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Journey in Search of Koreas Beauty

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ÃâÆÇ»ç ¼­Æò

ÆíÁýÀÚ ¼­Æò (Editor¡¯s Review)

ÀüÅëÀÇ °¡Ä¡ (Value of Traditional Culture)

¼¼°èÀûÀ¸·Î ÀÎÁ¤ ¹ÞÀº °úÇÐÀûÀÌ°í µ¶Ã¢ÀûÀÎ Çѱ¹ ¹®È­Áö¸¸, ¿ì¸® °ÍÀ̱⿡ ´ç¿¬ÇÏ°Ô »ý°¢ÇÏ°í ¹Ìó ±× ÁøÁ¤ÇÑ °¡Ä¡¸¦ Á¦´ë·Î ÀνÄÇÏÁö ¸øÇÏ´Â °æ¿ì°¡ ¸¹´Ù. ±×·¡¼­ÀÎÁö ¸·»ó ¿ì¸® °ÍÀ» ¼Ò°³ÇÏ°Ô µÇ´Â »óȲÀÌ ¿À¸é ³­°¨ÇØÁö°ï ÇÑ´Ù. ÀúÀÚ ¹è¿ëÁصµ ¹Ù·Î ±×·¯ÇÑ »óȲ¿¡¼­ ¡®¿ì¸® °Í¡¯¿¡ ´ëÇØ ¹«½ÉÇß´ø ÀÚ½ÅÀ» ¹ß°ßÇÑ´Ù. ±×·¸°Ô ¡®¿ì¸® °Í¡¯ÀÇ ÁøÁ¤ÇÑ °¡Ä¡¸¦ ã¾Æ ¶°³ª´Â ¿©Á¤Àº ½ÃÀ۵Ǿú´Ù.
Although Korean traditional culture is a world-recognized unique and scientific heritage, we often take it for granted just because it¡¯s around us in our everyday routine. That might be the reason we can¡¯t clearly introduce what it¡¯s like to foreigners when we¡¯re asked to do so. Bae Yong Joon also was in that position and came up with the idea of necessity to look further inside ultimate beauty of Korea.

¾È´Ù´Â °Í, ±×°ÍÀº ¡®¹ÌÁöÀÇ °ÍÀÌ ÀÖ´Ù¡¯´Â °ÍÀ» ¾È´Ù´Â ¶æµµ µÈ´Ù. ¾Ë ¼ö ¾ø´Â °Í, ¹ÌÁöÀÇ °ÍÀ» ¸¶À½¿¡ Ç°°í »ì ¶§ ±×°ÍÀÌ ¾ó¸¶³ª »ç¶÷µé¿¡°Ô À¯ÀÍÇÑ°¡¸¦ ³ª´Â ¾Ë°í ÀÖ´Ù ±×°ÍÀº »ç¶÷À» ¼ø¼öÇÏ°í °â¼ÕÇÏ°Ô ÇÑ´Ù. ±×¸®°í ³ë·ÂÇÏ°Ô ÇÏ¸ç ¹Ý¦ÀÌ°Ô ÇÑ´Ù. ¹è¿òÀÇ ¿­ÀǸ¦ °®°Ô ÇÑ´Ù. ³Ê¹« ¸¹À¸¸é ¹Ùº¸°¡ µÇ°í, ³Ê¹« ÀûÀ¸¸é ±³¸¸ÇÏ°Ô ¸¸µéÁö¸¸ Àû´çÈ÷ °¡Áö¸é À¯ÀÍÇÑ °ÍÀÌ ¹Ù·Î ±× ¹ÌÁöÀÇ °ÍÀÌ´Ù. (p. 280)

To know something also means to know that some things are unknown. Never forgetting that some things are unknown or unknowable seems to be good for us. It makes us humble and pure. And it makes us try harder. It fills us with the desire to learn. Too much and we are made fools, too little and we are made arrogant. But in the right amount, the unknown can be good for us. (p. 280)

