¿Ü±¹µµ¼
¹®ÇÐ
¼Ò¼³
Á¤°¡ |
23,290¿ø |
---|
22,590¿ø (3%ÇÒÀÎ)
680P (3%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(1)
»óÇ°±Ç
ÃâÆÇ»ç ¼Æò
2006³â Á¦ÀÓ½º Å×ÀÌÆ® ºí·¢ ¸Þ¸ð¸®¾ó »ó°ú 2007³â ǽ¸®Ã³»óÀ» ¼ö»óÇÑ ÄÚ¸Æ ¸ÆÄ«½ÃÀÇ ¼Ò¼³. ¹¬½Ã·ÏÀû ºñÀüÀ¸·Î °¡µæ Âù ¼Ò¼³Àº ´ëÀç¾Ó ÀÌÈÄÀÇ Áö±¸¸¦ ¹è°æÀ¸·Î ±æÀ» ¶°³ª´Â ¾Æ¹öÁö¿Í ¾ÆµéÀÇ À̾߱⸦ ±×¸®°í ÀÖ´Ù. ¡®¿ÀÇÁ¶ó À©ÇÁ¸® Ŭ·´ µµ¼¡¯ ¿¡µµ ¼±Á¤µÇ¾úÀ¸¸ç 2008³â ÇöÀç ºñ°í ¸ðÅÙ½¼ÀÌ ÁÖ¿¬À» ¸Ã¾Æ ¿µÈ·Î Á¦ÀÛÁßÀÌ´Ù.
´ëÀç¾ÓÀÌ ÀÏ¾î³ Áö±¸. ±×°÷¿¡ ¹«½¼ ÀÏÀÌ ÀÖ¾ú´ÂÁö ±¸Ã¼ÀûÀ¸·Î ¸í½ÃµÈ °ÍÀº ¾ø´Ù. ¹®¸íÀº Æı«µÇ¾ú°í Áö±¸ÀÇ °ÅÀÇ ¸ðµç »ý¸íÀº ¸êÁ¾ÇÑ »óÅÂ. ºÒ¿¡ ź ¼¼»óÀº ¿ÂÅë Àç·Î µÚµ¤¿´°í ÇÏ´Ã °¡µæ ¶°µµ´Â Àç¿¡ °¡·Á ž絵 º¸ÀÌÁö ¾Ê´Â´Ù. ÇѸ¶µð·Î ¸ðµç °ÍÀÌ »ç¶óÁø ¶¥. ±×°÷¿¡ ¾Æ¹öÁö¿Í ¾î¸° ¾ÆµéÀÌ ÀÖ´Ù. ±×¸®°í ¹è°íÇÄ°ú »ýÁ¸À» À§ÇùÇÏ´Â »ç°Çµé ¼Ó¿¡¼µµ ±×µéÀº ÇÏ¿°¾øÀÌ °È°í ÀÖ´Ù. ¹Ù´Ù°¡ ÀÖ´Â ³²ÂÊÀ» ÇâÇØ...
±×µéÀÌ ¿Ö ³²ÂÊÀ» ÇâÇØ °È´ÂÁö´Â ¾Ë ¼ö ¾ø´Ù. ´Ù¸¸ ¾Æ¹öÁö´Â ¾Æµé¿¡°Ô ÀÌ·± ¸»À» ÇÒ »ÓÀÌ´Ù. ¡°¿ì¸®´Â ºÒÀ» ¿Å±â´Â »ç¶÷µéÀÌ´Ù¡± ±×·¯³ª ±×µéÀÇ ¿©ÇàÀº ½±Áö ¾Ê´Ù. ¼¼»óÀº ¸Å¿ì »è¸·Çϸç Àΰ£ÀÌ Àΰ£À» Á×ÀÌ°í ¸Ô´Â ÀÏÀÌ ¹Ýº¹µÇ°í ÀÖ´Ù. Æ®·°À» Ÿ°í ´Ù´Ï¸ç Àΰ£À» »ç³ÉÇÏ°í ¹è°íÇÄÀ» ÂüÁö ¸øÇØ ¾Æ±â¸¦ ±¸¿ö ¸Ô±âµµ ÇÑ´Ù. °¡Àå Å« ¾î·Á¿òÀº ¸ÅÀÏ °¢Ç÷À» Çϸç ÀáÀ» ±ú´Â ¾Æ¹öÁö. ±×´Â ÀÚ½ÅÀÌ Á׾°í ÀÖ´Ù´Â °Íµµ Àß ¾È´Ù.
