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“This shining and heartbreaking novel may be one of the greatest love stories ever told.” -The New York Times Book Review

“A love story of astonishing power…. Altogether extraordinary.” -Newsweek

“Brilliant, provocative…magical…splendid writing.” -Chicago Tribune

“Beguiling, masterly storytelling…. Garc?a M?rquez writes about love as saving grace, the force that makes life worthwhile.” -Newsday

“A sumptuous book…[with] major themes of love, death, the torments of memory, the inexorability of old age.” -The Washington Post Book World

ABOUT THIS BOOK

Set in an unnamed Caribbean seaport, Garcia Marquez's extraordinary Love in the Time of Cholera (1988) relates one of literature's most remarkable stories of unrequited love. "This shining and heartbreaking novel," Thomas Pynchon wrote in The New York Times Book Review, is one of those few rare works "that can even return our worn souls to us."

Mary Wesley on Garcia Marquez's Love in the Time of Cholera:

"This is the funniest, most moving book I have read and re-read. Each reading discovers fresh delights, a true classic. Garcia Marquez is the greatest South American writer who doesn't hesitate to write of the spiritual and mundane in the same paragraph."

Annotation
The lush, wondrous story of an unrequited love that survives half a century

EXCERPT

IT WAS INEVITABLE: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed it as soon as he entered the still darkened house where he had hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.

He found the corpse covered with a blanket on the campaign cot where he had always slept, and beside it was a stool with the developing tray he had used to vaporize the poison. On the floor, tied to a leg of the cot, lay the body of a black Great Dane with a snow-white chest, and next to him were the crutches. At one window the splendor of dawn was just beginning to illuminate the stifling, crowded room that served as both bedroom and laboratory, but there was enough light for him to recognize at once the authority of death. The other windows, as well as every other chink in the room, were muffled with rags or sealed with black cardboard, which increased the oppressive heaviness. A counter was crammed with jars and bottles without labels and two crumbling pewter trays under an ordinary light bulb covered with red paper. The third tray, the one for the fixative solution, was next to the body. There were old magazines and newspapers everywhere, piles of negatives on glass plates, broken furniture, but everything was kept free of dust by a diligent hand. Although the air coming through the window had purified the atmosphere, there still remained for the one who could identify it thedying embers of hapless love in the bitter almonds. Dr. Juvenal Urbino had often thought, with no premonitory intention, that this would not be a propitious place for dying in a state of grace. But in time he came to suppose that perhaps its disorder obeyed an obscure determination of Divine Providence.

A police inspector had come forward with a very young medical student who was completing his forensic training at the municipal dispensary, and it was they who had ventilated the room and covered the body while waiting for Dr. Urbino to arrive. They greeted him with a solemnity that on this occasion had more of condolence than veneration, for no one was unaware of the degree of his friendship with Jeremiah de Saint-Amour. The eminent teacher shook hands with each of them, as he always did with every one of his pupils before beginning the daily class in general clinical medicine, and then, as if it were a flower, he grasped the hem of the blanket with the tips of his index finger and his thumb, and slowly uncovered the body with sacramental circumspection. Jeremiah de Saint-Amour was completely naked, stiff and twisted, eyes open, body blue, looking fifty years older than he had the night before. He had luminous pupils, yellowish beard and hair, and an old scar sewn with baling knots across his stoma...........