±¹³»µµ¼
¿¹¼ú/´ëÁß¹®È
À½¾Ç
À½¾ÇÀÌ·Ð/À½¾Ç°¡
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
15,000¿ø |
---|
13,500¿ø (10%ÇÒÀÎ)
750P (5%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
Ã¥¼Ò°³
¡ºÁ¤Åë ÀçÁî°îÀ¸·Î ½±°Ô ¹è¿ì´Â ÁïÈï ¿¬ÁÖ ±â¹ý¡»Àº ÀçÁî ¹× Å¬·¡½Ä Àü°øÀÚ, ȤÀº µ¶ÇÐÀ» ¿øÇÏ´Â ¿ÀÄɽºÆ®¶óÀÇ ¾Ç±â Àü°øÀÚµéÀ» À§ÇÑ ÁïÈï ¿¬ÁÖ ±â¹ýÀ» ´Ù·é Ã¥ÀÌ´Ù. ÁïÈï ¿¬ÁÖ ÀÔ¹®ÀÚµéÀº ½ºÄÉÀÏ À̷кÎÅÍ °øºÎÇϱ⠺¸´Ù´Â Å׸¶¸¦ º¯ÁÖÇÏ°í ÄÚµå ÅæÀ» È°¿ëÇÏ¿© ÁïÈï ¿¬ÁÖÇÏ´Â °Í¿¡ ÃÊÁ¡À» ¸ÂÃâ ¼ö ÀÖµµ·Ï ¾È³»ÇÑ´Ù.
¸ñÂ÷
¼¹®
ÀÌ Ã¥ ½ÃÀÛ¿¡ µå¸®´Â ±Û
Á¦1°î. All Of Me(Å׸¶ÀÇ º¯ÁÖ)
1. Å׸¶ÀÇ Àå½Ä º¯ÁÖ(Thematic Embellishments)
2. Å׸¶ÀÇ ¸®µë º¯ÁÖ(Rhythmic Variations of Theme)
3. Å׸¶ÀÇ Àå½Ä°ú ¸®µë º¯ÁÖ(Thematic Embellishments & Rhythmic Variations of Theme)
Á¦2°î. Take The A Train(ÄÚµå ÅæÀÇ º¯ÁÖ)
1. ÄÚµå¿Í ÄÚµå Åæ ÀÍÈ÷±â(Chord Tones Exercise)
2. ÄÚµå ÅæÀÇ ¸®µë º¯ÁÖ(Rhythmic Variations of Chord Tones)
Á¦3°î. Blue Bossa(Å׸¶ º¯ÁÖ¿Í ÄÚµå Åæ ¼Ö·Î)
1. Å׸¶ÀÇ Àå½Ä°ú ¸®µë º¯ÁÖ(Thematic Embellishments & Rhythmic Variations of Theme)
2. ÄÚµå ÅæÀÇ º¯ÁÖ(Chord Variations)
3. Å׸¶ º¯ÁÖ¿Í ÄÚµå Åæ ¼Ö·Î(Á¾ÇÕ)
Á¦4°î. Tune Up(½ºÄÉÀÏ ¼Ö·Î I: Åõ-ÈÀ̺ê-¿ø¿¡ ±×¸¯ ¸ðµå Àû¿ë)
1. Åõ-ÈÀ̺ê-¿ø(Two-Five-One)À̶õ?
2. °í´ë ±×¸¯ ¸ðµå(Greek Modes)
3. ¸ðµå À̵¿°ú °è»ê¹ý(Swanny Formula of Greek Modes)
Á¦5°î. All The Things You Are(½ºÄÉÀÏ ¼Ö·Î II: °øÅë ½ºÄÉÀÏÀ» À§ÇÑ ±×¸¯ ¸ðµå »ç¿ë¹ý)
1. ÁïÈï ¿¬ÁÖ¸¦ À§ÇÑ 7°³ÀÇ ±×¸¯ ¸ðµå »ç¿ë¹ý(Current Usage of Greek Modes)
2. °øÅë ½ºÄÉÀÏÀÇ »ç¿ë¹ý(Common Scale Usage)
3. ±× ¿Ü ÄÚµå¿Í ½ºÄÉÀÏÀÇ ÇÕ´çÇÑ ÀÌ·Ð(Reasonable Theory of Scales & Chords II)
Á¦6°î. Afternoon In Paris(½ºÄÉÀÏ ¼Ö·Î III: ´õºí ŸÀÓ°ú ÇÕ¼º ½ºÄÉÀÏ »ç¿ë)
1. ½ºÄÉÀÏ ¼Ö·Î III(Improvising By Scale Theory)
2. ÇÕ¼º ½ºÄÉÀÏ »ç¿ë(Synthetic Scale Usage)
Á¦7°î. So What(½ºÄÉÀÏ ¼Ö·Î IV: ¸¶ÀÏÁî µ¥À̺ñ½ºÀÇ ½Ì±Û ¸ðµå)
1. ¸¶ÀÏÁî µ¥À̺ñ½ºÀÇ ¸ð´Þ ¼¼°è(Single Modes of Miles Davis)
2. Çö´ëÀûÀÎ ¸ð´ÞÀÇ ¼¼°è(Swanny Formula of Current Mode Usages)
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¿¹¼ú/´ëÁß¹®È ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.