¿©ÇàÀº ±×°ÍÀÌ ¾î¶² ÇüÅÂÀÌµç ¿ì¸®¸¦ ¼º¼÷ÇÏ°Ô ÇÑ´Ù. ¿©ÇàÀ» ÅëÇØ ¸ð¸£´ø °Íµµ ¾Ë°Ô µÇ°í, »õ·Î¿î ÀÚ½ÅÀÇ ¸ð½ÀÀ» ¹ß°ßÇϱ⵵ ÇÑ´Ù. ƯÈ÷ ¹«¾ùÀΰ¡ÀÇ ¿ø·ù¸¦ ã¾Æ°£´Ù´Â °ÍÀº ±×°ÍÀÇ ÁøÁ¤ÇÑ °¡Ä¡¸¦ È®ÀÎÇÏ¿© ±íÀÌ ÀÖ´Â ¾Æ¸§´Ù¿òÀ» ¸¸³£ÇÒ ¼ö ÀÖ´Â °ÍÀÌ´Ù. ±×·± Àǹ̿¡¼­ Çѱ¹ °íÀ¯ÀÇ ¹®È­¸¦ µÇ¤¾î°¡´Â ÀÌ ¿©ÇàÀº Çѱ¹ ¹®È­ÀÇ ÁøÁ¤ÇÑ ¾Æ¸§´Ù¿òÀ» ¸¸³¯ ¼ö ÀÖ´Â °è±â°¡ µÉ »Ó ¾Æ´Ï¶ó ¿ì¸®ÀÇ Á¤½ÅÀ» Ã游ÇÏ°Ô Ã¤¿öÁÖ°í µ¿½Ã¿¡ ³»¸éÀÇ ºÒÇÊ¿äÇÑ ¿ä¼Ò¸¦ ºñ¿ö³»¾î ¿©À¯À̶ó´Â °ø°£À» ¸¸µé¾î Áָ鼭 ÇÑ Àΰ£À¸·Î¼­ ¼ºÀåÇÒ ¼ö ÀÖ´Â ±âȸ¸¦ Á¦°øÇÑ´Ù. ¿À´ÃÀÇ ¿ì¸®°¡ ÀÖ±â±îÁö °ú°ÅÀÇ ÈçÀûÀ» ¹â¾Æ°¡´Â ¹ß°ÉÀ½Àº ¼Ò¹ÚÇϸ鼭µµ Á¤±³ÇÑ Çѱ¹ÀÇ ¹®È­ À¯»ê°ú ´à¾Æ ÀÖ´Ù. ÀÌ Ã¥Àº ´«¿¡ º¸À̱⠶§¹®¿¡ ¾Æ³¦¾ø´Â Âù»ç¿Í »ç¶ûÀ» ¹Þ¾Ò´ø À¯Çü À¯¹°º¸´Ù´Â ´«¿¡ º¸ÀÌÁö ¾Ê´Â´Ù´Â ÀÌÀ¯·Î ±× ¸ð½ÀÀÌ Á¡Â÷ Èñ¹ÌÇØÁö´Â Á¤½ÅÀû À¯»ê¿¡ Á¶±Ý ´õ ÁýÁßÇÑ´Ù. ±èÄ¡µµ ´ã°¡º¸°í Àý¹äµµ ¸Ô¾îº¸¸ç ¿ì¸® ¼±Á¶ ´ë´ë·Î ÀüÇØ ¿Â Á¤½ÅÀû °¡Ä¡¸¦ °¢°¢ ÀÚ¼¼ÇÑ °úÁ¤À» ¼Ò°³Çϸ鼭 Àü´ÞÇÏ°íÀÚ ÇÏ´Â Àǵµ°¡ µ¸º¸ÀδÙ.

Travelling helps us to become more mature beings. People get to know themselves better and figure out new things on the way. Especially, an attempt looking for origin gives us the chance to value the true beauty in itself. This journey for traditional culture supports to find real beauty of Korea. It fills in our sprit and empties our mind from abundance at the same time so we can stand on the firm ground as a whole. Every step Bae Yong Joon took to the past resembles Korean culture which implies rustic simplicity and exquisite taste. This book concentrated more to spiritual heritage than tangible assets. It is remarkable that Bae Yong Joon actually tried to make kimchi and had a meal at a temple to show how the process worked out.


