¿Ü±¹µµ¼
¹®ÇÐ
Àü±â/ÀÚ¼Àü
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
8,900¿ø |
---|
7,120¿ø (20%ÇÒÀÎ)
220P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
ÃâÆÇ»ç ¼Æò
This selection of W.B. Yeats' poetry includes the significant and interesting variants of the major poems, as well as a brief explanatory paragraph on the textual and contextual import of each poem.
¸ñÂ÷
Acknowledgements | |
Introduction | |
Love Song | p. 1 |
The Wanderings of Oisin (Book III) | p. 1 |
The Indian to His Love | p. 15 |
An Indian Song | p. 16 |
Ephemera | p. 16 |
Ephemera: An Autumn Idyl | p. 17 |
The Stolen Child | p. 18 |
Down by the Salley Gardens | p. 20 |
To the Rose upon the Rood of Time | p. 21 |
Fergus and the Druid | p. 22 |
Cuchulain's Fight with the Sea | p. 24 |
The Rose of the World | p. 27 |
A Faery Song | p. 28 |
A Lake Isle of Innisfree | p. 28 |
The Sorrow of Love | p. 29 |
The Sorrow of Love | p. 29 |
When You are Old | p. 30 |
Who Goes with Fergus? | p. 31 |
The Man who Dreamed of Faeryland | p. 31 |
The Dedication to a Book of Stories selected form the Irish Novelists | p. 34 |
Dedication | p. 34 |
The Lamentation of the Old Pensioner | p. 35 |
The Old Pensioner | p. 36 |
The Two Trees | p. 37 |
To Ireland in the Coming Times | p. 38 |
[The poet, Owen Hanrahan, under a bush of may] | p. 40 |
The Hosting of the Sidhe | p. 43 |
The Everlasting Voices | p. 43 |
Into the Twilight | p. 44 |
The Song of Wandering Aengus | p. 45 |
The Song of the Old Mother | p. 45 |
The Lover mourns for the Loss of Love | p. 46 |
He mourns for the Change that has come upon him and his Beloved, and longs for the End of the World | p. 46 |
He reproves the Curlew | p. 47 |
He remembers forgotten Beauty | p. 47 |
To his Heart, bidding it have no Fear | p. 48 |
Windle-Strews: II Out of the Old Days | p. 49 |
The Valley of the Black Pig | p. 49 |
The Secret Rose | p. 50 |
The Travail of Passion | p. 51 |
The Lover pleads with his Friend for Old Friends | p. 51 |
The Lover speaks to the Hearers of his Songs in Coming Days | p. 52 |
He wishes his Beloved were Dead | p. 52 |
He wishes for the Cloths of Heaven | p. 53 |
He thinks of his Past Greatness when a Part of the Constellations of Heaven | p. 53 |
[I walked among the seven woods of Coole] | p. 54 |
In the Seven Woods | p. 56 |
The Folly of Being Comforted | p. 56 |
Adam's Curse | p. 57 |
Red Hanrahan's Song about Ireland | p. 59 |
[Red Hanrahan's Song about Ireland] | p. 59 |
[Red Hanrahan's Song about Ireland] | p. 60 |
The Old Men Admiring Themselves in the Water | p. 61 |
O Do Not Love Too Long | p. 61 |
[The friends that have it I do wrong] | p. 62 |
A Women Horner Sung | p. 63 |
Words | p. 64 |
No Second Troy | p. 64 |
Reconciliation | p. 65 |
Against Unworthy Praise | p. 65 |
The Fascination of What's Difficult | p. 66 |
The Coming of Wisdom with Time | p. 67 |
On hearing that the Students of our New University have joined the Agitation against Immoral Literature | p. 67 |
The Mask | p. 67 |
Upon a House shaken by the Land Agitation | p. 68 |
At the Abbey Theatre | p. 69 |
These are the Clouds | p. 69 |
At Galway Races | p. 70 |
