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¡°A masterwork. . . . Wonderful. . . . I can¡¯t imagine American literature without it.¡± -John Leonard, Los Angeles Times
¡°A triumph.¡± -Margaret Atwood, The New York Times Book Review
¡°Toni Morrison¡¯s finest work. . . . [It] sets her apart [and] displays her prodigious talent.¡± -Chicago Sun-Times
¡°Dazzling. . . . Magical. . . . An extraordinary work.¡± -The New York Times
¡°A masterpiece. . . . Magnificent. . . . Astounding. . . . Overpowering.¡± -Newsweek
¡°Brilliant. . . . Resonates from past to present.¡± -San Francisco Chronicle
¡°A brutally powerful, mesmerizing story. . . . Read it and tremble.¡± -People
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Editor's Notep. vii
Introductionp. 1
Haunted by Their Nightmaresp. 5
Toni Morrison's Belovedp. 11
A Different Remembering: Memory, History and Meaning in Toni Morrison's Belovedp. 17
Beloved and the New Apocalypsep. 27
Fleshly Ghosts and Ghostly Flesh: The Word and the Body in Belovedp. 45
Beloved: A Womanist Neo-Slave Narrative; or Multivocal Remembrances of Things Pastp. 57
Maternal Bonds as Devourers of Women's Individuation in Toni Morrison's Belovedp. 69
The Ghosts of Slavery: Historical Recovery in Toni Morrison's Belovedp. 79
Unspeakable Things Unspoken: Ghosts and Memories in Belovedp. 97
Daughters Signifyin(g) History: The Example of Toni Morrison's Belovedp. 115
Beloved: Toni Morrison's Post-Apocalyptic Novelp. 141
Toni Morrison's Beloved: History, "Rememory," and a "Clamor for a Kiss"p. 155
Ghosts of Liberalism: Morrison's Beloved and the Moynihan Reportp. 177
Figurations of Rape and the Supernatural in Belovedp. 193
Chronologyp. 207
Contributorsp. 209
Bibliographyp. 211
Acknowledgmentsp. 213
Indexp. 215
Table of Contents provided by Syndetics. All Rights Reserved.
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Nominated as one of America¡¯s best-loved novels by PBS¡¯s The Great American Read
AWARDS
Anisfield-Wolf Book Award WINNER 1988
Nobel Prize WINNER 1993
Pulitzer Prize WINNER 1988
³ëº§¹®Çлó ¼ö»óÀÛ°¡ Åä´Ï ¸ð¸®½¼ÀÇ ´Ù¼¸¹ø° ÀåÆí¼Ò¼³. ¼ö·ÁÇÑ ¹®Ã¼¿Í dz¿ä·Î¿î ÀºÀ¯, ¹°¿À¸¥ ¸¶¼úÀû ¸®¾ó¸®ÁòÀÇ ºñÀüÀ» ÅëÇØ ³²ºÏÀüÀï Á÷ÈÄÀÇ ³ë¿¹Á¦¿Í ³ë¿¹Á¦°¡ ³²±ä »óóÀÇ »Ñ¸®¸¦ ij°í ²ûÂïÇß´ø °ú°ÅÀÇ ¾Ç¸ù°ú ´ë¸éÇÏ¿© ¹Ì±¹ ÈæÀÎ Á¾Á·»çÀÇ »óó¸¦ Ä¡À¯ÇÏ°íÀÚ ÇÑ ÀÛÇ°À¸·Î 1988³â ǽ¸®Ã³»ó ¼ö»óÀÛÀÌ´Ù. ÇÑ ÈæÀÎ ¿©¼ºÀÌ ³ë¿¹ »ç³É²Û¿¡°Ô Àڱ⠾ÆÀ̸¦ »©¾Ñ±âÁö ¾Ê±â À§ÇØ ¾ÆÀÌÀÇ ¸ñÀ» º£¾î¹ö¸° 1856³â¿¡ ¹Ì±¹ ½Å½Ã³»Æ¼¿¡¼ ¹ú¾îÁø ½ÇÁ¦ »ç°ÇÀ» ¸ðƼºê·Î °¡ÇØÀÚÀÎ ¹éÀÎÀ̳ª ÇÇÇØÀÚÀÎ ÈæÀÎ ¸ðµÎ ¸Á°¢ÇÏ°í ½Í¾îÇß´ø '³ë¿¹Á¦'¸¦ óÀýÇÑ ¸ð¼º¾Ö¸¦ ÅëÇØ ÀçÁ¶¸íÇÔÀ¸·Î½á, '»ç¶û¹ÞÁö ¸øÇÑ ÀÚ'µéÀÇ ¿ª»ç¸¦ »õ·Ó°Ô ½á³»·Á°£, ±â³äºñÀûÀÎ ÀÛÇ°.
Staring unflinchingly into the abyss of slavery, this novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.
--- FROM THE PUBLISHER
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