°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
»ï¼ºÄ«µå 6% (9,030¿ø)
(»ï¼ºÄ«µå 6% û±¸ÇÒÀÎ)
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (9,120¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (6,720¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄũīµå 20% (7,680¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Great Escapes South America (Paperback)

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

°øÀ¯Çϱâ
Á¤°¡

32,000¿ø

  • 9,600¿ø (70%ÇÒÀÎ)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • I-Point Àû¸³Àº Ãâ°í¿Ï·á ÈÄ 14ÀÏ À̳» ¸¶ÀÌÆäÀÌÁö¿¡¼­ Àû¸³¹Þ±âÇÑ °æ¿ì¸¸ Àû¸³µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡
  • À̺¥Æ®/±âȹÀü

  • ¿¬°üµµ¼­(59)

  • »çÀºÇ°(2)

ÃâÆÇ»ç ¼­Æò

Continuing its quest to seek out the world¡¯s most unique and inspiring hotels, TASCHEN takes on South America. This diverse selection of hotels, posadas, and haciendas highlights the most exceptional destinations on the continent. Among the breathtaking paradise spots are a hotel on a Patagonian natural reserve, a hacienda perched high in the Andes mountains, an adobe hotel in the Chilean desert, a converted monastery in Peru, a hotel built entirely of salt in Bolivia¡¯s Uyuni salt desert, and an "ecolodge" on a natural reserve in the Amazon rain forest. For the love of nature, tango dancing, and caipirinhas, nothing beats these exotic escapes from the fast lane.

Countries included: Argentina, Bolivia, Brazil, Chile, Columbia, Equador, Peru, Uruguay

°ü·ÃÀ̹ÌÁö

ÀúÀÚ¼Ò°³

»ý³â¿ùÀÏ -
Ãâ»ýÁö -
Ãâ°£µµ¼­ 0Á¾
ÆÇ¸Å¼ö 0±Ç

ÇÏÀ̵¨º£¸£±×¿¡¼­ ¿¹¼ú»ç¿Í µ¶ÀϹ®ÇÐÀ» °øºÎÇϰí 1986³â ¹Ú»çÇÐÀ§¸¦ ÃëµæÇß´Ù. ±×³à´Â 1987³âºÎÅÍ TASCHEN¿¡¼­ ÀÏÇϸ鼭 ¿¹¼ú, °ÇÃà, »çÁø, µðÀÚÀÎ, ¿©Çà, ¶óÀÌÇÁ½ºÅ¸ÀÏ¿¡ À̸£±â±îÁö ¹æ´ëÇÑ ºÐ¾ßÀÇ Ã¥À» ¸¸µé°í ÀÖ´Ù.

ÀúÀÚÀÇ ´Ù¸¥Ã¥

Àüüº¸±â
ÆîÃ帱â
»ý³â¿ùÀÏ -
Ãâ»ýÁö -
Ãâ°£µµ¼­ 0Á¾
ÆÇ¸Å¼ö 0±Ç

Tuca Reines is a native and resident of Sao Paulo. For over 20 years, he has been a frequent contributor to magazines such as Vogue, Casa Vogue Brasil, and Wallpaper*, among others. He is the photographer of several architectural books and his work has also appeared in many publications, including TASCHEN's Seaside Interiors and Great Escapes South America

ÀÌ »óǰÀÇ ½Ã¸®Áî

(ÃÑ 194±Ç / ÇöÀ籸¸Å °¡´Éµµ¼­ 59±Ç)

ÆîÃ帱â

½Ç¿ë/¿¹¼ú ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    ±¸¸Å ÈÄ ¸®ºä ÀÛ¼º ½Ã, ºÏÇǴϾð Áö¼ö ÃÖ´ë 600Á¡

    ¸®ºä¾²±â

    ±â´ëÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/200ÀÚ
    µî·ÏÇϱâ

    ±â´ëÆò

    0.0

    ±³È¯/ȯºÒ

    ±³È¯/ȯºÒ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹Ýǰ/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½ÅûÇÔ, 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¶Ç´Â °í°´¼¾ÅÍ(1577-2555) ÀÌ¿ë °¡´É

    ±³È¯/ȯºÒ °¡´É ±â°£

    °í°´º¯½ÉÀº Ãâ°í¿Ï·á ´ÙÀ½³¯ºÎÅÍ 14ÀÏ ±îÁö¸¸ ±³È¯/ȯºÒÀÌ °¡´ÉÇÔ

    ±³È¯/ȯºÒ ºñ¿ë

    °í°´º¯½É ¶Ç´Â ±¸¸ÅÂø¿ÀÀÇ °æ¿ì¿¡¸¸ 2,500¿ø Åùèºñ¸¦ °í°´´ÔÀÌ ºÎ´ãÇÔ

    ±³È¯/ȯºÒ ºÒ°¡»çÀ¯

    ¹ÝǰÁ¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óǰ È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡ÇÒ ¼ö ÀÖÀ½
    ¹è¼ÛµÈ »óǰÀÇ ºÐ½Ç, »óǰÆ÷ÀåÀÌ ÈÑ¼ÕµÈ °æ¿ì, ºñ´Ò·¦ÇÎµÈ »óǰÀÇ ºñ´Ò °³ºÀ½Ã ±³È¯/¹ÝǰÀÌ ºÒ°¡´ÉÇÔ

    ¼ÒºñÀÚ ÇÇÇØº¸»ó

    ¼ÒºñÀÚ ÇÇÇØº¸»óÀÇ ºÐÀïó¸® µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á±âÁØ(°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ µû¶ó ºñÇØ º¸»ó ¹ÞÀ» ¼ö ÀÖÀ½
    ±³È¯/¹Ýǰ/º¸ÁõÁ¶°Ç ¹× ǰÁúº¸Áõ ±âÁØÀº ¼ÒºñÀڱ⺻¹ý¿¡ µû¸¥ ¼ÒºñÀÚ ºÐÀï ÇØ°á ±âÁØ¿¡ µû¶ó ÇÇÇØ¸¦ º¸»ó ¹ÞÀ» ¼ö ÀÖÀ½

    ±âŸ

    µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó ǰÀý/ÀýÆÇ µîÀÇ »çÀ¯·Î ÁÖ¹®ÀÌ Ãë¼ÒµÉ ¼ö ÀÖÀ½(ÀÌ °æ¿ì ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­ °í°´´Ô²² º°µµ·Î ¿¬¶ôÇÏ¿© °íÁöÇÔ)

    ¹è¼Û¾È³»

    • ÀÎÅÍÆÄÅ© µµ¼­ »óǰÀº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óǰÀ» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óǰÀ» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óǰÀ» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÏ¿©, ÀÎÅÍÆÄÅ© ¿Ü Ÿ¾÷ü ¹è¼Û»óǰÀÎ °æ¿ì ¹ß¼ÛµÇÁö ¾ÊÀ» ¼ö ÀÖ½À´Ï´Ù.

    • ¹è¼Ûºñ

    µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ) ±¸¸Å

    2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    À½¹Ý/DVD/ÀâÁö/¸¸È­ ±¸¸Å

    2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    µµ¼­¿Í À½¹Ý/DVD/ÀâÁö/¸¸È­/
    Áß°íÁ÷¹è¼Û»óǰÀ» ÇÔ²² ±¸¸Å

    2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    ¾÷üÁ÷Á¢¹è¼Û»óǰ ±¸¸Å

    ¾÷üº° »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë