¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
22,500¿ø |
---|
16,880¿ø (25%ÇÒÀÎ)
510P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(2)
»óÇ°±Ç
ÃâÆÇ»ç ¼Æò
¡°Ted Chiang¡¯s stories are lean, relentless, and incandescent.¡±
-Colson Whitehead, author of The Underground Railroad
¡°Ted Chiang writes with such a matter-of-fact grace and visionary power that one simply takes on faith that his worlds and his characters exist, whether they are human or robot or parrot; he is the rare author who makes me feel, also, that he believes in his readers, in our integrity and our imagination.¡±
-Karen Russell, author of Orange World
¡°Ted Chiang has no contemporary peers when it comes to the short story form. His name deserves to be mentioned in the same breath as Carver, Poe, Borges, and Kafka. Every story is a universe. Every story is a diamond. You will inhale Exhalation in a single, stunned sitting, because true genius doesn¡¯t come along nearly as often as advertised. This is the real thing.¡±
-Blake Crouch, author of Dark Matter
¡°Chiang . . . tackles complex questions about free will, artificial intelligence, evolution and more in these nine stories that break down what it really means to be human.¡±
-Time, ¡°Here Are the 10 New Books You Should Read in May¡±
¡°Exquisitely crafted. . . . One after another, Chiang¡¯s stories claim their place in your mind until you¡¯re completely swept up in his provocative and at times even charming world. . . . Each story is a carefully considered, finely honed machine. . . . What makes Exhalation particularly brilliant is that not one of the stories feels like it¡¯s designed to be thought-provoking in a stilted, academic way. Chiang is an entertaining, empathetic writer first, before being one of contemporary sci-fi¡¯s intellectual powerhouses, and each story reads that way. . . . [Chiang is] one of the most exciting voices in his field.¡±
-BookPage (starred review)
¡°Chiang¡¯s long-awaited second collection. . .continues to explore emotional and metaphysical landscapes with precise and incisive prose. . . . Chiang remains one of the most skilled stylists in sf, and this will appear to genre and literary-fiction fans alike.¡±
-Booklist (starred review)
¡°An instant classic. . . . Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.¡±
-Kirkus Reviews (starred review)
Ã¥¼Ò°³
¡°Lean, relentless, and incandescent.¡± -Colson Whitehead
From the acclaimed author of Stories of Your Life and Others-the basis for the Academy Award ?nominated film Arrival: a groundbreaking new collection of short fiction.
"THE UNIVERSE BEGAN AS AN ENORMOUS BREATH BEING HELD."
In these nine stunningly original, provocative, and poignant stories, Ted Chiang tackles some of humanity¡¯s oldest questions along with new quandaries only he could imagine.
In ¡°The Merchant and the Alchemist¡¯s Gate,¡± a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In ¡°Exhalation,¡± an alien scientist makes a shocking discovery with ramifications that are literally universal. In ¡°Anxiety Is the Dizziness of Freedom,¡± the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.
Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic-revelatory.
