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On Love

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    AD

    ¸ñÂ÷

    Romantic Fatalism 3(9)
    Idealization 12(6)
    The Subtext of Seduction 18(8)
    Authenticity 26(9)
    Mind and Body 35(5)
    Marxism 40(10)
    False Notes 50(9)
    Love or Liberalism 59(8)
    Beauty 67(6)
    Speaking Love 73(8)
    What Do You See in Her? 81(7)
    Skepticism and Faith 88(4)
    Intimacy 92(7)
    ``I''-Confirmation 99(11)
    Intermittences of the Heart 110(11)
    The Fear of Happiness 121(10)
    Contractions 131(10)
    Romantic Terrorism 141(10)
    Beyond Good and Evil 151(11)
    Psycho-Fatalism 162(5)
    Suicide 167(6)
    The Jesus Complex 173(6)
    Ellipsis 179(5)
    Love Lessons 184

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    ±×ÀÇ ´Ù¸¥ ÀÛÇ°µéÀ» ÃßõÇÕ´Ï´Ù -> ¾Ë·© µå º¸ÅëÀÇ ´Ù¸¥ ÀÛÇ° º¸·¯°¡±â

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    ¾Ë·© µå º¸ÅëÀÇ "¿Ö ³ª´Â ³Ê¸¦ »ç¶ûÇϴ°¡"ÀÇ ¹Ì±¹ÆÇ ¿ø¼­. µÎ ³²³à°¡ óÀ½ ¸¸³ª¼­ »ç¶û¿¡ ºüÁö°í Çì¾îÁú ¶§±îÁö¸¦ öÇÐÀûÀ̸鼭µµ ½Å¼±ÇÏ°í Èï¹Ì·Î¿î Á¢±Ù ¹æ¹ýÀ¸·Î ±×·Á³»¾î, Ãâ°£µÇÀÚ¸¶ÀÚ ¼¼°èÀûÀÎ º£½ºÆ®¼¿·¯°¡ µÇ¾ú´Ù. ¿µ±¹ÆÇÀº "Essays in Love"¶ó´Â Á¦¸ñÀ¸·Î Ãâ°£µÇ¾ú´Ù.



    The best-selling author of How Proust Can Change Your Life and The Art of Travel revisits his utterly charming debut novel, On Love. The narrator is smitten by Chloe on a Paris?London flight, and by the time they¡¯ve reached the luggage carousel he knows he is in love. He loves her chestnut hair, watery green eyes, the gap that makes her teeth Kantian and not Platonic, and her views on Heidegger¡¯s Being and Time - but he hates her taste in shoes. Plotting the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through a fit of anhedonia - defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness - and finally through the terrorist tactics employed when the beloved begins, inexplicably, to drift away, On Love is filled with profound observations and useful diagrams, examining for all of us the pain and exhilaration of love.

    The best-selling author of How Proust Can Change Your Life and The Art of Travel revisits his utterly charming debut novel, On Love. The narrator is smitten by Chloe on a Paris?London flight, and by the time they¡¯ve reached the luggage carousel he knows he is in love. He loves her chestnut hair, watery green eyes, the gap that makes her teeth Kantian and not Platonic, and her views on Heidegger¡¯s Being and Time ? but he hates her taste in shoes. Plotting the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through a fit of anhedonia ? defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness ? and finally through the terrorist tactics employed when the beloved begins, inexplicably, to drift away, On Love is filled with profound observations and useful diagrams, examining for all of us the pain and exhilaration of love.

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    ¾Ë·© µå º¸Åë [Àú] ½ÅÀ۾˸² SMS½Åû
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