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Hamlet

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    ¸ñÂ÷

    TABLE OF CONTENTS
    About the Series
    About This Volume
    Pt. 1 Hamlet: The Complete Text
    Introduction: Biographical and Historical Contexts 3
    The Complete Text 27
    Note on the Text 154
    Textual Notes 156
    Pt. 2 Hamlet: A Case Study in Contemporary Criticism
    A Critical History of Hamlet 181
    Feminist Criticism and Hamlet 208
    What Is Feminist Criticism? 208
    Feminist Criticism: A Selected Bibliography 215
    A Feminist Perspective: Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism 220
    Psychoanalytic Criticism and Hamlet 241
    What Is Psychoanalytic Criticism? 241
    Psychoanalytic Criticism: A Selected Bibliography 251
    A Psychoanalytic Perspective: "Man and Wife Is One Flesh": Hamlet and the Confrontation with the Maternal Body 256
    Deconstruction and Hamlet 283
    What Is Deconstruction? 283
    Deconstruction: A Selected Bibliography 293
    A Deconstructionist Perspective: Hamlet: Giving Up the Ghost 297
    Marxist Criticism and Hamlet 332
    What Is Marxist Criticism? 332
    Marxist Criticism: A Selected Bibliography 345
    A Marxist Perspective: "Funeral-Bak'd Meats": Carnival and the Carnivalesque in Hamlet 348
    The New Historicism and Hamlet 368
    What Is the New Historicism 368
    The New Historicism: A Selected Bibliography 377
    A New Historicist Perspective: "Suche Strange Desygns": Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture 380
    Glossary of Critical and Theoretical Terms 403
    About the Contributors 416



    Ã¥¼Ò°³

    There is arguably no work of fiction quoted as often as William Shakespeare's Hamlet. This haunting tragedy has touched audiences for centuries. In addition to the play, this edition includes an overview of Shakespeare's life; commentary by Samuel Taylor Coleridge, Carolyn Heilbrun, and others; a stage and screen history; and many other features to help the reader understand and enjoy this incomparable classic.

    ¿µ±¹ÀÌ ³ºÀº ¼¼±âÀûÀÎ ±ØÀÛ°¡ ¼ÎÀͽºÇǾîÀÇ Èñ°î ÀÛÇ°. ¼­±¸ ¹®Çл翡¼­ ÇÑ È¹À» ±×¾ú´Ù°í Çصµ °ú¾ðÀÌ ¾Æ´Ò Á¤µµ·Î ¹®Á¦ÀûÀÎ Àι°·Î Æò°¡¹Þ¾Æ¿Â <Çܸ´>. ¿ÕÀ§¸¦ »©¾Ñ±ä ÁÖÀΰø Çܸ´ÀÌ ºÎ¿ÕÀÇ ¸Á·É¿¡ ÀÇÇØ °Þ´Â °¥µî°ú º¹¼ö¸¦ Ä¡¹ÐÇÏ°Ô ±×¸° ÀÛÇ°ÀÌ´Ù.

    "The First Folio of 1623 is the definitive edition of Shakespeare's plays. It is more often than not the closest we can now get to what Shakespeare actually wrote. But the folio's antiquated typography and cramped layout make it remote and inaccessible to modern eyes." "The Shakespeare Folios on the other hand offer easy access directly to the First Folio by presenting the text in modern type but otherwise unchanged. All the First Folio's idiosyncrasies of layout and spelling, even its obvious errors, have been scrupulously left intact, but the text suddenly becomes as easily legible as the script of any modern play. Now readers can see for themselves what the Folio actually says: whether and where there are stage directions; where the punctuation falls; and exactly how the speeches are set out line by line. And they can make up their own minds about the problematic words and phrases that have puzzled generations of Shakespeare scholars." "As an additional aid to understanding, readers will find, printed opposite each page of the Folio, the very same passage in a modern edition. So, whenever the Folio presents a problem, the reader can refer to this parallel text for a solution, either in the text itself or in the set of notes at the end of the book. These notes draw on the long tradition of Shakespearean scholarship and include full reference to surviving Quarto texts." Using these two versions of the play in parallel - one thoroughly authentic, the other carefully modernized - readers, be they students or scholars, actors or directors, theatregoers or Shakespeare specialists, can achieve an unprecedented understanding of one of the most significant works in the history of English literature.

    --- FROM THE PUBLISHER

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