All Things can Tempt Me | p. 70 |
Brown Penny | p. 71 |
[Pardon, old fathers, if you still remain] | p. 72 |
September 1913 | p. 73 |
To a Friend whose Work has come to Nothing | p. 74 |
Paudeen | p. 74 |
To a Shade | p. 75 |
Beggar to Beggar Cried | p. 76 |
Running to Paradise: I The Witch | p. 78 |
Running to Paradise: II The Peacock | p. 78 |
The Mountain Tomb: I To A Child Dancing in the Wind | p. 79 |
The Mountain Tomb: II Two Years Later | p. 80 |
A Memory of Youth | p. 80 |
Fallen Majesty | p. 81 |
The Cold Heaven | p. 82 |
The Magi | p. 83 |
A Coat | p. 83 |
[A woman's beauty is like a white] | p. 84 |
The Wild Swans at Coole | p. 85 |
In Memory of Major Robert Gregory | p. 86 |
An Irish Airman Foresees his Death | p. 89 |
Men Improve with the Years | p. 90 |
The Collar-Bone of a Hare | p. 91 |
Solomon to Sheba | p. 91 |
The Living Beauty | p. 92 |
A Song | p. 93 |
The Scholars | p. 93 |
Lines Written in Dejection | p. 94 |
The Dawn | p. 94 |
On Woman | p. 95 |
The Fisherman | p. 96 |
Memory | p. 98 |
Her Praise | p. 98 |
The People | p. 99 |
A Thought from Propertius | p. 100 |
A Deep-sworn Vow | p. 100 |
Presences | p. 101 |
On being asked for a War Poem | p. 101 |
Upon a Dying Lady: I Her Courtesy | p. 102 |
Upon a Dying Lady: II Certain Artists bring her Dolls and Drawings | p. 102 |
Upon a Dying Lady: III She turns the Dolls' Faces to the Wall | p. 103 |
Upon a Dying Lady : IV The End of Day | p. 103 |
Upon a Dying Lady : V Her Race | p. 104 |
Upon a Dying Lady : VI Her Courage | p. 104 |
Upon a Dying Lady : VII Her Fiends bring her a Christmas Tree | p. 105 |
Ego Dominus Tuus | p. 105 |
The Phases of the Moon | p. 108 |
The Double Vision of Michael Robartes | p. 113 |
Reprisals (first published in 1948) | p. 115 |
An Image from a Past Life | p. 117 |
Under Saturn | p. 118 |
Easter 1916 | p. 119 |
Sixteen Dead Men | p. 122 |
On a Political Prisoner | p. 122 |
The Leaders of the Crowd | p. 123 |
The Second Coming | p. 124 |
A Prayer for my Daughter | p. 125 |
Sailing to Byzantium | p. 128 |
The Tower | p. 129 |
Meditations in Time of Civil War: I Ancestral Houses | p. 135 |
Meditations in Time of Civil War: II My Houses | p. 136 |
Meditations in Time of Civil War: III My Table | p. 137 |
Meditations in Time of Civil War: IV My Descendants | p. 138 |
Meditations in Time of Civil War: V The Road at my Door | p. 139 |
Meditations in Time of Civil War: VI The Stare's Nest by my Window | p. 139 |
Meditations in Time of Civil War: VII I see Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness | p. 140 |
Nineteen Hundred and Nineteen | p. 142 |
The Wheel | p. 147 |
The New Faces | p. 147 |
Two Songs from a Play | p. 147 |
Fragments | p. 149 |
Leds and the Swan | p. 149 |
On a Picture of a Black Centaur by Edmund Dulac | p. 150 |
Among School Children | p. 151 |
The Hero, the Girl, and the Fool | p. 153 |
Cuchulain the Girl and the Fool | p. 155 |
All Souls' Night | p. 156 |
In Memory of Eve Gore-Booth and Con Markiewicz | p. 160 |
Death | p. 161 |
A Dialogue of Self and Soul | p. 162 |
Blood and the Moon | p. 164 |
Oil and Blood | p. 166 |
