¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
4,800¿ø |
---|
4,660¿ø (3%ÇÒÀÎ)
140P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
ÃâÆÇ»ç ¼Æò
With an Introduction and Notes by Professor Emeritus John Chapple, University of Hull The sheer variety and accomplishment of Elizabeth Gaskell s shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison s Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths. The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.
Ã¥¼Ò°³
With an Introduction and Notes by Professor Emeritus John Chapple, University of Hull.
The sheer variety and accomplishment of Elizabeth Gaskell's shorter fiction is amazing. This new volume contains six of her finest stories that have been selected specifically to demonstrate this, and to trace the development of her art. As diverse in setting as in subject matter, these tales move from the gentle comedy of life in a small English country town in Dr Harrison's Confessions, to atmospheric horror in far north-west Wales with The Doom of the Griffiths.
The story of Cousin Phillis, her masterly tale of love and loss, is a subtle, complex and perceptive analysis of changes in English national life during an industrial age, while the gripping Lois the Witch recreates the terrors of the Salem witchcraft trials in seventeenth-century New England, as Gaskell shrewdly shows the numerous roots of this furious outbreak of delusion. Whimsically modified fairy tales are set in a French chateau, while an engaging love story poetically evokes peasant life in wine-growing Germany.
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 1810 |
---|
¿µ±¹ ºòÅ丮¾Æ ½Ã´ë¸¦ ´ëÇ¥ÇÏ´Â ¼Ò¼³°¡. »ê¾÷È¿Í »çȸ°è±Þ, Á¾±³, Æä¹Ì´ÏÁò µîÀ» ÁÖÁ¦·Î »ç½ÇÁÖÀÇÀû ÀÛÇ° È°µ¿À» ÆîÃÆ´Ù. 1810³â ¿µ±¹ ·±´ø¿¡¼ À¯´ÏÅ׸®¾ðÆÄ ¸ñ»çÀÇ µþ·Î ž´Ù. ¾î¸° ½ÃÀý ¾î¸Ó´Ï¸¦ ¿©ÀÇ°í ³ÊÃ÷Æ۵忡 ÀÖ´Â À̸ð Áý¿¡¼ ÀÚ¶ú´Ù. 1832³â °°Àº ÆÄ ¸ñ»ç Àª¸®¾ö °³½ºÄÌ°ú °áÈ¥ÇÏ¿© ¸Çü½ºÅÍ¿¡ Á¤ÂøÇßÀ¸¸ç, ³²Æí°ú ÇÔ²² ±³À° ¹× ÀÚ¼± È°µ¿¿¡ Èû½è´Ù. 1848³â ³ëµ¿ °èÃþÀÇ ºó°ïÇÑ »îÀ» ¹¦»çÇÑ Ã¹ ¼Ò¼³ ¡¶¸Þ¸® ¹ÙÅÏ¡·ÀÌ ¹®´ÜÀÇ Âù»ç¸¦ ¹ÞÀ¸¸ç Å« ¼º°øÀ» °ÅµÎ¾ú´Ù. À̸¦ °è±â·Î Âû½º µðŲ½º¿Í ¼£·µ ºê·ÐÅ×, Á¸ ·¯½ºÅ² µî°ú ±³·ùÇßÀ¸¸ç, ¡¶·ç½º¡·(1853), ¡¶Å©·£Æ÷ µå¡·(1853), ¡¶³²°ú ºÏ¡·(1855), ¡¶½Çºñ¾ÆÀÇ ¿¬Àε顷(1863)°ú °°Àº ÀÛÇ°µéÀ» Ãâ°£Çß´Ù. 1855³â ¼£·µ ºê·ÐÅ×°¡ »ç¸ÁÇÑ ÈÄ ºê·ÐÅ×ÀÇ ¾Æ¹öÁöÀÇ ¿äûÀ¸·Î ¡¶¼£·µ ºê·ÐÅ×ÀÇ »ý¾Ö¡·(1857)¸¦ ÁýÇÊÇÏ¿© Àü±âÀÛ°¡·Îµµ À̸§À» ¾Ë·È´Ù. ÀÌ¿Ü¿¡µµ ¡´ºóÀÚ Å¬¶ó¶ó ¼ö³àȸ¡µ ¡´´ÄÀº º¸¸ð À̾߱⡵¸¦ ºñ·ÔÇÑ ¼ö½Ê ÆíÀÇ Áß´ÜÆí¼Ò¼³À» ¹ßÇ¥Çß´Ù. 1865³â, ¡¶¾Æ³»¿Í µþµé¡· ¿Ï¼ºÀ» ¾ÕµÎ°í ÇÜÇÁ¼ÅÀÇ ÀÚÅÿ¡¼ °©ÀÛ½º·¹ »ýÀ» ¸¶°¨Çß´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âThe Life of Charlotte Bront? - Volume 2
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.