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2000³â´ë À̸£·¯ ¼öÇÊÀº ÁúÀû ¼ºÀåÀ» ÀÌ·ç¾ú´Ù. µ¶Æ¯ÇÑ Çѱ¹Àû ÃëÇâÀ» °¡Áø ¹®ÇÐÀ¸·Î °Åµì³­ °ÍÀÌ´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ¿ì¸®ÀÇ ¼öÁØ ³ôÀº ¼öÇÊÀÛÇ°µéÀ» ¼¼°è¿¡ ¾Ë¸®´Â ±âȸ´Â ±³Æ÷»çȸ¸¦ Á¦¿ÜÇÏ°í´Â °ÅÀÇ ÀÌ·ç¾îÁöÁö ¾Ê°í ÀÖ´Ù. ¹ø¿ªÀÇ Á߿伺Àº ¸ðµç Çй®¿¡ °øÅëÀûÀÌÁö¸¸ ƯÈ÷ ¿ì¸® ¹®ÇÐÀÇ ¼¼°èÈ­¿¡¼­´Â ÇʼöÀûÀÌ´Ù. ¼º½ÇÇÑ ¹ø¿ªÀ» Àå·ÁÇÏ´Â Á¦µµ¿Í Áö¿øÀÌ Àý½ÇÇÏ´Ù°í ÇÏ°Ú´Ù. ´õ ´Ê±â Àü¿¡ Çѱ¹¹®ÇÐÀÇ ¼¼°èÈ­¸¦ ±¸ÃàÇÏ´Â ¹ø¿ªÀÛ¾÷¿¡ ´ëÇÑ Áö¿øÀÌ º»°ÝÀûÀ¸·Î Àü°³µÇ¾î¾ß ÇÒ °ÍÀÌ´Ù. °øÀûÀÎ ºÎºÐ¿¡¼­ ÀÌ·± ÀÛ¾÷ÀÌ Àß ¾È µÇ´Ï »çÀû ¿µ¿ª¿¡¼­ ¿ªÀÚ°¡ Çѱ¹¹®Çм¼°èÈ­À§¿øȸ¸¦ Á¶Á÷ÇÑ °ÍÀÌ´Ù. ¿ì¸® ¹®ÇÐÀÇ ±¹Á¦Àû ±³·ù¿Í È°¼ºÈ­¸¦ À§ÇÑ ¹ø¿ªÀº °¡Àå ±âº»ÀûÀ¸·Î µÞ¹ÞħµÇ¾î¾ß ÇÒ ÀÎÇÁ¶ó´Ù. °Ô´Ù°¡ ¹ø¿ªÀº Á¦2ÀÇ Ã¢ÀÛÀ̶ó°í ÇÒ ¸¸Å­ ±× Á߿伺ÀÌ ³¯·Î Ä¿Áö°í ÀÖ´Ù. ÇÏÁö¸¸ ¹ø¿ª Àα¸´Â »ý°¢º¸´Ù ¸¹Áö ¾Ê´Ù. Áö¿øÀÌ ¹ÌºñÇÒ »Ó¸¸ ¾Æ´Ï¶ó ¹ø¿ª¿¡ À־ ÀüÇô ¿¹±âÄ¡ ¸øÇÑ ÇÔÁ¤µéÀÌ µµ»ç¸®°í Àֱ⠶§¹®ÀÌ´Ù. °Ô´Ù°¡ ±× °ü¿ë¹ýÀÇ ÇÔÁ¤µéÀº ¿Ü±¹ÀÎÀÇ ¾ð¾î°¨°¢À¸·Î Æ÷ÂøÇϱ⠾î·Á¿ö, Àû¹ýÀÎÁö ¿À·ùÀÎÁö ÆÇ´ÜÇϱⰡ ½±Áö ¾Ê´Ù.(¿ªÀÚÀÇ ¸» ÀϺÎ)

