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Music in antiquity | p. 4 |
The Christian church in the first millennium | p. 24 |
Roman liturgy and chant | p. 50 |
Song and dance music in the Middle Ages | p. 71 |
Polyphony through the thirteenth century | p. 87 |
French and Italian music in the fourteen century | p. 116 |
The age of the Renaissance | p. 148 |
England and Burgundy in the fifteenth century | p. 167 |
Franco-Flemish composers, 1450-1520 | p. 190 |
Sacred music in the era of the Reformation | p. 210 |
Madrigal and secular song in the sixteenth century | p. 240 |
The rise of instrumental music | p. 264 |
New styles in the seventeenth century | p. 288 |
The invention of opera | p. 307 |
Music for chamber and church in the early seventeenth century | p. 328 |
France, England, Spain, and the New World in the seventeenth century | p. 353 |
Italy and Germany in the late seventeenth century | p. 384 |
The early eighteenth century in Italy and France | p. 416 |
German composers of the late Baroque | p. 438 |
Opera and vocal music in the early Classic period | p. 472 |
Instrumental music : sonata, symphony, and concerto at midcentury | p. 506 |
Classic music in the late eighteenth century | p. 525 |
Revolution and change | p. 568 |
The Romantic generation : song and piano music | p. 595 |
Romanticism in classic forms : orchestral, chamber, and choral music | p. 631 |
Romantic opera and musical theater to midcentury | p. 659 |
Opera and musical theater in the later nineteenth century | p. 679 |
Late Romanticism in Germany and Austria | p. 714 |
Diverging traditions in the later nineteenth century | p. 737 |
The early twentieth century | p. 758 |
Modernism and the classical tradition | p. 801 |
Between the world wars : jazz and popular music | p. 844 |
Between the world wars : the classical tradition | p. 865 |
Postwar crosscurrents | p. 893 |
The end of the millennium | p. 941 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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Renowned for its comprehensive coverage of genres and styles in Western music from antiquity to the present, A History of Western Music has secured its place--through six editions and for almost half a century--as the definitive resource for every musician. In this latest edition, J. Peter Burkholder has renewed and updated the book to suit the ways in which instructors teach and students learn today, all while maintaining the authority and comprehensive coverage that has defined this classic text. In a shift of emphasis, this edition places people making choices at the center of the story. Linking historical and social context directly to musical practice and styles, this edition calls attention to what's important, where it fits, why it matters, and who cares.
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