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We, At the End of the World(¼¼°èÀÇ ³¡¿¡¼­ ¿ì¸®´Â)

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¡®K-Æ÷¿§¡¯ ½Ã¸®Áî ¿­µÎ ¹ø°´Â ¾ç¾È´ÙÀÇ ½ÅÀÛ ½Ã¼±Áý ¡º¼¼°èÀÇ ³¡¿¡¼­ ¿ì¸®´Â¡»ÀÌ´Ù. ¡®ÃÊ´ëÀ塯À¸·Î ½ÃÀÛÇØ ¡®Ä¿Æ°ÄÝ¡¯·Î ¸¶¹«¸®µÇ´Â ¡º¼¼°èÀÇ ³¡¿¡¼­ ¿ì¸®´Â¡»Àº ¸¶Ä¡ ÇÑ ÆíÀÇ ±ä ¿µÈ­¸¦ º¸´Â °Íó·³, Â÷ºÐÈ÷ ¿¹ÀÇ ¿¹¸®ÇÑ °¨¼ºÀ» °¡±îÀ̼­ ¸¶ÁÖÇÏ°í ´À³¥ ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ´Ù. ²ÙÁØÈ÷ ÁÖ¸ñ¹Þ°í ÀÖ´Â ¾ç¾È´Ù ½ÃÀÎÀÇ ½Ã ¼¼°è´Â, ¡º¼¼°èÀÇ ³¡¿¡¼­ ¿ì¸®´Â¡»À» ÅëÇØ ÇÑÃþ ´õ ±í¾îÁö°í £¾îÁ³´Ù. ´Ù¾çÇÑ À帣¸¦ °¡¸®Áö ¾Ê°í ¹ø¿ªÇØ¿À°í ÀÖ´Â ½ºÅÚ¶ó±è ¹ø¿ª°¡°¡ ¡º¼¼°èÀÇ ³¡¿¡¼­ ¿ì¸®´Â¡»ÀÇ ¿µ¹® ¹öÀüÀ» ¸Ã¾Æ °¡µ¶¼ºÀ» ³ô¿´´Ù.

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Invitation
Eternal Night
Afterworld
If We Are Completed in a Painting
Hunting Season
Blood and Iron
A Glass Rose
Island
Ten Thousand Nights and Days
With the Map of the Night Spread Open
Dream¡¯s Joke
We, At the End of the World
Rainy Season
Blackout
To Death Ostracized by Angels
Small Theater
Behind the Scenes
Fire and Ash
Eternal Light
Curtain Call

Poet¡¯s Note
Poet¡¯s Essay
Commentary
What They Say About Yang Anda

º»¹®Áß¿¡¼­

When writing poetry, there is a question that people always ask. What do you think poetry is? I don¡¯t think much about it. I don¡¯t want to think of poetry as something sacred, but I also don¡¯t want to consider it nothing. So I answer, Poetry is like a game. A game that I can play by myself. With no one paying attention to me. A game like that. I said that many times.
From Poet¡¯s Note

Now, within the frame of mirrors and mise-en-sc?ne, Yang Anda continues to create nightmares of the night and labyrinths in the woods, carving the traces of ¡°me¡± who walks with a limp and ¡°you¡± who falls into a languid slumber. He engraves ¡°your¡± absence and ¡°my¡± loss in front of the world represented by ¡°you,¡± who is fading in the inevitable and irreversible. Yet all the while, rejecting everything.
From Commentary

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