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제1부
제1장 시란 무엇인가?
1. 시와 시 아닌 것·································································13
2. 시의 기원과 이론적 장르로서의 시······································15
3. 역사적 장르로서의 시와 우리 시의 전개·······························21
4. 시에서 시적인 것으로·························································27
제2장 좋은 시란 무엇인가?
1. 좋아하는 시와 좋은 시·······················································32
2. 좋은 시를 판단하는 4가지 기준···········································35
3. 시의 감상과 분석 방향·······················································52

제2부
제3장 시는 대화다
1. 시인과 독자······································································61
2. 화자의 정의와 시인과의 관계··············································65
3. 화자와 비슷한 다른 개념들·················································68
4. 시 읽기와 화자의 구성 방법················································71
제4장 화자와 어조
1. 화자의 유형에 관한 문제····················································78
2. 어조의 정의와 유형화 방법·················································80
3. 화제와 어조: 정서적 거리에 따른 태도·································81
4. 청자와 어조: 위계에 따른 태도············································87
5. 화자와 어조: 이중성에 따른 태도········································89
제5장 어조의 종류
1. 아이러니···········································································92
2. 역설·················································································97
3. 아이러니와 역설의 복합적 효과········································· 101
4. 패러디와 패스티시··························································· 106

제3부
제6장 시는 낯설게 하기다
1. 시의 언어에 대한 오해들·················································· 115
2. 일상 언어의 특징····························································· 117
3. 일상 언어의 낯설게 하기·················································· 123
제7장 기의를 낯설게 하기
1. 기의를 낯설게 한다는 것의 의미········································ 126
2. 이미지············································································ 130
3. 비유··············································································· 145
4. 상상력과 동일성의 시······················································ 162
제8장 기표를 낯설게 하기
1. 기표를 낯설게 한다는 것의 의미······································· 166
2. 언어의 형태를 낯설게 하기··············································· 168
3. 언어의 소리를 낯설게 하기··············································· 172
4. 언어의 종합적 효과로서의 리듬········································ 182

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