°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (10,870¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (8,010¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄÅ©Ä«µå 20% (9,160¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Beloved ( Vintage International )

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

ÆǸÅÁö¼ö 163
?
ÆǸÅÁö¼ö¶õ?
»çÀÌÆ®ÀÇ ÆǸŷ®¿¡ ±â¹ÝÇÏ¿© ÆǸŷ® ÃßÀ̸¦ ¹Ý¿µÇÑ ÀÎÅÍÆÄÅ© µµ¼­¿¡¼­ÀÇ µ¶¸³ÀûÀÎ ÆǸŠÁö¼öÀÔ´Ï´Ù. ÇöÀç °¡Àå Àß Æȸ®´Â »óÇ°¿¡ °¡ÁßÄ¡¸¦ µÎ¾ú±â ¶§¹®¿¡ ½ÇÁ¦ ´©Àû ÆǸŷ®°ú´Â ´Ù¼Ò Â÷ÀÌ°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù. ÆǸŷ® ¿Ü¿¡µµ ´Ù¾çÇÑ °¡ÁßÄ¡·Î ±¸¼ºµÇ¾î ÃÖ±ÙÀÇ À̽´µµ¼­ È®Àνà À¯¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ÇØ´ç Áö¼ö´Â ¸ÅÀÏ °»½ÅµË´Ï´Ù.
Close
°øÀ¯Çϱâ
Á¤°¡

14,300¿ø

  • 11,440¿ø (20%ÇÒÀÎ)

    230P (2%Àû¸³)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • S-Point Àû¸³Àº ¸¶ÀÌÆäÀÌÁö¿¡¼­ Á÷Á¢ ±¸¸ÅÈ®Á¤ÇϽŠ°æ¿ì¸¸ Àû¸³ µË´Ï´Ù.
Ãß°¡ÇýÅÃ
  • 4/27(Åä) À̳» ¹ß¼Û ¿¹Á¤  (¼­¿ï½Ã °­³²±¸ »ï¼º·Î 512)
  • ¹è¼Ûºñ : 2,500¿ø
  • ÁÖ¹®¼ö·®
    °¨¼Ò Áõ°¡
    • À̺¥Æ®/±âȹÀü

    • ¿¬°üµµ¼­(1)

    • »óÇ°±Ç

    AD

    ÃâÆÇ»ç ¼­Æò

    ¡°A masterwork. . . . Wonderful. . . . I can¡¯t imagine American literature without it.¡± -John Leonard, Los Angeles Times

    ¡°A triumph.¡± -Margaret Atwood, The New York Times Book Review

    ¡°Toni Morrison¡¯s finest work. . . . [It] sets her apart [and] displays her prodigious talent.¡± -Chicago Sun-Times

    ¡°Dazzling. . . . Magical. . . . An extraordinary work.¡± -The New York Times

    ¡°A masterpiece. . . . Magnificent. . . . Astounding. . . . Overpowering.¡± -Newsweek

    ¡°Brilliant. . . . Resonates from past to present.¡± -San Francisco Chronicle

    ¡°A brutally powerful, mesmerizing story. . . . Read it and tremble.¡± -People

    ¸ñÂ÷

    Editor's Notep. vii
    Introductionp. 1
    Haunted by Their Nightmaresp. 5
    Toni Morrison's Belovedp. 11
    A Different Remembering: Memory, History and Meaning in Toni Morrison's Belovedp. 17
    Beloved and the New Apocalypsep. 27
    Fleshly Ghosts and Ghostly Flesh: The Word and the Body in Belovedp. 45
    Beloved: A Womanist Neo-Slave Narrative; or Multivocal Remembrances of Things Pastp. 57
    Maternal Bonds as Devourers of Women's Individuation in Toni Morrison's Belovedp. 69
    The Ghosts of Slavery: Historical Recovery in Toni Morrison's Belovedp. 79
    Unspeakable Things Unspoken: Ghosts and Memories in Belovedp. 97
    Daughters Signifyin(g) History: The Example of Toni Morrison's Belovedp. 115
    Beloved: Toni Morrison's Post-Apocalyptic Novelp. 141
    Toni Morrison's Beloved: History, "Rememory," and a "Clamor for a Kiss"p. 155
    Ghosts of Liberalism: Morrison's Beloved and the Moynihan Reportp. 177
    Figurations of Rape and the Supernatural in Belovedp. 193
    Chronologyp. 207
    Contributorsp. 209
    Bibliographyp. 211
    Acknowledgmentsp. 213
    Indexp. 215
    Table of Contents provided by Syndetics. All Rights Reserved.

