment of the artist’s oeuvre.