ÀÏ»óÀÇ ¾Æ¸§´Ù¿ò (Beauty of Daily Surroundings)
¾Æ½Ã¾ÆÀÇ Å« º°·Î ¿ì¶Ò ¼± Àαâ¹è¿ì ¹è¿ëÁØÀº ÃʽÉÀ¸·Î µ¹¾Æ°¡ ÇÑ Àΰ£À¸·Î¼­ °ú°Å¿Í ÇöÀ縦 ÀÕ´Â °¡±³¿ªÇÒÀ» ÇÏ°í, ¿ì¸® ÀüÅë ¹®È­ÀÇ ¾Æ¸§´Ù¿òÀ» ´õ ¹ßÀü, °è½ÂÇÒ ¼ö ÀÖ´Â °è±â¸¦ ¸¸µé°íÀÚ ÇÏ´Â ¹Ù¶÷À» ÀÌ Ã¥À» ÅëÇØ ±¸Ã¼È­Çß´Ù. Á÷Á¢ ÂïÀº »çÁøµéÀº ÀÛ°¡ÀÇ ³¯Ä«·Î¿î ½Ã¼±°ú dzºÎÇÑ °¨¼ºÀ» ÇÔ²² º¸¿©ÁÖ¸ç ¿©Á¤À» ´õ¿í »ýµ¿°¨ ÀÖ°Ô ÀüÇÑ´Ù. ¹è¿ì°íÀÚ ÇÏ´Â ÀÚ¼¼·Î Âü¿©ÇÑ ÀÏ·ÃÀÇ °úÁ¤¿¡¼­´Â ¹è¿ëÁØÀÇ µû¶æÇÏ°í ¼ÒÅ»ÇÑ ¸é¸ð¸¦ ã¾Æº¼ ¼ö ÀÖÀ¸¸ç, ±× ÁøÁöÇÑ ÀÚ¼¼·Î ÀÓÇÏ´Â ¸ð½À¿¡¼­ Ã¥ ÈĹݿ¡´Â ÇÑ »ç¶÷ÀÇ Çѱ¹ÀÎÀ¸·Î¼­ ºÎ½ ¼ºÀåÇÑ ¸ð½ÀÀ» È®ÀÎÇÒ ¼ö ÀÖ´Ù. ¶ÇÇÑ ÀÛ°¡´Â ÀÚ½ÅÀÇ ¾ËÂù °æÇèÀ» ÇÔ²²ÇÏ°íÀÚ ¿©ÇàÇÑ ·çÆ®¸¦ Ã¥ ÈĹݿ¡ ´ã¾Æ³õ¾Ò´Ù.
ÀÌ Ã¥¿¡¼­ ´«¿¡ ¶ç´Â Á¡Àº ¿Ê°¨À» ¿°»öÇÏ´Â °úÁ¤, Â÷¸¦ ´÷´Â °úÁ¤, µµÀڱ⸦ ºø´Â °úÁ¤ ±×¸®°í ¼úÀ» ºú´Â °úÁ¤ µî ¿ì¸®°¡ ½±°Ô µû¶ó Çϰųª ½ÉÁö¾î °ü½ÉÀ» °¡Áö´Â °Í Á¶Â÷µµ ¾î·Æ°Ô ´À²¸Áö´Â ÀÏ·ÃÀÇ °úÁ¤À» ²Ä²ÄÇÏ°Ô ±â·ÏÇØ ³õ¾Ò´Ù´Â °ÍÀÌ´Ù. ±×°ÍÀº ¹Ù·Î ¡®¼ö¹Ú °ÑÇӱ⡯½ÄÀÇ ±âÇàÀÌ ¾Æ´Ñ Á÷Á¢ ¹è¿ì°í üÇèÇÑ ÈçÀûÀÌÀÚ µ¶ÀÚ·Î ÇÏ¿©±Ý ÁøÁ¤ÇÑ ¾Æ¸§´Ù¿òÀÇ ±íÀ̸¦ ´À³¥ ¼ö ÀÖµµ·Ï ¹è·ÁÇÑ °ÍÀÌ¸ç ¶ÇÇÑ Èñ¹ÌÇØÁ® °¡´Â ÀüÅë ±â¹ýÀ» º¸ÀüÇÏ°íÀÚ ÇÏ´Â ÀÏÁ¾ÀÇ »ç¸í°¨À¸·Î Çؼ®ÇÒ ¼ö ÀÖÀ» °ÍÀÌ´Ù. ´öºÐ¿¡ ¿ì¸®´Â °£Á¢ÀûÀ¸·Î³ª¸¶ °¢ °úÁ¤À» üÇèÇÏ°í ±× ¾Æ¸§´Ù¿òÀ» ÁøÁ¤À¸·Î °ø°¨ÇÒ ¼ö ÀÖ°Ô µÈ´Ù.

