¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
Á¤°¡ |
24,200¿ø |
---|
21,780¿ø (10%ÇÒÀÎ)
660P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(1)
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
ÃâÆÇ»ç ¼Æò
¡°A cool, crafty did-he-do-it thriller buoyed by a rising tide of madness. Provocative yet profound, humming with mood and menace, The Good Son will rivet readers of Jo Nesbo and Patricia Highsmith.¡±
-A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
¡°A gripping, atmospheric, edge-of-your-seat thriller, The Good Son is moody and dark in the best way, with an unreliable narrator you won¡¯t soon forget. I loved it.¡±
-Flynn Berry, author of Under the Harrow
¡°This book will pull you in; as you devour it, you may find yourself chilled to the bone by its unflinching depiction of the evil coiled within us."
-Kyung-Sook Shin, author of Please Look After Mom
¡°Jeong slowly winds readers up with taut, high-tension wire . . . A creepy, insidious, blood-drenched tale in which nothing is quite what it seems.¡±
-Kirkus Reviews
¡°The arrival of You-jeong Jeong on the Korean literary scene in the 2000s shocked and ruptured the system . . . She refused the delicate sensitivity often expected of women writers and gave us powerful and potent stories.¡±
-The Hankyoreh (Korea)
Ã¥¼Ò°³
"A cool, crafty did-he-do-it thriller...The Good Son will rivet readers of Jo Nesbo and Patricia Highsmith." --A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
The Talented Mr. Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the #1 international bestselling novelist known as ¡°Korea¡¯s Stephen King¡±
Who can you trust if you can't trust yourself?
Early one morning, twenty-six-year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything's all right at home ? he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life?
Thus begins Yu-jin's frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency.
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 1966 |
---|
ÀúÀÚ Á¤À¯Á¤Àº 1966³â Àü³² ÇÔÆò¿¡¼ ž´Ù. ±¤Áֱ⵶°£È£´ë¸¦ Á¹¾÷ÇÏ°í, °£È£»ç·Î ÀÏÇÏ´Ù °Ç°º¸Çè½É»çÆò°¡¿ø ½É»çÁ÷À¸·Î ±Ù¹«Çß´Ù. '³» ÀλýÀÇ ½ºÇÁ¸µ Ä·ÇÁ'·Î 5õ¸¸ ¿ø °í·á 2007³â Á¦1ȸ ¼¼°èû¼Ò³â¹®ÇлóÀ» ¼ö»óÇß°í '³» ½ÉÀåÀ» ½÷¶ó'·Î 1¾ï ¿ø °í·á 2009³â Á¦5ȸ ¼¼°è¹®ÇлóÀ» ¹Þ¾Ò´Ù. ½É»çÀ§¿øµé·ÎºÎÅÍ °·ÄÇÑ ÁÖÁ¦Àǽİú Ź¿ùÇÑ ±¸¼º, ½ºÅ丮¸¦ °üÅëÇÏ´Â À¯¸Ó¿Í ¹ÝÀüÀÌ »©¾î³ª´Ù´Â ÆòÀ» µé¾ú´Ù. ¼ö»ó ÀÌÈÄ ÀÏüÀÇ ÀÛÇ° ¹ßÇ¥ ¾øÀÌ ÀåÆí¼Ò¼³ '7³âÀÇ ¹ã' ÁýÇÊ¿¡¸¸ ¸ôµÎÇÏ¿© 2011³â Ãâ°£ÇÏ¿´´Ù. ±× ¿Ü Àú¼·Î´Â '¿ÇÑ»ì Á¤ÀºÀÌ' µîÀÌ ÀÖ´Ù.
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.