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FUZZ ´Â ¿¹¼ú°ú ¹®È¸¦ ±¹Á¦Àû ±×¸®°í ´ÙÇÐÁ¦Àû Á¢±ÙÀ¸·Î ¼Ò°³ÇÑ´Ù. À̹ø ù À̽´ ¡´ºäƼǮ µ¥ÀÌÅÍ¡µ´Â »õ·Ó°Ô µîÀåÇÏ°í ÀÖ´Â µ¥ÀÌÅÍÀÇ ¹ÌÇÐÀ» À̹ÌÁö¿Í ±Û·Î ´Ù·ç´Â Àü½Ã, ¹Ì¼úÀÛÇ°, ºñÆòÀû ¿¡¼¼ÀÌ, ÀÎÅÍºä ±×¸®°í ´ëÈ·Î Ç®¾îº»´Ù. ¿¹¼ú°¡, Å¥·¹ÀÌÅÍ, µðÀÚÀ̳Ê, °ÇÃà°¡ ±×¸®°í ´ÙÇÐÁ¦Àû À̷а¡ÀÇ ½Ã¼±À¸·Î º¯ÈÇÏ´Â µ¿½Ã´ë ¹ÌÇÐÀû Á¢±Ù°ú Ç¥Çö; °æÁ¦Á¤Ä¡Àû ±Ç·Â ¾ÆÁ¨´Ù¿¡ ±â¹ÝÇÑ µ¥ÀÌÅÍ Á¶ÀÛ; µðÁöÅÐ Á¸Àç¿Í ºÎÀç; µðÁöÅÐ »çȸ¿Í °øµ¿Ã¼¸¦ ±¸¼ºÇÏ´Â ´ë¾ÈÀû ±¸Á¶·Î Çù¾÷, ¿ìÁÖ·Ð ±×¸®°í ´ÙÁ¤ÇÔÀ» Ž±¸ÇÏ´Â À̾߱⸦ ÆîÄ£´Ù. ÆÒµ¥¹ÍÀÌ À̾îÁö°í ÀÖ´Â µ¿½Ã´ë¿¡ ±â¼úÀº ¿ì¸®ÀÇ ¼ÒÅë, Çൿ ±×¸®°í °¨Á¤ÀÌ»óÀ¸·Î ¿ì¸®¿¡°Ô Å« ¿µÇâ·Â°ú »óÈ£ÀÛ¿ëÀ» ÇÏ°í ÀÖ´Ù. ÇÏ·ç¿¡ ¿ì¸®°¡ µðÁöÅÐ ½ºÅ©¸°°ú ¸¶ÁÖ ¾É¾Æ º¸³»´Â ½Ã°£Àº Á¡Á¡ ´Ã¾î³ª°í, ¿ì¸®ÀÇ ¿òÁ÷ÀÓÀº ¼Õ°¡¶ôÀ¸·Î Ŭ¸¯À» ÇÏ´Â °Í¿¡ Á¦ÇÑµÇ¸ç ¿ì¸®ÀÇ °¨Á¤Àº ÀϽÃÀû, µðÁöÅÐ, Äè¶ôÀÇ µ¥ÀÌÅÍÀÇ °úÀ׿¡ ÀÇÇØ Á¶À۵Ǿú´Ù. ÀÌ·¸µí ±Þº¯ÇÏ´Â ±â¼úÀÇ ½Ã´ë¿¡¼ ¿ì¸®°¡ À̾߱âÇÏ´Â ºäƼǮ µ¥ÀÌÅÍ´Â ¹«¾ùÀΰ¡? ¡´ºäƼǮ µ¥ÀÌÅÍ¡µ´Â »õ·Ó°Ô µîÀåÇÏ¿© ºü¸£°Ô ÀÚ¸®Àâ°í ÀÖ´Â µ¥ÀÌÅÍÀÇ ¹ÌÇп¡ ´ëÇÑ ´Ù¾çÇÑ Áú¹®À» ´øÁ®º»´Ù.
Fuzz is an annual/bi-annual art publication addressing artistic production and cultural commentary in an interdisciplinary and universal scope.
In this issue, Beautiful Data, we look at data aesthetics through images and texts, exhibitions and artworks, critical essays, interviews and conversations. Through the voices of artists, curators, designers, architects and other writers, Beautiful Data addresses shifting aesthetic approaches and expressions, data manipulation for ecopolitical power agendas, digital presence and absence, speculative explorations of digital society and forms of community-building through structures of collaboration, cosmology and kindness. The ongoing pandemic has highlighted the degree to which technology has surpassed its affect, whether in terms of our communication, behavior or emotions. The only faces that we stared at, day in and out, were our flat screens, while our motion was confined to our fingers clicking away and our emotions were most likely manipulated by a surplus of temporary, digital, pleasurable data beautifully wrapped in our own desires. In this vast changing era of technology, we ask various questions around, what is beautiful data?.
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Editors Foreword
-Beautiful Data
Exhibition Focus
-Hito Steyerl: A Sea of Data
Artist Feature
-Juri Lee
-Christian Mio Loclair
Essays
-Lev Manovich: Who is an ¡®Artist¡¯ in the Software Era?
-Common Accounts: Architecture of the Virtual Afterlife
-Thao Phan: Amazon Echo and the Aesthetics of Whiteness
Interviews
-Richard Vijgen
-Mimi ?n??ha
-aaajiao
Conversation Kind Neighbors
Studio Visit Yangachi
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¡°First of all, my gut reaction when I hear the word ¡°artificial intelligence¡± is to more or less deny its existence. I think the prevalent form is artificial stupidity, which is very common. It abounds all around us-stupid little algorithms everywhere-and it has also influenced photography for a long time... It¡¯s fully naturalized into how people perceive the world. I think that¡¯s the dominant form of anything related to algorithmic vision, although I think ¡°AI aesthetics¡± is not yet fully expanded.¡±
-from the Exhibition Feature: interview with Hito Steryel
¡®What does it mean to ¡®create¡¯ today when countless stock visual and audio media, templates, filters, effects, styles and tutorials are available to both casual and professional creators? Shall we try to simulate this contemporary ¡®digital creativity¡¯? Or do we want to match the artistic achievements and creative processes of a pre-digital, pre-software and pre-network era?¡¯
-from the Essay: Lev Manovich ¡¯Who is an ¡®Artist¡¯ in the Software Era?¡¯
¡°The concept of algorithmic violence has to do with the fact that we live in this data-drenched society. The ability to turn people¡¯s experiences into data is absolutely crucial to this, because that data is then fed to algorithms, it¡¯s fed to models - and that¡¯s where you see all of these ramifications that can unfold, which I conceptualized as algorithmic violence.¡±
-from the Interview: Mimi ?n??ha
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Gravity Effect(±×·¡ºñƼ ÀÌÆåÆ®)(Issue 7:...
Gravity Effect(±×·¡ºñƼ ÀÌÆåÆ®)(Issue 6:...
Gravity Effect(±×·¡ºñƼ ÀÌÆåÆ®)(Issue 5:...
Gravity Effect(±×·¡ºñƼ ÀÌÆåÆ®)(Issue 3)
Gravity Effect(±×·¡ºñƼ ÀÌÆåÆ®)(Issue 2)
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