Bae Yong Joon reified his wish to reconnect cultural beauty of past and present through this book. A Journey in Search of Korea¡¯s Beauty vividly delivers photographs he took himself that show his accurate observation and fertile imagination. He devoted himself to every single step of the whole process with sincerity. In this book, you will see how different he seems at the end of his journey. It also includes routes he traveled, in his wish to share the experience and to promote cultural visits.
The very advantage of this book is that it contains whole process of certain parts of our heritage which cannot easily get attention nor be experienced around us. Bae Yong Joon put it on record for us to develop empathy with real beauty of cultural heritage and to preserve tradition. Thanks to his enthusiasm, we can indirectly experience the genuine beauty of Korea without actually having participated in the process.

ÁÁÀº Ã¥Àº Àд µ¿¾È µ¶ÀÚ°¡ ÀÛ°¡¿Í ÇÔ²² È£ÈíÇÏ°í °ø°¨ÇÒ ¼ö ÀÖ°í, ÀÐ°í ³­ ÈÄ¿¡´Â ¿©¿îÀÌ ³²¾Æ µ¶ÀÚÀÇ »ý°¢°ú ¸¶À½À» ¿òÁ÷À̴ åÀÌ´Ù. ÀÌ Ã¥À» ÀÐ°í ³ª´Ï ´çÀå ÁüÀ» ½Î¼­ ÀÌ Ã¥À» °¡¹æ¿¡ ³Ö°í ¶°³ª µ¿Á¤Ãá ÇÑ ÀÜ ÇÏ°í ½ÍÀº »ý°¢ÀÌ µç´Ù. ÇÏÁö¸¸ ÇÑÆí ±»ÀÌ ¶°³ªÁö ¾Ê´õ¶óµµ ÁÖº¯ °¡±îÀÌ¿¡¼­ ´À³¥ ¼ö ÀÖ´Â ¸¹Àº ÀüÅëÀÇ ¾Æ¸§´Ù¿ò¿¡ ´ëÇØ ÀÌ Ã¥À¸·ÎºÎÅÍ ¹è¿ì±âµµ Çß´Ù. <Çѱ¹ÀÇ ¾Æ¸§´Ù¿òÀ» ã¾Æ ¶°³­ ¿©Çà>Àº °¡±îÀÌ Àֱ⿡ ¼ÒÁßÇÔÀ» ¸ô¶ú´ø, ³» »î ÁÖº¯ÀÇ ¾Æ¸§´Ù¿òÀ» ¸ÕÀú µ¹¾Æº¸°í °¡Ä¡¸¦ ºÎ¿©ÇÏ´Â °è±â°¡ µÇÁö ¾ÊÀ»±î ½Í´Ù.

Good books let readers follow and agree to the writer while reading. They also should linger in readers¡¯ minds and encourage them to move forward after reading. Page after page, I was amazed how shallow my knowledge about Korea was and I definitely wanted to pack and leave for a cup of Donjeongchun right at the moment. But if you¡¯re in Korea, take a good look around you before you leave and you¡¯ll find something right there as well. I have learned that fact from A Journey in Search of Korea¡¯s Beauty.

¸ñÂ÷

Foreword
Lee O-Young, Korea¡¯s first Minister of Culture | Park Dong-chun, Research Institute of East Asian Tea Culture | Choe Kwang-shik, National Museum of Korea

The Journey Begins

Staying
01 Home Cooking | 02 Kimchi | 03 Hanbok and Housekeeping

Leaving
04 Black Lacquer | 05 Temple Stay | 06 Tea | 07 Pottery

Letting Go
08 Hwangnyongsa and Mireuksa Temple sites

Contemplating
09 Hangeul and King Sejong the Great | 10 Gyeongbokgung Palace and an Ancient Map of the Sky | 11 National Museum of Korea

Returning
12 Wine and Song | 13 Hanok

Leaving, Once Again
14 Landscape

Letters from the Road
Jeon Yong-bok, Iwayama Lacquer Art Museum | Venerable Jeongnim, Gilsangsa Temple |
Lee Hyo-jae, Hanbok ddesigner

The Journey Ends

Routes & Maps
Seoul | North Gyeongsang-do Province |
Gyeonggi-do and Gangwon-do Provinces | South Jeolla-do Province

TIP

º»¹®Áß¿¡¼­

- Staying
In this chapter, the author introduces Koreans¡¯ staple food, including bap and kimchi, and emphasizes the beauty of hanbok, the traditional clothing, often quoted as beautiful lining. Not only that, he focuses on colors of the hanbok and guides the readers to the world of natural dyeing he has experienced.

