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Western Architecture

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  • Àú : Sutton, Ian
  • ÃâÆÇ»ç : W.W.Norton
  • ¹ßÇà : 1999³â 04¿ù 01ÀÏ
  • Âʼö : 0
  • ISBN : 9780500203163
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    Introduction 7 (3)
    Chapter 1 Prologue: Laying the Foundations 10 (14)
    -- Greece and Rome The rule of the orders.
    The urban setting. Rome, the heir of
    Greece. Vitruvius, a text for the future
    Chapter 2 The Christian Legacy of Rome 24 (14)
    Constantine and the New Rome. The Byzantine
    achievement. The Byzantine legacy. Western
    Europe: darkness before dawn
    Chapter 3 Beginning Again: Carolingian and 38 (36)
    Romanesque The Carolingian Renaissance to
    c. 1000. Germany: the Imperial lands.
    France: diversity in unity. The Normans in
    Britain. Romanesque in the south: Italy and
    Spain
    Chapter 4 The Gothic Centuries How Gothic 74 (52)
    began. The first Gothic century: France,
    1150-1250. Gothic England. How Gothic
    ended. Secular and domestic
    Chapter 5 The Renaissance: Ancient Rome 126(42)
    `Reborn' Florence: the Early Renaissance.
    Rome: the High Renaissance. The problem of
    Mannerism. A developing Renaissance. The
    Renaissance outside Italy: Eastern and
    Central Europe. England, France and Spain:
    problems of adaptation
    Chapter 6 Baroque and Anti-Baroque Baroque 168(56)
    in Italy: the seed-bed. Central and Eastern
    Europe: the flowering. Spain, Portugal and
    Latin America: the exotic harvest. France:
    a special case. Flanders and the
    Netherlands. England and North America
    Chapter 7 The Return of Classicism Phases 224(44)
    of classicism: from Palladio to the
    Revolution. Palaces, ministries and the
    Neoclassical city. Privileged domesticity.
    Culture and commerce. Classicism and
    Christianity. Four architectural portraits
    Chapter 8 `In What Style Shall We Build?' 268(36)
    Why Neo-Gothic?. Architecture and morality.
    Revivals and survivals. The new art. Houses
    and homes
    Chapter 9 After Style, Modernism Iron, 304(50)
    glass and honesty. The doctrine of
    Modernism. Modernism and national character.
    Alternatives to Modernism. Three
    nonconformists
    Chapter 10 Epilogue: After Modernism, 354(18)
    Style The legacy of Modernism. Ingredients
    of Post-Modernism. Variety and scale.
    Present dilemmas
    Glossary 372(3)
    Further Reading 375(1)
    Acknowledgments and Illustration Credits 376(1)
    Index 377

    ÀúÀÚ¼Ò°³

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