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Norse Mythology(Rough Cut)

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¡°Taking a few modern liberties with the stories, Gaiman¡¯s Norse Mythology delights in the gods¡¯ petty machinations as much as their heroics. In these accessible, retold tales, fantasy is odd, and real, and dire.¡±
- Ethan Gilsdorf, The Boston Globe

¡°No contemporary fiction writer gets more of his power from the mythological tradition than Neil Gaiman. . . . As always, Gaiman¡¯s a charming raconteur . . . [and he] recognizes a ripping yarn when he sees one.¡±
- Douglas Wolk, Los Angeles Times

¡°A gripping, suspenseful and quite wonderful reworking of these famous tales. Once you fall into the rhythm of its glinting prose, you will happily read on and on, in thrall to Gaiman¡¯s skillful storytelling.¡±
- Michael Dirda, Washington Post

¡°Weaving together ancient Norse mythology with 21st-century sensibility, Gaiman's storytelling once again recreates an entire genre for the modern reader.¡±
- Newsweek

Ã¥¼Ò°³

Introducing an instant classic-master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales.

In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin¡¯s son, incredibly strong yet not the wisest of gods; and Loki¡ªson of a giant¡ªblood brother to Odin and a trickster and unsurpassable manipulator.

Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor¡¯s hammer is stolen, Thor must disguise himself as a woman¡ªdifficult with his beard and huge appetite¡ªto steal it back. More poignant is the tale in which the blood of Kvasir¡ªthe most sagacious of gods¡ªis turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.

Through Gaiman¡¯s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

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