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 1967 |
---|
¹Ì±¹ ºê¶ó¿î ´ëÇб³¿¡¼ ¹°¸®Çаú ÄÄÇ»ÅÍ°øÇÐÀ» Àü°øÇÑ °úÇеµÀÌÀÚ ¡®Àü ¼¼°è °úÇмҼ³°èÀÇ º¸¹°¡¯À̶ó´Â Âù»ç¸¦ µè°í ÀÖ´Â ¼Ò¼³°¡. µ¿½Ã´ë °úÇмҼ³ ÀÛ°¡µéÀÇ ÀÎÁ¤°ú µ¿½Ã´ë °úÇмҼ³ µ¶ÀÚµéÀÇ ±â´ë¸¦ ÇÑ ¸ö¿¡ ¹Þ°í ÀÖ´Â ÀÛ°¡ÀÌ´Ù. ÀÛÇ°ÀÌ ¸Å¿ì µå¹°¾î 1990³â µî´Ü ÈÄ Áö±Ý±îÁö ¹ßÇ¥ÇÑ ÀÛÇ°ÀÌ ¿Ï¼ºµµ ³ôÀº Áß ¤ý ´ÜÆí 15Æí»ÓÀÌ´Ù. ÇöÀç±îÁö ±×ÀÇ À¯ÀÏÇÑ ÀÛÇ°ÁýÀΡº´ç½Å ÀλýÀÇ À̾߱⡻¿¡´Â ±×Áß 8ÆíÀÌ ½Ç·Á ÀÖ´Ù. ¡º´ç½Å ÀλýÀÇ À̾߱⡻´Â Àü ¼¼°è 15°³±¹¿¡ ¹ø¿ª Ãâ°£µÇ¾ú´Ù. 1990³â ¹ßÇ¥ÇÑ Ã¹ ´ÜÆí ¡¸¹Ùºô·ÐÀÇ Å¾¡¹À¸·Î ¿ª´ë ÃÖ¿¬¼Ò ³×ºæ·¯»ó ¼ö»óÀÚ¶ó´Â ¿µ¿¹¸¦ ¾È¾ÒÀ¸¸ç, ÀÌ ÈÄ ¹ßÇ¥ÇÏ´Â ÀÛÇ°¸¶´Ù ½ºÅÍÀü»ó, ÈÞ°í»ó, ³×ºæ·¯»óÀ» ÈÛ¾µ¸ç Æò´Ü°ú µ¶ÀÚµéÀÇ ÁÖ¸ñ°ú ÁöÁö¸¦ ¹Þ¾Ò´Ù. ¡¸Àηù °úÇÐÀÇ ÁøÈ¡¹ µî µÎ ÀÛÇ°ÀÌ ¼¼°èÀûÀÎ °úÇÐ ÇмúÁö ¡´³×ÀÌ󡵿¡ ¹ßÇ¥µÆ´Ù. µ¶ÀÏ °úÇмҼ³°èÀÇ ³×ºæ·¯¶ó ºÒ¸®´Â Äí¸£Æ® ¶ó½ººñÃ÷»óÀ» ¼ö»óÇßÀ¸¸ç, ÀϺ» °úÇмҼ³°èÀÇ ³×ºæ·¯¶ó ºÒ¸®´Â ¼¼ÀÌ¿î»óÀ» ³× Â÷·Ê ¼ö»óÇÑ ¹Ù ÀÖ´Ù. ÇöÀç Àü ¼¼°è µ¶ÀÚµéÀÇ ±â´ë ¼Ó¿¡, 2017³â ÃÊ Ãâ°£ ¿¹Á¤ÀÎ µÎ ¹ø° ÀÛÇ°ÁýÀÇ ÀÛ¾÷À» ¸¶¹«¸®ÇÏ°í ÀÖ´Ù.¡º´ç½Å ÀλýÀÇ À̾߱⡻´Â »ç°í½ÇÇèÀÇ Ç⿬À» ÅëÇØ, °úÇÐÀÌ ÁÙ ¼ö ÀÖ´Â ÃÖ°íÀÇ ÁöÀû »ó»ó·Â°ú ¼Ò¼³ÀÌ ÁÙ ¼ö ÀÖ´Â ÃÖ°íÀÇ Ã¶ÇÐÀû »çÀ¯¸¦ ¼±»çÇÑ´Ù. ±×Áß ¾ð¾îÇÐÀÚ¸¦ ÁÖÀΰøÀ¸·Î ³»¼¼¿ö ´Ù¸¥ ¿Ü°è Áö¼º°úÀÇ Á¶¿ì¸¦ ÅëÇØ Àηù°¡ ¸ÂÀÌÇÏ´Â ÀνÄÀÇ º¯È¸¦ ±×¸° ¡¸³× ÀλýÀÇ À̾߱⡹´Â µå´Ï ºô³úºê °¨µ¶ÀÇ ¿µÈ¡´ÄÁÅÃÆ®¡µ(2016)·Î ¸¸µé¾îÁ³À¸¸ç, Áö¼ºÀÇ Çâ»óÀ¸·Î ÀÎÇÑ ÀνÄÀÇ º¯¿ë°ú ÃÊÁö´É ´ë ÃÊÁö´ÉÀÇ ´ë°áÀ» ±×¸°¡¸ÀÌÇØ¡¹¿ª½Ã ¿µÈÈ°¡ °áÁ¤µÇ¾ú´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âStories of Your Life and Others
Stories of Your Life and Others
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.