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The Merchant of Venice

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AD

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Shakespeare: An Overviewp. vii
Biographical Sketchp. vii
A Note on the Anti-Stratfordians, Especially Baconians and Oxfordiansp. xi
The Shakespeare Canonp. xv
Shakespeare's Englishp. xviii
Shakespeare's Theaterp. xxvi
A Note on the Use of Boy Actors in Female Rolesp. xxxiii
Shakespeare's Dramatic Language: Costumes, Gestures and Silences; Prose and Poetryp. xxxvi
The Play Text as a Collaborationp. xliii
Editing Textsp. xlix
Shakespeare on the Stagep. liv
Introductionp. lxiii
The Merchant of Venicep. 1
Textual Notep. 101
A Note on the Sources of The Merchant of Venicep. 105
Commentaries
From The Works of Mr. William Shakespearp. 109
From Characters of Shakespear's Playsp. 110
Henry Irving's Shylockp. 116
From Shylockp. 121
The Avoidance of Choice: A Woman's Privilegep. 137
The Fourth and Fifth Actsp. 142
The End of The Merchant of Venice: Four Versionsp. 156
The Merchant of Venice on Stage and Screenp. 160
Suggested Referencesp. 175
Table of Contents provided by Syndetics. All Rights Reserved.

Ã¥¼Ò°³

The Merchant of Venice has been performed more often than any other comedy by Shakespeare. This edition pays special attention to the expectations of its first audience, and to our modern experience of seeing and hearing the play. Mahood explores Merchant's historical background, showing the play to be a blend of both romantic and urban contemporary comedy. She investigates the Englishman's myth of Venice, Elizabethan notions of equity, the position of Jews in society and attitudes toward them. An appendix discusses Shakespeare's familiarity with and use of Biblical allusion in the play. Mahood's introduction addresses the play's dramatic production and the way Shakespeare manipulates our response to character. A stage history, complete with photographs and drawings, shows how allegiances are altered in performance according to prevailing political or social trends.

--- FROM THE PUBLISHER

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