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009 / ¼Û¸íÈ­ Song Myeong-hwa ¿©º¸¼¼¿ä Hello?
015 / °­Àü¼· Kang Jeon-seob È«½Ã Ripe Persimmon
022 / ±Ç³²Èñ Kweon Nam-heui ²ÉÃã A Flower Dance
028 / ±ÇÁ¤¼ø Kweon Jeong-soon Çظ¦ ¸Ó±ÝÀº »çÂû A Temple Filled Sun
033 / ±è¼Ò¿¹ Kim So-ye µ¿±¼»ýÈ°°ú Á¶Á¤½Ç 213È£
Cave Life and Coordination Room 213
039 / ±è¿ÁÈñ Kim Ok-heui õ¸®Çâ Daphne Odora
045 / ±èÀμ÷ Kim In-sook ÇÏ¾á °í¹«½Å White Rubber Shoes
053 / ±èÀÚÀÎ Kim Ja-in ³»°¡ ¿ô´Â´Ù I Smile
²Þ²Ù´Â ÀÛÀº »õ A Dreaming Little Bird
072 / ±èÁ¾Èñ Kim Jong-heui ³ª´Â ³¯¸¶´Ù ½ÅÈ­¸¦ ²Þ²Û´Ù
I Dream of a Myth Every Day
078 / ±èÁöÇü Kim Ji-hyeong ÇÑ ¹øµµ °¡Áö ¾ÊÀº ±æ
A Road that Has Never Been Taken
084 / ¹Ú¼ÒÇö Park So-hyeon ³»¼ºÇà»óºÒ¸Áºñ
The Stele of Iron of Remembering the Merchants in the Naeseong
Traditional Market
093 / ¹Ú¿µ¼± Park Yeong-seon ¿¬°ñ The Cartilage
100 / ¹ÚÀÎ¾Ö Park In-ae ƲÀ» ±ú´Ù Escape the Daily Routine
106 / ¹Úź´ Park Tae-byeong ¸ðÀÚöÇÐ On the Philosophy of Hats±× ¼Ò³à The Girl
120 / ¹è¸í¶õ Bae Myeong-ran ¼­·¡¼¶ÀÇ ½Ç·ç¿§ Seorae Island's Silhouette
129 / ¼­¹Ì¼÷ Seo Mi-sook ¸¼Àº Çâ±â A Clear Scent
137 / ¼Û¼º·Ã Song Seong-ryeon ³«°ü Signature
143 / À¯º´¼÷ Yu Byeong-sook ±×ºÐÀ̶ó¸é »ý°¢ÇØ º¼°Ô¿ä I'll Consider It If It's Him
149 / À̱æ¼ø Lee Gill-soon ÀÌºÒ Cotton Conforters
157 / À̸¶¸®³ª Lee Marina ³» ¾È¿¡ ³×°¡ ÀÖ´Ù You're in Me
166 / À̸í¼ø Lee Meong-soon ±î¸¶±Í ¿ïÀ½ Crowing
170 / ÀÌ¿î¼ø Lee Un-soon °¡½Ã Thorn
178 / ÀÌÁ¾°Ç Lee Jong-geon Æ´ Crack
186 / Á¤°æ¶õ Jeong Gyeong-ran ½Ã´ì °¡´Â ±æ The Way to My In-laws'
192 / Á¤¿©¼Û Jeong Yeo-song ½°Ç¥ Comma
198 / Á¶°æ¼÷ Jo Gyeong-sook ¼ºÀÎ½Ä Coming of Age Ceremony
204 / Á¶¿µÈñ Jo Yeong-heui ´ÀƼ³ª¹« Neptidia Tree
213 / ÁöÇâ¼÷ Ji Hyang-sook ¼Ò·Ïµµ Sorok Island
224 / ÃÖº¹Èñ Choe Bok-heui °Ü¿ï½£ Winter Forest
ÃÌ´ßÀÇ º¯½Å Transformation of a Hillbilly
237 / ÃÖ¿Á¿¬ Choe Ok-yeon ³ëµµ °¡´Â ±æ The Road to the Nodo
246 / ÃÖ¿øÇö Choe Weon-hyeon ÇÞºû ¸¶½Ã±â Basking in the Sun
254 / ÃÖÀç¼± Choe Jae-seon ¸ø A Nail
260 / ±Ç´ë±Ù Kweon Dae-geun °ñ¸ñÀ» °È´Ù Walk down the Alley

