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『초판본 박정만 시선(큰글씨책)』은 약시나 노안으로 독서에 어려움을 겪는 독자를 위해 큰글씨로 만든 책이다. 오랜 시간 그 작품만을 연구한 전문가가 정확한 번역, 전문적인 해설, 풍부한 작가 소개, 친절한 주석을 제공한다. 박정만의 시선에 한의 정서는 대체로 지나치게 애연하고 애틋하며 해달프기까지 하다. 그의 시를 통해 한국 전통 서정의 본질과 한국 현대시의 정체성을 파악할 수 있을 것이다.

박정만은 첫 시집 ≪잠자는 돌≫(1979) 이래 생전의 마지막 시집 ≪슬픈 일만 나에게≫(1988), 그리고 ≪박정만 시화집≫(1988)과 유고 시집인 ≪그대에게 가는 길≫(1988) 등 광기로 써 내려간 열 권의 시집에 이르기까지 시에 ‘취해’ 살아왔다.
그는 1970∼1980년대에 걸쳐 독특한 서정의 영역을 개척한 시인으로, 길지 않은 생애 동안 다양한 시의 양상을 보여 주면서 특유의 시 세계를 형성한 시인이다. 이러한 시 세계는 시인이 겪은 이른바 ‘한수산 필화 사건’이라는 충격적인 사건을 기점으로 보다 선명하게 제시되고 있다.
이 사건 이후 고전 정신을 계발하던 시인의 내면은 시대의 폭력성에 대한 울분으로 가득 차기도 하고, 생래적 고독감이 심화되어 허무감에 젖기도 하는 등 점차 비극적 서정으로 변모하는 모습을 보여 준다. 이 과정에서 시인은 무어라 설명하기 힘든 광기에 사로잡혀 때로는 섬뜩한, 때로는 청승맞은 편편의 시를 장식해 나갔다. 광기로 써 내려간 비극적인 서정의 밑변에는 토속적인 가락이 절묘하게 결합되어 서정시의 백미를 보여 준다. 박정만만큼 서정과 가락을 섬세하고 감각적으로 벼려, 청신하고 영롱한 시를 쓴 시인은 흔치 않다.
물질의 논리 속에서 서정의 세계를 깊이 있게 개척해 인간의 깊숙한 곳에 묻어 둔 감성을 끄집어 낸 그는 개성적 서정 미학의 세계를 구축한 것으로 보인다. 무엇보다 그가 이성적 사유 영역을 벗어나 ‘광기’를 통해 정신적 내부 세계를 보여 준 점은 현대 시를 이해하는 지평을 넓혀 주면서 동시에 현대 시의 새로운 연구 영역에 놓인다는 점에서도 중요하다.

산 아래 앉아 ···················3
겨울 속의 봄 이야기 ················4
잠자는 돌 ·····················7
요즈음의 날씨 ···················9
芍藥 꽃밭에서 ··················11
어떤 흐린 날 ···················13
箴言集 ·····················14
숨 쉬는 무덤 ···················17
古調 ······················18
雨後에 ·····················19
피리 Ⅳ ····················20
피리 Ⅷ ····················21
피리 ? ····················22
우리가 죽어 무지개가 되기까지는 ··········23
울보 ······················25
思鄕歌 ·····················27
子規聲 ·····················29
愁心歌 ·····················30
說話調 ·····················31
處容後歌 ····················32
井邑後詞 ····················33
靑山別曲 ····················34
樂學 ······················36
六字배기 ····················38
노들 강변 ····················40
나의 歸巢性 ···················42
溪谷에서 ····················43
작은 戀歌 ····················44
燈 ·······················46
누이를 위한 小曲 ·················48
대장장이 ····················49
사슬 ······················51
오지 않는 꿈 ···················52
어느 날의 촛불 ··················54
죽음을 위하여 ··················56
하염없이 ····················58
井邑別詞 Ⅱ ··················59
맹꽁이는 언제 우는가 ···············61
義人의 말 ····················63
오월의 遺書 ···················64
瘀血을 재우며 ··················65
道峰을 떠나며 ··················67
다시 道峰을 떠나며 ················70
산 일 번지의 술 ··················73
작은 사랑의 頌歌 ·················75
오늘의 빵 ····················76
오늘의 병 ····················78
캘린더 ·····················80
구두 修繕工 ···················85
投花 Ⅰ ····················87
投花 Ⅱ ····················89
깊고 푸른 밤 ···················91
비뚤어진 입 ···················92
기필코 한 주먹만 ·················93
만일의 경우 ···················95
행복한 잠덧 ···················97
웃자란 어둠 ···················99
보리 개떡 ····················101
저 쓰라린 세월 ·················103
눈물의 오후 ···················105
고요한 잠으로 ··················107
외로운 해석 ···················109
형언할 수 없는 ·················112
대청에 누워 ··················114
오로지 그때 ···················116
돌아온 추억 ···················118
흐르는 눈물 ···················120
실은 평화가 아니라 검으로 왔다 ··········121
혼자 있는 밤 ··················123
그리운 사람 ···················124
쓸쓸한 봄날 ···················126
치욕적인 藥 ···················128
처절한 아침 ···················131
사월과 오월 사이 ················133
쓰라린 봄날 ···················135
어느덧 서쪽 ···················136
머나먼 들녘 ···················138
이 세상의 그물코 ················140
저 젖빛 유리로 ·················143
수상한 세월 3 ·················145
슬픈 일만 나에게 ················146
무슨 까닭이었을까 ················148
한 떨기 꽃 ···················150
녹두빛으로 ···················151
너도 없고 나도 없고 ···············152
저 강물 속으로 ·················153
終詩 ······················154


해설 ······················155
지은이에 대해 ··················177
엮은이에 대해 ······· 180