¿Ü±¹µµ¼
½Ç¿ë/¿¹¼ú
¸¸È
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
28,500¿ø |
---|
10,000¿ø (65%ÇÒÀÎ)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà | |
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(1)
»óÇ°±Ç
ÃâÆÇ»ç ¼Æò
¡°Gorgeous.¡±
¡ªio9
¡°Arresting . . . Able to convey some things that text?and even a TV show?never could.¡±
¡ªThe New York Post
¡°A rich, visceral approach to telling the story.¡±
¡ªToronto Star
¡°Nault spectacularly transforms lines and color into fear, resignation, desperation, the tiniest glimmers of hope . . . most piercing throughout are her affecting use of color (red-'the colour of blood'-and its portentous hues of orange, crimson, rust) and scale (the indistinguishable handmaids trapped in plain sight). She adds softness when Offred recalls her past, with less-saturated colors for happier memories, thickened, darker lines for the repetitive nightmares.¡±
¡ªBooklist, starred review
"Nault spectacularly transforms lines and color into fear, resignation, desperation, and the tiniest glimmers of hope."
¡ªPublishers Weekly, starred review
"[Y]ou owe it to yourself to check out Ren?e Nault's take on the classic dystopian story."
¡ªBustle
¡°There is magic in every detail of Ms. Nault¡¯s adaptation, thoughtfulness in each panel, an intentionality about every aspect of it, the costuming, the sets and her interpretation of Gileadean iconography is stark, sometimes shocking and beautifully rendered.¡±
¡ªGood Men Project
¡°There¡¯s something about Renee Nault¡¯s art that makes the reader feel both closer to the action and completely, terrifyingly, alone . . . This is the power of graphic novels¡ªthe ability to add that extra emotional pull to an already strong story.¡±
¡ªThe Geekiary
Ã¥¼Ò°³
Everything Handmaids wear is red: the colour of blood, which defines us.
Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion.
Provocative, startling, prophetic, The Handmaid¡¯s Tale has long been a global phenomenon. With this stunning graphic novel adaptation of Margaret Atwood¡¯s modern classic, beautifully realized by artist Ren?e Nault, the terrifying reality of Gilead has been brought to vivid life like never before.Age Range: Adult
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19391118 |
---|
1939³â ij³ª´Ù¿¡¼ ž ÀÚ¶ú´Ù. °ïÃæÇÐÀÚÀÎ ¾Æ¹öÁö¸¦ µû¶ó ¸Å³â º½ÀÌ¸é ºÏÂÊ È²¾ß·Î °¬´Ù°¡ °¡À»¿¡´Â ´Ù½Ã µµ½Ã·Î µ¹¾Æ¿À°ï Çß´Ù. ÀÌ·± »ýÈ°·Î ¾î¿ï¸± Ä£±¸°¡ º°·Î ¾ø¾ú´ø ¾ÖÆ®¿ìµå¿¡°Ô´Â µ¶¼°¡ À¯ÀÏÇÑ ³îÀÌ¿´´Ù. Åä·ÐÅä´ëÇб³¿Í ÇϹöµå´ëÇб³¿¡¼ ¿µ¹®ÇÐÀ» °øºÎÇß´Ù. 1961³â ÀÚºñ·Î ½ÃÁýÀ» ³»¸ç ½ÃÀÎÀÌ µÇ°Ú´Ù´Â ¾î¸° ½ÃÀýÀÇ ´ÙÁüÀ» ½ÇÇà¿¡ ¿Å°å°í, 1964³â Á¤½ÄÀ¸·Î ³½ ù ½ÃÁý ¡º¼Å¬ °ÔÀÓ¡»À¸·Î ¡®Ä³³ª´Ù ÃѸ®»ó¡¯À» ¼ö»óÇß´Ù. 1969³â ù ÀåÆí ¼Ò¼³À» ¹ßÇ¥ÇÑ ÈÄ, ¡º½Ã³à À̾߱⡻, ¡º°í¾çÀÌ ´«¡», ¡ºµµµÏ ½ÅºÎ¡», ¡º±×·¹À̽º¡», ¡º¹ÌÄ£ ¾Æ´ã¡» ½Ã¸®Áî, ¡ºµµ´öÀû È¥¶õ¡», ¡ºÁõ¾ðµé¡» µî ¼Ò¼³À» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¸ç ¼Ò¼³°¡·Î ¾Ë·ÁÁö°Ô µÇ¾ú´Ù. ±×·¯³ª ±×ÀÇ ±Û¾²±â´Â ´Ù¾çÇÑ À帣¿¡ ºÐÆ÷ÇØ ÀÖÀ¸¸ç ±× °æ°è¸¦ ÀÚÀ¯·Ó°Ô ³Ñ³ªµç´Ù. ¹«¾ùº¸´Ùµµ ÇöÀç±îÁö Ãâ°£ÇÑ ½ÃÁýÀº ÃÑ ¿¿©¼¸ ±ÇÀ¸·Î, ½ÃÀÎÀ¸·Î¼ ÀÛ°¡Àû Á¤Ã¼¼ºÀÌ È®°íÇÏ´Ù. ¿µ¹Ì ¹®Çа迡¼ º¯¹æÀ¸·Î ¿©°ÜÁö´Â ij³ª´Ù ÀÛ°¡·Î¼ÀÇ ÇѰ踦 ÀÚ½ÅÀÇ °³¼ºÀ¸·Î ¶Ù¾î³Ñ¾î, µ¶Æ¯ÇÑ ¹®ÇÐÀû ¼ºÃ븦 ÀÌ·ç¾ú´Ù´Â Æò°¡¸¦ ¹Þ´Â´Ù. 2000³â ¡º´«¸Õ ¾Ï»ìÀÚ¡»·Î ºÎÄ¿»óÀ» ¼ö»óÇß°í, 2019³â ¡ºÁõ¾ðµé¡»·Î ´Ù½Ã ÇÑ ¹ø ºÎÄ¿»óÀ» ¼ö»óÇß´Ù. Æä¹Ì´ÏÁò, ±¹Á¦ °ü°è, ȯ°æ, ÀαÇ, ¿¹¼ú, °úÇÐ ±â¼ú µî ´Ù¾çÇÑ ÁÖÁ¦¸¦ Æø ³Ð°Ô ´Ù·ç°í ÀÖ´Ù. ¸¹Àº ´ëÇÐ °´Ü¿¡¼ ¿µ¹®ÇÐÀ» °¡¸£ÃÆ°í, ±¹Á¦»ç¸éÀ§¿øȸ, ¹Î±Ç¿îµ¿¿¬ÇÕȸ µî¿¡¼ È°µ¿ÇÑ´Ù. ¡®Åä·ÐÅä ¿¹¼ú»ó¡¯, ¡®¾Æ¼ Ŭ¶óÅ© »ó¡¯, ¹Ì±¹ PENÇùȸ Æò»ý °ø·Î»ó, µ¶Àϵµ¼Àü ÆòÈ»ó, ¡®ÇÁ¶õÃ÷ Ä«ÇÁÄ« »ó¡¯ µîÀ» ¼ö»óÇß´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âThe Testaments * 2019 ºÎÄ¿ ¼ö»óÀÛ *
The Handmaid's Tale (Movie Tie-In)
MaddAddam ( Maddaddam Trilogy #3 )
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
½Ç¿ë/¿¹¼ú ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.