±×·³¿¡µµ ºÒ±¸ÇÏ°í ÀÌ ¸ðµç À§ÇèÀ¸·ÎºÎÅÍ ¾Æµé¸¸Àº ÁöÄѳ»±â À§ÇØ ¾Æ¹öÁö´Â ¹öƾ´Ù. ¿¹±âÄ¡ ¾ÊÀº °ø°Ý, À§ÇèÇÑ »óȲ¿¡ÀÇ ³ëÃâ, ±×¸®°í ¹«¾ùº¸´Ù ±¾ÁÖ¸²À¸·ÎºÎÅÍ... ±×·¯³ª ÀÌ¹Ì »ç¶óÁø ¹®¸í¿¡ ´ëÇØ ¾ÆµéÀº ¾ËÁö ¸øÇÑ´Ù. ¹®¸íÀÌ Á¸ÀçÇÏ´ø »çȸ¿¡ ´ëÇÑ ¾î¶² ±â¾ïÀ̳ª Áö½Ä, üÇèµµ ±×¿¡°Õ ¾ø´Ù. ¶§¹®¿¡ ¾ÆµéÀº ¸ðµç »ç¶÷µé¿¡°Ô ´Ù°¡°¡ ±×µéÀ» µ½°í ²¸¾È°íÀÚ ÇÑ´Ù. ±×·¯³ª ¾Æ¹öÁö´Â ¾ÆµéÀ» Á¦¿ÜÇÑ »ì¾Æ³²Àº ¸ðµç »ç¶÷À» °æ°èÇÏ°í ÀÖ´Ù.
NATIONAL BESTSELLER
PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist
A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post
The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food-?and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity.
º»¹®Áß¿¡¼
Today's Books Ãßõµµ¼ (2007.06.08)
Today's Books Ãßõ¼ ¸ðµÎ º¸·¯ °¡±â ¢º Go!
2007³â ǽ¸®Ã³»ó ÇȼǺι® ¼ö»óÀÛ Ç½¸®Ã³»ó ¼ö»óÀÛ ¸ðµÎ º¸·¯°¡±â!! ¢º Go!
Ã¥¼Ò°³
NATIONAL BESTSELLER
PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist
A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post
¾Æ¹öÁö¿Í ¾î¸° ¾ÆµéÀÌ È²ÆóÈµÈ ¹Ì±¹¶¥À» ¿Ü·Ó°Ô °È°í ÀÖ´Ù. ÆóÇã°¡ µÇ¾î¹ö¸° ±×°÷. ÇÏ´ÃÁ¶Â÷ ÀíºûÀÌ µÇ¾î¹ö¸° ±×°÷. ÀÌÁ¦ ¾Æ¹«°Íµµ ³²Àº °ÍÀÌ ¾ø´Âµ¥...
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity.
°ü·ÃÀ̹ÌÁö
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19330720 |
---|
Àª¸®¾ö Æ÷Å©³Ê, Çã¸Õ ¸áºô, ¾î´Ï½ºÆ® Çì¹Ö¿þÀÌ¿Í ºñ°ßµÇ´Â, ¹Ì±¹ Çö´ë ¹®ÇÐÀ» ´ëÇ¥ÇÏ´Â ¼Ò¼³°¡. ¹®ÇÐÆò·Ð°¡ ÇØ·²µå ºí·ëÀº Åä¸Ó½º ÇÉõ, µ· µå¸±·Î, Çʸ³ ·Î½º¿Í ÇÔ²² ÄÚ¸Æ ¸ÅÄ«½Ã¸¦ ÀÌ ½Ã´ë¸¦ ´ëÇ¥ÇÏ´Â 4´ë ¹Ì±¹ ¼Ò¼³°¡ Áß Çϳª·Î ²ÅÀº ¹Ù ÀÖ´Ù. ¸ÅÄ«½Ã´Â 1933³â ¹Ì±¹ ·Îµå¾ÆÀÏ·£µå ÁÖ ÇÁ·Îºñ´ø½º¿¡¼ ž´Ù. 1951³â Å׳׽à ´ëÇб³¿¡ ÀÔÇÐÇØ Àι®ÇÐÀ» Àü°øÇß°í °ø±º¿¡¼ 4³â µ¿¾È º¹¹«Çß´Ù. ½ÃÄ«°í¿¡¼ ÀÚµ¿Â÷ Á¤ºñ°øÀ¸·Î ÀÏÇÏ¸ç ¾´ ù ¹ø° ÀåÆí¼Ò¼³ ¡º°ú¼ö¿øÁö±â(The Orchard Keeper)¡»(1965)·Î Æ÷Å©³Ê »óÀ» ¹Þ¾Ò´Ù. ÀÌÈÄ ¡º¹Ù±ùÀÇ ¾îµÒ(Outer Dark)¡»(1968), ¡º½ÅÀÇ ¾Æ µé(Child of God)¡»(1974), °¡Àå ÀÚÀüÀû ³»¿ëÀÇ ¡º¼Æ®¸®(Suttree)¡»(1978)·Î ÀÛ°¡·Î¼ ÀÔÁö¸¦ ´ÙÁö±â ½ÃÀÛÇß´Ù. 1976³â Åػ罺 ÁÖ ¿¤ÆмҷΠÀÌÁÖÇÑ ÈÄ ¹ßÇ¥ÇÑ ¡ºÇͺû ÀÚ¿À¼±(Blood Meridian)¡»(1985)Àº Ãʱ⠰íµñdz ¼Ò¼³¿¡¼ ¹¬½Ã·ÏÀû ºÐÀ§±â°¡ ¹è¾î ÀÖ´Â ¼ºÎ À帣 ¼Ò¼³·ÎÀÇ ÀüȯÁ¡¿¡ ÇØ´çÇÏ´Â ¼öÀÛÀÌÀÚ ¸ÅÄ«½Ã¿¡°Ô º»°ÝÀûÀ¸·Î ¹®ÇÐÀû ¸í¼ºÀ» ¾È°Ü ÁØ ÀÛÇ°ÀÌ´Ù. ¡®¡¶Å¸ÀÓ¡·ÀÌ »ÌÀº 100´ë ¿µ¹® ¼Ò¼³¡¯·Îµµ ¼±Á¤µÇ¾ú´Ù. ¡º¸ðµÎ ´Ù ¿¹»Û ¸»µé(All the Pretty Horses)¡»(1992)Àº Æò·Ð°¡µéÀÇ ¶ß°Å¿î È£ÆòÀ» ¹ÞÀ¸¸ç Àü¹Ì µµ¼»ó°ú Àü¹Ì ºñÆò°¡Çùȸ»óÀ» ¹Þ¾Ò´Ù. ¶ÇÇÑ Ã³À½ ¿©¼¸ ´Þ µ¿¾È 20¸¸ ºÎ¿¡ ´ÞÇÏ´Â ÆÇ¸Å°í¸¦ ¿Ã¸®¸ç ¡¶´º¿å ŸÀÓ½º¡· º£½ºÆ®¼¿·¯¿¡ ¿À¸£±âµµ Çß´Ù. ´Ù¸¥ µÎ ÀÛÇ° ¡º±¹°æÀ» ³Ñ¾î(The Crossing)¡»(1994)¿Í ¡ºÆò¿øÀÇ µµ½Ãµé(Cities of the Plain)¡»(1998)À» Æ÷ÇÔÇÑ ¡®±¹°æ 3ºÎÀÛ¡¯Àº ¼ºÎ À帣 ¼Ò¼³À» °í±Þ ¹®ÇÐÀ¸·Î ½Â°Ý½ÃÄ×´Ù´Â Âù»ç¿Í ÇÔ²², ¸ÅÄ«½ÃÀÇ ÀÛÇ° Áß ´ëÁßÀÇ »ç¶ûÀ» °¡Àå ¸¹ÀÌ ¹Þ´Â ÀÛÇ°µéÀÌ´Ù. ±× ¹Û¿¡ ¡º³ëÀÎÀ» À§ÇÑ ³ª¶ó´Â ¾ø´Ù(No Country for Old Men)¡»(2005), ¡º·Îµå(The Road)¡»(2006) µîÀÌ ÀÖÀ¸¸ç 2007³â¿¡ ¡º·Îµå¡»·Î ǽ¸®Ã³ »óÀ» ¹Þ¾Ò´Ù. ¡ºÄ«¿î½½·¯(The Counselor)¡»´Â ¸ÅÄ«½Ã°¡ ¾´ ù ¹ø° ½Ã³ª¸®¿À·Î, ¸®µé¸® ½ºÄà °¨µ¶ÀÌ 2012³â ¿µÈÈÇß´Ù.
ÆîÃ帱âÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±âÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
¹®ÇÐ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.