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After the Quake ( Vintage International )

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    ¡°Ushers the reader into a hallucinatory world where the real and surreal merge and overlap, where dreams and real-life nightmares are impossible to tell apart.¡± -Michiko Kakutani, The New York Times

    ¡°His characters are so persuasive, and the storytelling so spacious. . . . Murakami¡¯s crisp, accomplished stories in After the Quake have great immediacy.¡± -The Seattle Times

    ¡°One of the great Japanese exports.¡± -Details

    ¡°Unexpectedly powerful. . . . Moving.¡± -The New York Times Book Review

    ¡°Both mysterious and somehow quite familiar.¡± ?Alan Cheuse, San Francisco Chronicle

    ¡°In these stories . . . Murakami proves himself to be almost as fantastic?and as heroic?as his creations.¡± ?Elle

    ¡°Trim, beautiful, diamond sharp, and profoundly layered in . . . mystical symbolism and daily absurdities. Murakami¡¯s evocations of grace and possible redemption are startling, dangerous, and moving.¡± ?O, The Oprah Magazine

    º»¹®Áß¿¡¼­

    UFO IN KUSHIRO


    Five straight days she spent in front of the television, staring at crumbled banks and hospitals, whole blocks of stores in flames, severed rail lines and expressways. She never said a word. Sunk deep in the cushions of the sofa, her mouth clamped shut, she wouldn't answer when Komura spoke to her. She wouldn't shake her head or nod. Komura could not be sure the sound of his voice was even getting through to her.

    Komura's wife came from way up north in Yamagata and, as far as he knew, she had no friends or relatives who could have been hurt in Kobe. Yet she stayed rooted in front of the television from morning to night. In his presence, at least, she ate nothing and drank nothing and never went to the toilet. Aside from an occasional flick of the remote control to change the channel, she hardly moved a muscle.

    Komura would make his own toast and coffee, and head off to work. When he came home in the evening, he'd fix himself a snack with whatever he found in the refrigerator and eat alone. She'd still be glaring at the late news when he dropped off to sleep. A stone wall of silence surrounded her. Komura gave up trying to break through.

    When he came home from work that Sunday, the sixth day, his wife had disappeared.

    Komura was a salesman at one of the oldest hi-fi-equipment specialty stores in Tokyo's Akihabara "Electronics Town." He handled top-of-the-line stuff and earned a sizeable commission whenever he made a sale. Most of his clients were doctors, wealthy independent businessmen, and rich provincials. He had been doing this for eight years and had a decent income right from the start. The economy was healthy, real-estate prices were rising, and Japan was overflowing with money. People's wallets were bursting with ten thousand-yen bills, and everyone was dying to spend them. The most expensive items were the first to sell out.

    Komura was tall and slim and a stylish dresser. He was good with people. In his bachelor days he had dated a lot of women. But after getting married, at twenty-six, he found that his desire for sexual adventures simply--and mysteriously--vanished. He hadn't slept with any woman but his wife during the five years of their marriage. Not that the opportunity had never presented itself--but he had lost all interest in fleeting affairs and one-night stands. He much preferred to come home early, have a relaxed meal with his wife, talk with her for a while on the sofa, then go to bed and make love. This was everything he wanted.

    Komura's friends and colleagues were puzzled by his marriage. Alongside him with his clean, classic good looks, his wife could not have seemed more ordinary. She was short with thick arms, and she had a dull, even stolid appearance. And it wasn't just physical: there was nothing attractive about her personality either. She rarely spoke and always wore a sullen expression.

    Still, though he did not quite understand why, Komura always felt his tension dissipate when he and his wife were together under one roof; it was the only time he could truly relax. He slept well with her, undisturbed by the strange dreams that had troubled him in the past. His erections were hard; his sex life was warm. He no longer had to worry about death or venereal disease or the vastness of the universe.

    His wife, on the other hand, disliked Tokyo's crowds and longed for Yamagata. She missed her parents and her two elder sisters, and she would go home to see them whenever she felt the need. Her parents operated a successful inn, which kept them financially comfortable. Her father was crazy about his youngest daughter and happily paid her round-trip fares. Several times, Komura had come home from work to find his wife gone and a note on the kitchen table telling him that she was visiting her parents for a while. He never objected. He just waited for her to come back, and she always did, after a week or ten days, in a good mood.

    Ã¥¼Ò°³

    The six stories in Haruki Murakami¡¯s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami¡¯s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman.

    An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package?and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories in After the Quake are further proof that Murakami is one of the most visionary writers at work today.

    ÀúÀÚ¼Ò°³

    Jay Rubin [Àú] ½ÅÀ۾˸² SMS½Åû
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