When it comes to traditional culture, preserving it in its original form is important, but so too is using it in our daily lives. For that to happen, it has to become a toy?something that we use often and with pleasure. As Confucius wrote in The Analects, ¡°Knowing something is not as good as taking pleasure in something.¡± In other words, rather than simply studying something, you should make it a part of your life and enjoy it daily. I think that even more than preserving, understanding and liking culture, we should first have fun with it. (p. 50)

- Leaving
Along with 10,000 year lasting lacquer craft and 1,000 year lasting hanji (the Korean traditional paper), we learn about traditional pottery making and about Buddhism that holds crucial part of Korean history. The writer meets artisans and monks to seek craftsmanship and courtesy that handed down through ages.

This is the first time I have ever tried writing a book. I have had my hand in every part of it, from preliminary research, field trips and photo shoots, to organizing the materials, preparing the manuscript and selecting the final photos. This project, with its tiny crew, feels completely different from the enormous production of a movie or television show. We pull over to take pictures wherever we feel like it, sleep crowded together in one room and help each other in the kitchen. We have become so close that we can tell what the other person wants just by the look in his eye, even with the staff members we hardly knew before the trip. And for every little bump along the road, there have been just as many beautiful moments. To travel truly is to take a journey?of getting to know yourself, of getting to know each other. (p. 114)

I hope Korea will become more widely recognized as a country with lots of healthy food. Because it is true. When we were little, we were told all the time by our mothers and grandmothers, ¡°Eat it. It¡¯s good for you.¡± Korean food is medicine. If someone were to ask me, ¡°What do you think is Korean food¡¯s competitive edge?¡± I would say, ¡°It brings us closer to nature.¡± If we could create an image of Korea as a place where good ingredients and good food, healthful ingredients and healthful food, can be found anywhere, not only would our own lives improve, but more people from other countries would want to visit Korea to experience and learn about it for themselves. (p. 199)

- Letting Go
On an empty site, once enjoyed great honor of the great Kingdom, we reconsider past and present and make plans for future.

To see an ancient city is to be moved by its quiet beauty. There, one can escape the stress of the modern city with its sharp edges and enjoy the relaxed, peaceful pace of an older time. Cities are known for their enormous, splendid buildings that give free reign to ambition. But they can seem oppressive to those who live there. I think people become the center of attention only in a simple, restrained space. (p. 234)

I stood in the desolate field where all that remained was Hwangnyongsa¡¯s foundation stones and was gripped by a sense of awe. The realization sunk in of the terrifying potential of human beings who cling all the more tenaciously the more barren things become. Perhaps technology in those days was better than we think, but I was still amazed by the willpower of those good men who fought to overcome so much adversity and uncertainty. (p. 240)

Ã¥¼Ò°³

Unfledged yet Earnest Record of a Journey in Search of Korea¡¯s Culture

Unfledged yet Earnest Record of a Journey in Search of Korea's Culture

"A Journey in Search of Korea's Beauty" was a yearlong project that Bae Yong Joon undertook in order to learn more about traditional Korean culture from the unfledged yet earnest point of view of one Korean, and to record in a down-to-earth way what he learned and felt in the process.He chose 13 subjects he has been interested in out of the traditional Korean culture and folded into six categories. This book is intended not only for foreign readers who would like to learn more about traditional Korean culture but do not have easy access to it, but also for Korean readers as well who are in search of this country's beauty.

<°¢ éÅͺ° °£·« ¼Ò°³>
1. Staying: In this chapter, the author introduces Koreans' staple food, including bap and kimchi, and emphasizes the beauty of hanbok, the traditional clothing, often quoted as beautiful lining. Not only that, he focuses on colors of the hanbok and guides the readers to the world of natural dyeing he has experienced.

2. Leaving: Along with 10,000 year lasting lacquer craft and 1,000 year lasting hanji (the Korean traditional paper), we learn about traditional pottery making and about Buddhism that holds crucial part of Korean history. The writer meets artisans and monks to seek craftsmanship and courtesy that handed down through ages.

3. Letting Go: On an empty site, once enjoyed great honor of the great Kingdom, we reconsider past and present and make plans for future.

4. Contemplating: King Sejong the Great hoped for all the people to be able to read and write. We recollect dreaming King's invention, hanguel, and tangible assets from National Museum of Korea.

5. Returning: Compared to world famous wine, Korea's traditional wine takes no lower position. We take a look at traditional liquor and hanok, the traditional Korean housing which is built based upon human engineering.

6. Leaving, Once Again: The last chapter contains beautiful photographs taken by Bae Yong Joon during his journey.

ÀúÀÚ¼Ò°³

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