¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
Á¤°¡ |
7,100¿ø |
---|
6,890¿ø (3%ÇÒÀÎ)
210P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(1)
»óÇ°±Ç
¸ñÂ÷
Preface. .
. Introduction. 1.
. The Invisible Man: A Grotesque Romance (1897). 29.
. (Annotated text of the first New York edition). 32.
App. I. Review of The Invisible Man in The Spectator (1897). 205.
App. II. Review of The Invisible Man by Arnold Bennett (1897). 207.
App. III. Sergei Nechaev, "The Revolutionary Catechism" (1869), Section 1. 209.
App. IV. T. H. Huxley, "Science and Culture" (1880), Excerpt. 212.
App. V. Thomas Carlyle, Past and Present, "The Sphinx" (1843). 218.
. Bibliography. 227.
. Index. 237
º»¹®Áß¿¡¼
Ã¥¼Ò°³
THE INSPIRATION FOR THE NEW MAJOR MOTION PICTURE!
From the twentieth century's first great practitioner of the novel of ideas comes a consummate masterpiece of science fiction about a man trapped in the terror of his own creation.
A stranger emerges out of a freezing February day with a request for lodging in a cozy provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why is he disguised in such a manner? What keeps him hidden in his room? The villagers, aroused by trepidation and curiosity, bring it upon themselves to find the answers. What they discover is not only a man trapped in the terror of his own creation, but a chilling reflection of the unsolvable mysteries of their own souls.
"My fantastic stories do not pretend to deal with possible things. They aim indeed only at the same amount of conviction as one gets in a gripping good dream."--H. G. Wells
With an Introduction by W. Warren Wagar
and an Afterword by Scott Westerfeld
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19630505 |
---|
1963³â ¹Ì±¹¿¡¼ ž´Ù. 2000³â¿¡ 'Çʸ³ K. µñ ¾î¿öµå' Ưº°»óÀ» ¼ö»óÇßÀ¸¸ç, µ¶Æ¯ÇÑ ¼³Á¤À» ¹ÙÅÁÀ¸·Î ¸ÅȤÀûÀÎ ¼»ç¿Í Èû ÀÖ´Â ¾×¼ÇÀÌ °¡µæÇÑ À̾߱⸦ ¼±º¸ÀÌ´Â ¹Ì±¹ÀÇ ´ëÇ¥ÀûÀÎ SF ÀÛ°¡ÀÌ´Ù. '¾î±Û¸®Uglies' ½Ã¸®Á ºñ·ÔÇØ 'Ç̽ºPeeps', '±×·¡¼ ¾îÁ¦´ÂSo Yesterday'ÀÌ ALA(Àü¹Ìµµ¼°ü ¿¬ÇÕ)°¡ »ÌÀº ÃÖ¿ì¼öû¼Ò³â µµ¼¿¡ ¼±Á¤µÇ¾úÀ¸¸ç, ±× ¿Ü ´ëÇ¥ÀÛÀ¸·Î '¹Ìµå³ªÀÌÅÍMidnighters', 'ºÎÈ°ÇÑ Á¦±¹The Risen Empire', '¼¼°è ÇлìThe Killing of Worlds' µîÀÌ ÀÖ´Ù. ÇöÀç È£ÁÖ Ãâ½Å ÀÛ°¡ÀÎ ¾Æ³» Àú½ºÆ¾ ¶ó¹ß¿¡½ºÆ¼¾î¿Í ÇÔ²² È£ÁÖ ½Ãµå´Ï¿Í ´º¿åÀ» ¿À°¡¸ç »ì°í ÀÖ´Ù.
ÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±â»ý³â¿ùÀÏ | 18660921 |
---|
¹®¸íºñÆò°¡ÀÌÀÚ SFÀÇ Ã¢½ÃÀÚ¶ó ºÒ¸®´Â Çã¹öÆ® Á¶Áö À£Áî´Â 1866³â ¿µ±¹¿¡¼ ž´Ù. ±×´Â 7¼¼ ¶§ ¹ß¸ñÀ» ´ÙÃļ ¿À·§µ¿¾È ´©¿ö ÀÖ¾î¾ß¸¸ Çߴµ¥, ±× Áö·çÇÑ ½Ã°£À» º¸³»±â À§ÇØ Ã¥À» Àб⠽ÃÀÛÇÑ °ÍÀÌ µ¿±â°¡ µÇ¾î µ¶¼¿¡ Èï¹Ì¸¦ °®°Ô µÇ¾ú´Ù. ¾î·Á¿î ȯ°æÀ¸·Î ÀÎÇØ ¾î·Á¼ºÎÅÍ °¡°Ô Á¡¿ø, Ä¡°úÀÇ»ç º¸Á¶ µî ¿©·¯ °¡Áö ÀÏÀ» ÇÏ¸é¼ ÀÚ¶ó³ ±×´Â 18¼¼°¡ µÇ´ø ÇØ¿¡ ·±´ø´ëÇÐ »ý¹°Çаú¿¡ ÁøÇÐÇÑ´Ù. ´ëÇÐÀ» Á¹¾÷ÇÑ ÈÄ¿¡´Â °úÇб³»ç·Î ÃëÁ÷ÇÏ´Â µ¿½Ã¿¡ ´ëÁßÀâÁö¿¡ °úÇмҼ³À» ¿¬ÀçÇϱ⠽ÃÀÛÇÑ´Ù. À£ÁîÀÇ °úÇмҼ³µéÀº ¿¬Àç°¡ µÇÀÚ¸¶ÀÚ Àα⸦ ²ø¾ú°í, 1895³â, dzºÎÇÑ °úÇÐ Áö½ÄÀ» Åä´ë·Î ÇÏ¿© ÃÖÃÊ·Î ½Ã°£ ¿©ÇàÀ» ½á³½ ¡ºÅ¸ÀӸӽš»ÀÌ Ãâ°£µÇÀÚ Æø¹ßÀûÀÎ Àα⸦ ¾ò¾î ÀϾà À¯¸í ÀÛ°¡°¡ µÇ¾ú´Ù. ±× ÈÄ ¡º¸ð·Î ¹Ú»çÀÇ ¼¶¡», ¡ºÅõ¸í Àΰ£¡», ¡º¿ìÁÖ ÀüÀï¡», ¡º´Þ ¼¼°è ÃÖÃÊÀÇ »ç¶÷¡» µîÀ» ¹ßÇ¥ÇÏ¿© SF ÀÛ°¡·Î¼ÀÇ À§Ä¡¸¦ ±»°ÇÈ÷ Çß´ø À£Áî´Â 1946³â 80¼¼ÀÇ ³ªÀÌ·Î ¼¼»óÀ» ¶°³µ´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±â»ý³â¿ùÀÏ | - |
---|
ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.