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Rowson, an illustrator whose version of T.S. Eliot's The Wasteland met with critical praise, turns his considerable skills to Laurence Sterne's 18th-century classic. This appears a sure bet: a new reading of a well-known book. Yet, the novel doesn't make the transition into the graphic format smoothly. Rowson's admiration for Tristram Shandy hinders this graphic version, causing him to rely on the text rather than the illustrations to pace the story. Moreover, this book becomes not only another version of Tristram Shandy but a commentary on reading it as several celebrities wend their way through the plot, which includes a hypothetical game of strip poker between Sterne, Swift, and Rabelais and the filming of the novel by movie producer Oliver Stone. Too complex for those unfamiliar with the original, this is nonetheless recommended for libraries with large graphic novel and literature collections.?Stephen Weiner, Maynard P.L., Mass.

The comic masterpiece Tristram Shandy is often regarded as a progenitor of the twentieth century novel. Within the resolutely tangled strands of this narrative is the life, from conception, of a gentleman cursed at birth with the name Tristram. Though everything occurs between parlor and garden, Tristram's excitable father, bewildered mother, and Uncle Toby provide ample opportunity for the digressions and madcap events that structure this seminal novel.