    º»¹®Áß¿¡¼­

    Ã¥¼Ò°³

    Nominated as one of America¡¯s best-loved novels by PBS¡¯s The Great American Read

    AWARDS

    Anisfield-Wolf Book Award WINNER 1988
    Nobel Prize WINNER 1993
    Pulitzer Prize WINNER 1988


    ³ëº§¹®Çлó ¼ö»óÀÛ°¡ Åä´Ï ¸ð¸®½¼ÀÇ ´Ù¼¸¹ø° ÀåÆí¼Ò¼³. ¼ö·ÁÇÑ ¹®Ã¼¿Í dz¿ä·Î¿î ÀºÀ¯, ¹°¿À¸¥ ¸¶¼úÀû ¸®¾ó¸®ÁòÀÇ ºñÀüÀ» ÅëÇØ ³²ºÏÀüÀï Á÷ÈÄÀÇ ³ë¿¹Á¦¿Í ³ë¿¹Á¦°¡ ³²±ä »óóÀÇ »Ñ¸®¸¦ ij°í ²ûÂïÇß´ø °ú°ÅÀÇ ¾Ç¸ù°ú ´ë¸éÇÏ¿© ¹Ì±¹ ÈæÀÎ Á¾Á·»çÀÇ »óó¸¦ Ä¡À¯ÇÏ°íÀÚ ÇÑ ÀÛÇ°À¸·Î 1988³â ǽ¸®Ã³»ó ¼ö»óÀÛÀÌ´Ù. ÇÑ ÈæÀÎ ¿©¼ºÀÌ ³ë¿¹ »ç³É²Û¿¡°Ô Àڱ⠾ÆÀ̸¦ »©¾Ñ±âÁö ¾Ê±â À§ÇØ ¾ÆÀÌÀÇ ¸ñÀ» º£¾î¹ö¸° 1856³â¿¡ ¹Ì±¹ ½Å½Ã³»Æ¼¿¡¼­ ¹ú¾îÁø ½ÇÁ¦ »ç°ÇÀ» ¸ðƼºê·Î °¡ÇØÀÚÀÎ ¹éÀÎÀ̳ª ÇÇÇØÀÚÀÎ ÈæÀÎ ¸ðµÎ ¸Á°¢ÇÏ°í ½Í¾îÇß´ø '³ë¿¹Á¦'¸¦ óÀýÇÑ ¸ð¼º¾Ö¸¦ ÅëÇØ ÀçÁ¶¸íÇÔÀ¸·Î½á, '»ç¶û¹ÞÁö ¸øÇÑ ÀÚ'µéÀÇ ¿ª»ç¸¦ »õ·Ó°Ô ½á³»·Á°£, ±â³äºñÀûÀÎ ÀÛÇ°.

    Staring unflinchingly into the abyss of slavery, this novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

    --- FROM THE PUBLISHER

    °ü·ÃÀ̹ÌÁö

    ÀúÀÚ¼Ò°³

    Åä´Ï ¸ð¸®½¼ [Àú] ½ÅÀ۾˸² SMS½Åû
    »ý³â¿ùÀÏ 19310218

    ÀÚ½ÅÀÌ ¼Ò¼³À» ¾²´Â ÀÛ°¡¶ó°í ¸íÈ®È÷ ÀνÄÇϱâ Àü±îÁö ÃâÆÇÆíÁýÀÚ·Î, ¿µ¹®ÇÐ °­»ç·Î »ì¾Ò´Ù. ´ëÇÐ ½ÃÀý¿¡ ¸¸³­ ±³¼ö¿Í °áÈ¥ÇßÀ¸³ª µÑ° ¾ÆÀ̸¦ ÀÓ½ÅÇßÀ» ¶§ ÀÌÈ¥Çß°í, ±× ÈÄ È¦·Î ¾ÆÀ̵éÀ» Å°¿ü´Ù. ¸ð¸®½¼ÀÌ ³²±ä À¯¸íÇÑ ¸» ¡°´ç½ÅÀÌ ÀÐ°í ½ÍÀº ±ÛÀÌ Àִµ¥ ¾ÆÁ÷ ¾²ÀÎ °Ô ¾ø´Ù¸é ´ç½ÅÀÌ ½á¾ß ÇÑ´Ù¡±´Â ±×°¡ ½º½º·Î¿¡°Ô »õ±ä ÁÖ¹®ÀÌÀÚ °¢¿À¿´À¸¸®¶ó. ÀÏÀ» ¸¶Ä¡°í µ¹¾Æ¿Í µÎ ¾ÆÀÌ°¡ Àáµç ±íÀº ¹ã, ±×¸®°í ÀÏÇÏ·¯ °¡±â Àü Ǫ¸¥ »õº®¿¡ ¼Ò¼³À» ½è´ø ¸ð¸®½¼Àº 1970³â ¸¶Èç¿¡ ù ¼Ò¼³ ¡¶°¡Àå Ǫ¸¥ ´«¡·À» ¹ßÇ¥Çß´Ù. Ǫ¸¥ ´«À» °®±æ ¿øÇÏ´Â °ËÀº ÇǺÎÀÇ ¼Ò³à À̾߱â. ±× ÈÄ ¹ßÇ¥ÇÑ

    ÆîÃ帱â

    ¹®ÇÐ ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

      ¸®ºä

      10.0 (ÃÑ 0°Ç)

      100ÀÚÆò

      ÀÛ¼º½Ã À¯ÀÇ»çÇ×

      ÆòÁ¡
      0/100ÀÚ
      µî·ÏÇϱâ

      100ÀÚÆò

      0.0
      (ÃÑ 0°Ç)

      ÆǸÅÀÚÁ¤º¸

      • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óÇ°Àº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆǸÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óÇ°°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

      »óÈ£

      (ÁÖ)±³º¸¹®°í

      ´ëÇ¥ÀÚ¸í

      ¾Èº´Çö

      »ç¾÷ÀÚµî·Ï¹øÈ£

      102-81-11670

      ¿¬¶ôó

      1544-1900

      ÀüÀÚ¿ìÆíÁÖ¼Ò

      callcenter@kyobobook.co.kr

      Åë½ÅÆǸž÷½Å°í¹øÈ£

      01-0653

      ¿µ¾÷¼ÒÀçÁö

      ¼­¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù)

      ±³È¯/ȯºÒ

      ¹ÝÇ°/±³È¯ ¹æ¹ý

      ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼­ ½Åû °¡´É

      ¹ÝÇ°/±³È¯°¡´É ±â°£

      º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É
      ´Ü, »óÇ°ÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»

      ¹ÝÇ°/±³È¯ ºñ¿ë

      º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
      »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝÇ°Àº ¹Ý¼Û·á ÆǸÅÀÚ ºÎ´ã

      ¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯

      ·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
      (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)

      ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
      ¿¹) È­ÀåÇ°, ½ÄÇ°, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî

      ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
      ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý

      ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì

      ·ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì

      »óÇ° Ç°Àý

      °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½

      ¼ÒºñÀÚ ÇÇÇغ¸»ó
      ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó

      ·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê

      ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

      (ÁÖ)KGÀ̴Ͻýº ±¸¸Å¾ÈÀü¼­ºñ½º¼­ºñ½º °¡ÀÔ»ç½Ç È®ÀÎ

      (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
      (ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼­ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.

      ¹è¼Û¾È³»

      • ±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.

      • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

      • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.

      • ¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.

      • - µµ¼­ ±¸¸Å ½Ã 15,000¿ø ÀÌ»ó ¹«·á¹è¼Û, 15,000¿ø ¹Ì¸¸ 2,500¿ø - »óÇ°º° ¹è¼Ûºñ°¡ ÀÖ´Â °æ¿ì, »óÇ°º° ¹è¼Ûºñ Á¤Ã¥ Àû¿ë