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¡°Impressive. . . . It is the strange, haunting observations through which the child, Jas, tries to make sense of the grown-up world that gives this novel of grief its particular power. A book to read-and to remember.¡±-The Economist
¡°The effects of the unspeakable grief felt by 10-year-old Jas¡¯ family after the death of her beloved older brother are explored in painful and painstaking detail in this startling debut novel. . . . Rijneveld¡¯s extraordinary narrator describes a small world of pain which is hard to look at and harder to ignore.¡±-Kirkus Reviews, starred review
¡°Rijneveld's International Booker Prize?shortlisted debut is not a novel for those expecting triumphal outcomes. Readers who can persist through the agonies of a family falling apart, however, will find their breath taken away by Rijneveld's prose as filtered through Hutchison's deft translation.¡°-Booklist, starred review
¡°Rijneveld¡¯s head-turning debut, a bestseller in their native Netherlands and a Booker International Prize nominee, puts a contemporary spin on classic wrath-of-God literature. . . . the translation¡¯s soaring lyricism offers mercy for the reader.¡±-Publishers Weekly
¡°An intensely raw, memorable debut . . . . There is a bold beauty to the book, which for all its modernity seems to be set in a different age of automatic religious belief: the immensity and mystery of the universe coexisting alongside the claustrophobic community of farm, church and school. By using Jas¡¯s everyday world as a metaphor for loneliness and fear, Rijneveld has created something exceptional.¡±-Financial Times (UK)
¡°The most talked-about debut novel of 2020 already. . . . Absolutely compelling. . . . Brutal and vivid.¡±-Dazed (UK)
¡°Translator Michele Hutchison deftly switches between registers and gives Jas a strong, unique voice . . . [with] poetic, mannered language, realistic bleakness and descent into surreal darkness.¡±-The Guardian (UK)
¡°Remarkable. . . . Confident in its brutality, yet contained rather than gratuitous, [The Discomfort of Evening] introduces readers to both a memorably off-key narrator and a notable new talent.¡±-The Observer (UK)
¡°Thanks to a fine translation by Michele Hutchison, English readers can experience the novel's heady imagery and sensory language . . . . A visceral portrait of a devout family dealing with grief and the result is both haunting and beautiful.¡±-Monocle (UK)
¡°The electricity in this book comes from the use of that blank narrative style to deliver a sort of Grand Guignol grotesquerie.¡±-The Times (UK)
¡°Rijneveld¡¯s language renders the world anew, revealing the shocks and violence of early youth through the prism of a Dutch dairy farm. The strangeness of a child looking at the strangeness of the world.¡±-International Booker Prize judges' citation
¡°A moving yet unsentimental reflection on solitude in the face of loss, nature, authority-and oneself. Rijneveld¡¯s gorgeous, almost tactile prose brings to life, with unforgiving precision, the fears and fantasies haunting a wrecked childhood. A relentless, delicately devastating novel.¡±-Hernan Diaz
¡°One of the best debut novels I have ever read. Shockingly good. Utterly unforgettable. . . . It¡¯s a classic.¡±-Max Porter
¡°Rijneveld takes us into the bleak Dutch countryside, into a family's grief, and inside the mind of a girl who is in hiding from her own life. This beautiful, strange novel is filled with sentences that stopped me dead.¡±-Chris Power
Ã¥¼Ò°³
SHORTLISTED FOR THE 2020 INTERNATIONAL BOOKER PRIZE
A stark and gripping tale of childhood grief from one of the most exciting new voices in Dutch literature
Ten-year-old Jas lives with her strictly religious parents and her siblings on a dairy farm where waste and frivolity are akin to sin. Despite the dreary routine of their days, Jas has a unique way of experiencing her world: her face soft like cheese under her mother¡¯s hands; the texture of green warts, like capers, on migrating toads in the village; the sound of ¡°blush words¡± that aren¡¯t in the Bible.
One icy morning, the disciplined rhythm of her family¡¯s life is ruptured by a tragic accident, and Jas is convinced she is to blame. As her parents¡¯ suffering makes them increasingly distant, Jas and her siblings develop a curiosity about death that leads them into disturbing rituals and fantasies. Cocooned in her red winter coat, Jas dreams of ¡°the other side¡± and of salvation, not knowing where this dreaming will finally lead her.
A bestseller in the Netherlands, Marieke Lucas Rijneveld¡¯s radical debut novel The Discomfort of Evening offers readers a rare vision of rural and religious life in the Netherlands. In it, they ask: In the absence of comfort and care, what can the mind of a child invent to protect itself? And what happens when that is not enough? With stunning psychological acuity and images of haunting, violent beauty, Rijneveld has created a captivating world of language unlike any other.
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