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인류의 유산으로 남을 만한 작품만을 선정한 「지식을만드는지식 시선집」 시리즈 『가람 시조집』. 가람 이병기의 첫 번째 시조집으로서, 고시조의 격식에 얽매이지 않는 현대적인 시조 미학을 개척한 시들을 수록하고 있다. 자연과의 교감에 기반하여 사물의 감각적 실재를 유려하게 포착한 시조 미학을 엿볼 수 있을 것이다.

가람 이병기가 남긴 업적은 다방면에 걸쳐 있다. 한국 고전문학에 대한 주석·연구와 ≪국문학 전사≫ 발간 작업 등 초창기 국문학 연구의 기반을 다졌고, 쇠퇴 일로에 있던 시조를 부흥·발전시켰으며, 교육자와 한글 운동가로서도 뚜렷한 족적을 남겼다. 이론과 창작, 강의와 학술 작업을 아우르며 활발한 활동을 펼쳤던 가람은 한국문학사에서 커다란 공헌을 한 인물로 평가받고 있다. 무엇보다 시조 문학 방면에서 가람은 시조의 현대적 부흥을 위한 이론적 기틀을 마련한 논자였을 뿐 아니라 그 자신이 빼어난 시조 시인이기도 했다. 1939년에 간행된 ≪가람 시조집≫은 가람의 첫 번째 시조집으로, 고시조의 격식에 얽매이지 않는 현대적인 시조 미학을 개척한 특징적인 성과로 꼽히고 있다.

一
溪谷·······················5
大聖庵······················7
道峯·······················9
天磨山峽····················11
朴淵瀑布····················12
迦葉峯·····················13
萬瀑洞·····················14
叢石亭·····················15
海佛庵·····················16
月出山·····················17

二
蘭草 (一)····················21
蘭草 (二)····················22
蘭草 (三)····················23
蘭草 (四)····················24
梅花······················25
水仙花·····················26
芭蕉······················27
瑞香······················28
梧桐꽃·····················29
함박꽃·····················30
葡萄······················31
玉簪花·····················32
垂松······················33
白松······················34

三
젖·······················37
돌아가신 날···················38
그리운 그날 (一)·················39
그리운 그날 (二)·················40
故土······················42
시름······················44
白墨······················45
病席······················46
그 뜻······················47
고곰····················48
詩魔······················49

四
周時經 先生의 묻엄················53
光陵······················54
石窟庵·····················55
扶蘇山·····················56
松廣寺·····················57
梅窓 뜸·····················59
老石의 涅槃···················61
鼎山을 보내며··················62
曙海를 묻고···················63
追悼 (一)····················64
追悼 (二)····················65
죽음······················66

五
怪石······················69
뜰·······················70
바람······················71
별·······················72
구름······················73
바다······················74
落葉······················75
밤[栗]······················76
풀버레·····················77
소나기·····················78
비 (一)·····················79
비 (二)·····················80
비 (三)·····················81
우레······················82
밤 (一)·····················83
밤 (二)·····················84
봄 (一)·····················85
봄 (二)·····················86
여름······················87
저므는 가을···················89
겨을밤·····················90
戱題 (一)····················91
戱題 (二)····················92
戱題 (三)····················93
戱題 (四)····················94

해설······················97
지은이에 대해··················105
엮은이에 대해··················111

(5쪽) ＜溪谷＞

맑은 시내 따러 그늘 짙은 소나무 숲
높은 가지들은 비껴드는 볕을 받어
가는 닢 은바늘처럼 어지러이 반작인다

靑기아 두어 장을 法堂에 이어 두고
앞뒤 비인 뜰엔 새도 날어 아니 오고
홈으로 나리는 물이 저나 저를 울린다

헝기고 또 헝기어 알알이 닦인 모래
고운 玉과 같이 갈리고 갈린 바위
그려도 더러일가 바 물이 씻어 흐른다

瀑布 소리 듣다 귀를 막어도 보다
돌을 베개 삼어 모래에 누어도 보고
한 손에 해를 가리고 푸른 虛空 바라본다

바위 바위 우로 바위를 업고 안고
또는 넓다 좁다 이리저리 도는 골을
시름도 疲勞도 모르고 물을 밟어 오른다

얼마나 험하다 하리 오르면 오르는 이 길
물소리 끊어지고 힌 구름 일어나고
우럴어 보이든 봉오리 발아래로 놓인다