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ÀÌ Ã¥Àº ¡º Korean Buddhism ¡», ¡º Encounter with the Beauty of Korean Buddhism ¡»À» ºñ·ÔÇØ ¸Å³â Çѱ¹ºÒ±³ °ü·Ã ¿Ü±¹¾î ¼ÀûÀ» ±âȹ Ãâ°£ÇÏ¿© ¿ì¸® ¹®È¸¦ ¼¼°è¿¡ ¾Ë¸®°í ÀÖ´Â Çѱ¹ºÒ±³Á¾´ÜÇùÀÇȸÀÇ 2019³â ½Å°£ÀÌ´Ù.
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ÀÌ Ã¥Àº ¡º Korean Buddhism ¡», ¡º Encounter with the Beauty of Korean Buddhism ¡»À» ºñ·ÔÇØ ¸Å³â Çѱ¹ºÒ±³ °ü·Ã ¿Ü±¹¾î ¼ÀûÀ» ±âȹ?Ãâ°£ÇÏ¿© ¿ì¸® ¹®È¸¦ ¼¼°è¿¡ ¾Ë¸®°í ÀÖ´Â Çѱ¹ºÒ±³Á¾´ÜÇùÀÇȸÀÇ 2019³â ½Å°£ÀÌ´Ù.
À̹ø µµ¼ÀÇ ÄܼÁÆ®´Â ¡®»çÂû ±¸¼®±¸¼®ÀÌ ±Ã±ÝÇÑ À̵éÀ» À§ÇÑ ºÒ±³¹®È °¡À̵塯·Î, Ưº°ÇÑ Á¡Àº Á¦¸ñ¿¡¼µµ ´À³¥ ¼ö ÀÖ´Â ¡®»ý»ýÇÑ ÇöÀå°¨¡¯¿¡ ÀÖ´Ù. ¿ì¸® »çÂûÀ» ÀÌ·ç´Â ÀüÇüÀûÀÎ ¿ä¼Òµé, À̸¦Å׸é ÀÏÁÖ¹®, õ¿Õ¹®, Á¾°í·ç¸¦ ºñ·ÔÇØ, ºÒž, ºÒÀü(ÝÖîü), ºÎµµ¹ç µîÀ» Ä£ÀýÇÏ°Ô ¼Ò°³Çϸç, ¹æ¹®ÀÚµéÀÌ ±Ã±ÝÇØ ÇÒ ¼ö ÀÖ´Â ÁöÁ¡µéÀ» Á·Áý°Ôó·³ °ñ¶ó³» ±×°£ÀÇ ´ä´äÇÔÀ» ÇؼҽÃÄÑ ÁØ´Ù. ¹«¾ùº¸´Ù ºÎó´Ô ¼¼»ó(Buddha¡¯s Land), Áï »çÂûÀ» ÇâÇØ °¡´Â °ÉÀ½(step)¿¡ µû¶ó Ã¥À» ±¸¼ºÇÏ°í ÀÖ¾î ¿ì¸® ÀüÅë »çÂûÀ» ã´Â À̵鿡°Ô ¸Å¿ì À¯¿ëÇÏ´Ù.
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This book begins with us approaching the Buddhist temple from outside. Then, as you enter the temple proper, it walks you through the temple compound, its sacred halls and pavilions, whose every nook and cranny is whispering the teachings of Buddha in symbols and metaphors. If this book helps even in the smallest way to set you on the path toward complete freedom, what more can I ask?
(¡¦)
Over time, a large throng of buddhas and bodhisattvas have come to inhabit Korean temples. Why would Korean Buddhism need so many? Perhaps a temple is a microcosm of human life.
We cannot experience the flow of life as it really is while constantly struggling to stay afloat amidst the rough currents of its trials and tribulations. The multitude of buddhas and bodhisattvas epitomizes the incredibly diverse aspects of our lives, highlighting each facet in clear focus.
When coming to a temple you experience layers upon layers of history that stretch over millennia, the unbroken lineage of Buddha¡¯s teachings that are manifested in its very layout, design, and decor. Walking around a temple is not unlike traveling back in time and coming face-to-face with Sakyamuni Buddha himself. If you have already intuited that his visage looks not much different than your own, then you are already standing in front of the secret innermost chamber of the temple and knocking on its door.
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Entering the Temple
»çÂû¿¡ µé¸ç
Names for the places of worship
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Why do people come to Buddhist temples?
»çÂûÀ» ã´Â ÀÌÀ¯
From Secular to Sacred | Doorways leading to the Temple
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Danggan and danggan-jiju
´ç°£°ú ´ç°£ÁöÁÖ
Ilju-mun, or one-pillar gate
ÀÏÁÖ¹®
Geumgang-mun(inwang-mun), or Vajra warrior gate
±Ý°¹®(Àοչ®)
Cheonwang-mun, or gate of four Heavenly Kings
õ¿Õ¹®
Buildings Chambering Sound | Jong-ru, Go-ru and Uhwa-ru
¼Ò¸®¸¦ ´ãÀº °ÇÃà | Á¾·ç, °í·ç ±×¸®°í ¿ìÈ·ç
Jong-ru(belfry) and brahma bell
Á¾·ç¿Í ¹üÁ¾
Go-ru(drum house) and Dharma drums
°í·ç¿Í ¹ý°í
Other brahma percussion instruments
±× ¹ÛÀÇ ¹üÀ½±¸
Uhwa-ru(boje-ru)
¿ìÈ·ç(º¸Á¦·ç)
Traces of Buddha Still in This World | Bultap
ºÎó´ÔÀÌ ¼¼»ó¿¡ ´Ù³à°¡½Å ÈçÀû | ºÒž
Tap, or pagoda, the centerpiece of the temple
»çÂûÀÇ Áß½É, ºÒž
Characteristics of pagoda designs in different eras
°¢ ½Ã´ë ºÒžÀÇ Æ¯Â¡
Buddhas¡¯ Abode | Buljeon
ºÎó´ÔÀÌ ¸Ó¹«½Ã´Â °÷ | ºÒÀü
From pagoda to statue
ºÒž¿¡¼ ºÒ»óÀ¸·Î
Development of buljeon, the Buddha hall
ºÒÀü °ø°£ÀÇ º¯È
How to name a beopdang, or Dharma hall
¹ý´çÀÇ Á¾·ù
Samjon, or Three Honored Buddhas in the Dharma hall
¹ý´ç¿¡ ¸ð¼ÅÁø ¼¼ ºÎó´Ô
How to tell one Buddha from another
ºÎó´ÔÀ» ¾Ë¾Æº¸´Â ¹ý
Structures Around the Buddha Hall
ºÒÀü ÁÖº¯ÀÇ ÁÖ¿ä Àü°¢µé
Monks¡¯ Cemetery, True Legacy of a Temple | Field of Budos
»çÂûÀÇ ¿ª»ç¸¦ ¸¸µç ½º´ÔµéÀÇ ¹¦¿ª | ºÎµµ¹ç
Budo field and budo tap
ºÎµµ¹ç°ú ºÎµµÅ¾
Tapbi, or memorial stele, record of a monk¡¯s life
°í½ÂÀÇ ÇàÀûÀ» ´ãÀº ºñ¼®
Jinyoung, portraits of enlightened masters
¿¾ °í½ÂµéÀÇ ÃÊ»óÈ, Áø¿µ
Leaving the Temple
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