º»¹®Áß¿¡¼­

¡®¿©º¸¼¼¿ä¡¯¶ó´Â °£´ÜÇÑ ³¹¸»¿¡ ÀýÀýÇÑ ¼Ò¸ÁÀ» ´ã¾Æ ºÎ¸£´Â ¸ñ¼Ò¸®´Â °¡´Ã°í ³ô´Ù. ´©±º°¡ ´ë´äÇÏÁö ¾ÊÀ¸¸é Àý¸ÁÀÇ ³ª¶ôÀ¸·Î ¶³¾îÁ® »îÀ» Æ÷±âÇعö¸± µí À§ÅÂ·Î¿î ¸ñ¼Ò¸®, ±× ºÎ¸§¿¡ ±â²¨ÀÌ ´ë´äÇÏ´Â ÀÏÀº ÀþÀºÀ̵鿡°Ô´Â Àǹ«¶ó ÇÏ´Â °ÍÀÌ ¿ÇÁö ½Í´Ù.
ÆȼøÀÇ ¾î¸Ó´Ï´Â ½Ã°ñ¿¡ È¥ÀÚ °è½Å´Ù. ³»°¡ ¼¼»ó¿¡ ½Å°í½ÄÀ» ÇÒ ¶§ ¾î¸Ó´Ï´Â ³» ¼ÕÀ» Àâ¾Æ ÁÖ¼Ì°í ³»°¡ ¾ÆÀ̸¦ ³ºÀ» ¶§µµ ³» ¼ÕÀ» Àâ¾ÆÁ̴ּÙ. Á÷ÀåÀÏ Çϴµ¥ ¹æÇØµÉ±î ºÁ Àڽĵé Áý¿¡µµ Àß ´Ù´ÏÁö ¾ÊÀ¸½Ã´Â ¾î¸Ó´Ï. ¾ÈºÎÀüÈ­ µå¸° ³¯ÀÌ ¾ðÁ¦¿´´õ¶ó. ¾È°æÀÌ Èå·ÁÁú °Í¸¸ °°´Ù. ¾î¸Ó´Ïµµ ¸¶À½¼Ó¿¡ ¡®¿©º¸¼¼¿ä.¡¯¸¦ øøÀÌ ½×¾Æ³õ°í »ç½Ç±î.¡°¿©º¸¼¼¿ä?¡±°è¸é½Àº ³» ¸ñ¼Ò¸®°¡ Á¡Â÷ À±±â¸¦ ¶í´Ù.(¼Û¸íÈ­ÀÇ ¼öÇÊ ¡´¿©º¸¼¼¿ä¡µ Áß) The simple word "Hello" has a thin, high tone of a voice with an ardent desire. It would be fair to say that it is a duty for young people to answer for the call with a precarious voice that would fall into despair and give up their lives.
My mother in eighties lives alone in the country. My mother held my hand for me first when I was starting out, crying as a baby. She is hesitant about visiting her children's home for fear she interferes with their work. "When was the last time I called to say hello to Mom?", I think to myself. My glasses are going to get blurry with my eyes wet. It suddenly dawns on me that my mother, too, has been piling up in layers 'Hello' in her hearts, left unsaid.
"Hello?"
My abashed voice is becoming brighter and shinier.
¹®È­¶õ °ÅâÇÏ°í ¾Æ¸§´Ù¿î °Í¸¸Àº ¾Æ´ÏÁö ¾ÊÀº°¡. Çѵ¿¾È °ñ¸ñ ¹®È­¿¡ ¸Å·áµÈ ¿©Çà°¡³ª ¹®È­»ç°¡µéÀÌ ÇѾçÀÇ µÞ°ñ¸ñ, ¾îµð¾îµð ÁÖÁ¡ °ñ¸ñ µîÀ» ±ÛÀÇ Å׸¶·Î »ï¾Æ ´«±æÀ» ²ö ÀûÀÌ ÀÖ¾ú´Ù. °ñ¸ñÀ̶õ Çâ¼ö°¡ ¾î¸° °÷ÀÌ´Ù. ÇÏÁö¸¸ űصµ ¸¶À»ÀÇ °ñ¸ñÀº °ñ¸ñÀ̶ó Çϱ⿡´Â ¹º°¡ ºÎÁ·ÇÏ´Ù. ´ã°ú ´ãÀ¸·Î ½ÎÀÎ °÷, ´ã°ú ÁýÀÇ º®À¸·Î ½ÎÀÎ °÷ÀÌ ¾Æ´Ñ °÷ÀÌ ´ëºÎºÐÀ̱⿡ ÇÏ´Â ¸»ÀÌ´Ù. ¹æÀÌ ¹Ù·Î ±æÀ» º¸°í ÀÖ°í ±æ¿¡¼­ ¹Ù·Î ¹æ¿¡ µé¾î°¡´Â ÇüÅÂÀÇ ±æÀÌ À̾îÁ® ÀÖ´Ù. ¾î´À Áý¿¡¼­³ª µµ¶õµµ¶õ ¸»¼Ò¸® »õ¾î³ª¿À°í, ¹®¸¸ ¿­¸é ¿À°¡´Â ÀÌ¿Í ¼ÒÅëÀÌ °¡´ÉÇÏ´Ù. ¹æ¹®À» ¿­°í ¼Ò¸®Ä¡¸é ¾ÕÁý, ¿·Áý ¸ðµÎ ´ë´äÇÒ ¼ö ÀÖ´Â °Å¸®¿©¼­ µ¿³× »ç¶÷µéÀº ¸» ±×´ë·Î ÀÌ¿ô»çÃÌÀÌ µÇÁö ½Í´Ù. (±Ç´ë±ÙÀÇ ¼öÇÊ ¡¸°ñ¸ñÀ» °È´Ù¡¹ Áß¿¡¼­)

Culture is not just grand and beautiful, is it? Travelers and cultural historians, who were fascinated by the culture of the alley for a while, used Hanyang's back alleys and some whatsit pup alleys as themes for their writtings. An alley is a place where nostalgia is buried. By the way, Taegeuk-do is not a village alley. There is something missing to be called an alley. This is because most places are not walled, nor surrounded by walls and houses. The room is looking straight toward the road, and there is a straight path from the road to the room. Anyone passing by can eavesdrop on the conversation from inside the house. One can communicate with people who come and go whenever he or she opens the door. If they open a door and shout, they can answer all the people in front and next door, so they can call one another a neighbor literally.

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