The Nineteenth Century and After | p. 167 |
The Seven Sages | p. 167 |
The Crazed Moon | p. 168 |
Cools Park, 1929 | p. 169 |
Coole Park and Ballylee, 1931 | p. 170 |
At Algeciras - A Meditation upon Death | p. 172 |
Byzantium | p. 173 |
The Mother of God | p. 174 |
Vacillation | p. 175 |
The Resuks of Thought | p. 178 |
Remorse for Intemperate Speech | p. 179 |
Words for Music Perhaps: I Crazy Jane and the Bishop | p. 180 |
Words for Music Perhaps: III Crazy Jane on the Day of Judgment | p. 181 |
Words for Music Perhaps: IV Crazy Jane and Jack the Journeyman | p. 181 |
Words for Music Perhaps: V Crazy Jane on God | p. 182 |
Words for Music Perhaps: VI Crazy Jane talks with the Bishop | p. 183 |
Words for Music Perhaps: VII Crazy Jane Grown Old looks at the Dancers | p. 183 |
Words for Music Perhaps: X Her Anxiety | p. 184 |
Words for Music Perhaps: XVII After Long Silence | p. 184 |
Words for Music Perhaps: XXV The Delphic Oracle upon Plotinus | p. 185 |
A Woman Young and Old: VIII Her Vision in the Wood | p. 185 |
A Woman Young and Old: IX A Last Confession | p. 186 |
Parnell's Funeral | p. 188 |
A Prayer for Old Age | p. 189 |
Supernatural Song: I Ribh at the Tomb of Baile and Aillinn | p. 190 |
Supernatural Song: V Ribh considers Christian Love insufficient | p. 191 |
Supernatural Song: VIII Whence had they come? | p. 192 |
Supernatural Song: XII Meru | p. 192 |
The Gyres | p. 194 |
Lapis Lazuli | p. 195 |
The Lady's First Song | p. 196 |
The Lady's Second Song | p. 197 |
An Acre of Grass | p. 198 |
What Then? | p. 198 |
Beautiful Lofty Things | p. 199 |
A Crazed Girl | p. 200 |
The Curse of Cromwell | p. 201 |
The Great Day | p. 202 |
Parnell | p. 202 |
The Spur | p. 203 |
The Municipal Gallery Revisited | p. 203 |
Are You Content? | p. 205 |
Why should not Old Men be Mad? | p. 207 |
Crazy Jane on the Mountain | p. 207 |
Under Ben Bulben | p. 209 |
The Black Tower | p. 212 |
Cuchulain Comforted | p. 213 |
The Statues | p. 214 |
News for the Delphic Oracle | p. 215 |
Long-legged Fly | p. 217 |
A Bronze Head | p. 218 |
John Kinsella's Lament for Mrs. Mary Moore | p. 219 |
High Talk | p. 220 |
The Man and the Echo | p. 221 |
The Circus Animals' Desertion | p. 223 |
Politics | p. 224 |
From 'Speaking to the Psaltery' | p. 225 |
Notes | p. 229 |
Bibliography | p. 303 |
Index of First Lines | p. 311 |
Index of Titles | p. 317 |
Table of Contents provided by Blackwell. All Rights Reserved. |
Ã¥¼Ò°³
Few have lived their ideas so passionately and nobly as W. B. Yeats in his love affairs, politics and poetry. From his youth in the 1880s, a fertile dreamer rediscovering and remaking the Irish tradition, he grew into a great and innovative poet of the twentieth century. This selection includes the final book from the unjustly neglected narrative poem The Wanderings of Oisin and a number of lyrics from Yeats's work as poetic dramatist. This edition breaks new ground in presenting alternative versions of a dozen poems and a number of significant variants. It also includes explanatory and textual notes for each poem.
----From the Publisher
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.